{"id":3122,"date":"2009-12-27T15:29:58","date_gmt":"2009-12-27T15:29:58","guid":{"rendered":"http:\/\/450"},"modified":"2009-12-27T15:29:58","modified_gmt":"2009-12-27T15:29:58","slug":"jean-garapon","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/jean-garapon\/","title":{"rendered":"Jean GARAPON"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Nantes, France <\/span><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR * Universit\u00e9 de Nantes * Litt\u00e9rature fran\u00e7aise XVIIe si\u00e8cle<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Genre des M\u00e9moires <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>OUVRAGES<\/strong><\/span><br \/> &#8211; <em>Le Monde litt\u00e9raire et moral de Mademoiselle de Montpensier. Culture princi\u00e8re et connaissance de soi<\/em>, Paris, Klincksieck (\u00e0 para\u00eetre).<br \/> &#8211;<em><a href=\"1\/\">La Culture d&#8217;une princesse. \u00c9criture et autoportrait dans l&#8217;oeuvre de la Grande Mademoiselle (1627-1693)<\/a>,<\/em> Paris, H. Champion, 2003.<br \/> &#8211; (dir.) <em>L&#8217;Autobiographie en France avant Rousseau<\/em>, CAIEF, 49, mai 1997.<br \/> &#8211; (dir., avec M. C. Garapon ) <em>La Grande Mademoiselle<\/em>, num\u00e9ro sp\u00e9cial de <em>Papers on French Seventeenth-Century Literature<\/em>, 42,1995.<br \/> &#8211; <em>La Grande Mademoiselle m\u00e9morialiste. Une autobiographie dans le temps <\/em>(Th\u00e8se de IIIe Cycle, Paris IV, juin 1986), Gen\u00e8ve, Droz, 1989. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><strong><br \/> \u00c9DITIONS CRITIQUES<\/strong><\/span><br \/> &#8211; Mlle de Montpensier : <em>Oeuvres compl\u00e8tes.<\/em> Tome I : <em>Oeuvres Diverses<\/em> (en collaboration avec Jacqueline Planti\u00e9 pour les Divers Portraits), tomes II et III : <em>M\u00e9moires<\/em>, Paris, H. Champion (parution pr\u00e9vue \u00e0 partir de 2002-2003). <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES <\/strong><\/span><br \/> &#8211; \u00ab Le Portefeuille, roman d\u2019\u00e9ducation en miniature \u00bb, in N. Grande &amp; E. Keller-Rahb\u00e9 (dir.), <em><a href=\"1\/\">Madame de Villedieu, ou les audaces du roman<\/a>,<\/em> num\u00e9ro sp\u00e9cial de <em>Litt\u00e9ratures classiques,<\/em> 61, printemps 2007, p.131-140. <br \/> &#8211; \u00ab Mademoiselle de Montpensier et ses divertissements litt\u00e9raires \u00bb, in R. Marchal (dir.) <em>Vie des salons et activit\u00e9s litt\u00e9raires, de Marguerite de Valois \u00e0 Mme de Sta\u00ebl<\/em>, Nancy, PU de Nancy, 2001.<br \/> &#8211; \u00ab Le personnage de Monime dans Mithridate, femme forte et h\u00e9ro\u00efne de sentiment \u00bb, in J. P. Landry &amp; O. Leplatre (dir.), <em>Pr\u00e9sence de Racine,<\/em> Paris, H. Champion, 2000.<br \/> &#8211; \u00ab Madame de Maintenon d&#8217;apr\u00e8s les <em>Souvenirs <\/em>de Mme de Caylus \u00bb, <em>Albineana<\/em>, 10-11, 1999 (\u00ab Autour de Fran\u00e7oise d&#8217;Aubign\u00e9, marquise de Maintenon \u00bb).<br \/> &#8211; \u00ab La Vie de la Princesse d&#8217;Angleterre de Mme de La Fayette : r\u00e9cit de vie et peinture de vanit\u00e9 \u00bb, <em>Cahiers du Centre d&#8217;Etude du Roman Fran\u00e7ais (CERF)<\/em>,1999, p.29-37.<br \/> &#8211; \u00ab <em>La Relation de l&#8217;Ile imaginaire<\/em> de Mlle de Montpensier, jeu de culture, miroir d&#8217;une sensibilit\u00e9 \u00bb, <em>Amadis <\/em>(Brest), 1, 1997, p.57-67.<br \/> &#8211; \u00ab Les M\u00e9moires du XVIIe si\u00e8cle, n\u00e9buleuses de genres \u00bb, in L<em>e Genre des M\u00e9moires, essai de d\u00e9finition,<\/em> Paris, Klincksieck, 1995, p.259-271.<br \/> &#8211; \u00ab Mademoiselle et Bussy-Rabutin \u00bb, in <em>Bussy-Rabutin, l&#8217;homme et l&#8217;oeuvre<\/em>, Dijon, 1995, p.85-94.<br \/> &#8211; \u00ab Mademoiselle \u00e0 Saint-Fargeau : la d\u00e9couverte de l&#8217;\u00e9criture \u00bb, <em>Papers on French Seventeenth Century Literature, <\/em>42, 1995, p.37-47.<br \/> &#8211; \u00ab Les <em>M\u00e9moires <\/em>de Marguerite de Valois, une autobiographie dans les limbes \u00bb, in M. Lazard &amp; J. Cubelier de Beynac (dir.), <em>Marguerite de France, reine de Navarre et son temps<\/em>, \u00c2gen, Centre Matteo Bandello, 1994, p.205-216.<br \/> &#8211; \u00ab Mademoiselle et l&#8217;exil \u00bb, <em>Papers on French Seventeenth-Century Literature<\/em>, 41, 1994, p.344-355.<br \/> &#8211; \u00ab Mademoiselle de Montpensier dans ses <em>M\u00e9moires <\/em>: l&#8217;exemple d&#8217;une culture princi\u00e8re \u00bb, in <em>De L&#8217;Estoile \u00e0 Saint-Simon, recherches sur la culture des m\u00e9morialistes,<\/em> Paris, Klincksieck, 1993, p.93-107.<br \/> &#8211; \u00ab Tradition et nouveaut\u00e9 dans <em>C\u00e9linte<\/em>, nouvelle premi\u00e8re, de Mlle de Scud\u00e9ry \u00bb, in A. Niderst (dir.), <em>Les Trois Scud\u00e9ry,<\/em> Paris, Klincksieck, 1993, p.497-505.<br \/> &#8211; \u00ab La Princesse de Cl\u00e8ves et l&#8217;esth\u00e9tique de la trag\u00e9die \u00bb, suppl\u00e9ment 1990 de <em>Litt\u00e9ratures classiques<\/em>, p.21-28.<br \/> &#8211; \u00ab Les m\u00e9morialistes et le r\u00e9el : l&#8217;exemple du Cardinal de Retz et de Mademoiselle de Montpensier \u00bb,<em> Litt\u00e9ratures classiques<\/em>, 11, janvier 1989.<br \/> &#8211; \u00ab Mademoiselle et la Fronde, d&#8217;apr\u00e8s ses M\u00e9moires \u00bb, <em>La Fronde en questions,<\/em> Marseille, CMR 17, 1989, p.63-70.<br \/> &#8211; \u00ab Mademoiselle de Montpensier : l&#8217;autobiographie d&#8217;une princesse du sang \u00bb, Paris, CAIEF, 1988.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"> <br \/> <span style=\"color: #800000;\"><strong>NOTICES<\/strong><\/span><br \/> &#8211; \u00ab M\u00e9moires \u00bb, in L. B\u00e9ly (dir.), <em>Dictionnaire de l&#8217;Ancien R\u00e9gime, <\/em>PUF, 1996, p.813-815.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nantes, France PR * Universit\u00e9 de Nantes * Litt\u00e9rature fran\u00e7aise XVIIe si\u00e8cle \u00a0 Genre des M\u00e9moires OUVRAGES &#8211; Le Monde litt\u00e9raire et moral de Mademoiselle de Montpensier. Culture princi\u00e8re et connaissance de soi, Paris, Klincksieck (\u00e0 para\u00eetre). &#8211;La Culture d&#8217;une princesse. \u00c9criture et autoportrait dans l&#8217;oeuvre de la Grande Mademoiselle (1627-1693), Paris, H. Champion, 2003. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"categorie_personnage":[],"class_list":["post-3122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3122"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3122\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3122"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}