{"id":3110,"date":"2009-12-21T15:25:51","date_gmt":"2009-12-21T15:25:51","guid":{"rendered":"http:\/\/438"},"modified":"2009-12-21T15:25:51","modified_gmt":"2009-12-21T15:25:51","slug":"dagmar-eichberger","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/dagmar-eichberger\/","title":{"rendered":"Dagmar EICHBERGER"},"content":{"rendered":"

Allemagne <\/span><\/strong>d.eichbherger@zegk.uni-heidelberg.de<\/a> \/ eichber1@uni-trier.de<\/a><\/span><\/p>\n

PR * Universit\u00e4t Heidelberg, Kunsthistorisches Institut <\/span><\/strong><\/p>\n

Marguerite d’Autriche, M\u00e9c\u00e9nat, Femmes dans l’art et la litt\u00e9rature<\/span><\/em><\/p>\n


OUVRAGES<\/strong><\/span>
– avec A.-M. Legar\u00e9 et W. H\u00fcsken, dir.), <\/span>Women at the Burgundian Court: Presence and Influence \/ Femmes \u00e0 la cour de Bourgogne : pr\u00e9sence et influence<\/em><\/span><\/a>, Turnhout, Brepols, 2010.
– (dir.) <\/span>Women of distinction, Margaret of York & Margaret of Austria<\/em><\/span><\/a>, Turnhout, Brepols, 2005.
– Leben mit Kunst. Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von \u00d6sterreich, Regentin der Niederlande,<\/em> Turnhout et Londres, Brepols, 2002. <\/span><\/p>\n


ARTICLES<\/strong><\/span><\/span><\/div>\n
–\u00a0\u00ab Branding: Portr\u00e4tkunst und Visualisierungsstrategien am Beispiel Margaretes von \u00d6sterreich, Regentin und Generalstatthalterin der Niederlande \u00bb, \u00a0in E. Krems &\u00a0S. Ruby (dir.), Das Portr\u00e4t als kulturelle Praxis<\/em>, Berlin, Deutscher Kunstverlag, 2015,\u00a0p. 108-119.
–\u00a0\u00ab Margaret of Austria\u2019s Treasures. An early Habsburg Collection in the Burgundian Netherlands \u00bb, in F. Checa Cremades (dir.), El Museo imperial. El coleccionismo art\u00edstico de los Austrias en el siglo XVI<\/em>, Madrid,\u00a0Villaverde Editores, 2013, p. 71-80.
–\u00a0\u00ab Instrumentalising Art for Political Ends. Margaret of Austria, \u2018regente et gouvernante des pais bas de l\u2019empereur\u00bb, , in \u00c9.Bousmar, A. Marchandisse, B. Schnerb & J. Dumont (dir.), Femmes de pouvoir, femmes politiques durant les derniers si\u00e8cles du Moyen \u00c2ge et au cours de la premi\u00e8re Renaissance<\/em>, Br\u00fcssel, De Boeck, 2011, p.\u00a0571-584.<\/span><\/div>\n
– \u00ab Ein \u2018Musenhof\u2019 in den s\u00fcdlichen Niederlanden als Vorbild f\u00fcr das Alte Reich\u00bb, in Ma. M\u00fcller, K. Weschenfelder, B.B\u00f6ckem &\u00a0R. Hansmann (dir.), Apelles am F\u00fcrstenhof. Facetten der Hofkunst im Alten Reich<\/em>, Coburg, Lukas Verlag f\u00fcr Kunst- und Geistesgeschichte, 2010, p.91-98.
–\u00a0\u00ab Margaret of Austria and the documentation of her collection in Mechelen\u00bb, in\u00a0F.\u00a0Checa Cremades (dir.), The Inventories of Charles V and the Imperial Family<\/em>, vol. III., Madrid, Fernando Villaverde ediciones, 2010,\u00a0p. 2351-2363.
–\u00a0\u00ab Playing Games. Men, Women and Beasts on the Backgammon Board for King Ferdinand I and Queen Anna of Bohemia and Hungary\u00bb, in D. Eichberger (avec Anne-Marie Legar\u00e9 und Wim H\u00fcsken), Women at the Burgundian Court. Presence and Influence \u2013 Femmes \u00e0 la court de Bourgogne. Pr\u00e9sence et Influence<\/em>, Turnhout and London, Brepols, 2010.
–\u00a0\u00ab Distance physique \u2013 proximit\u00e9 spirituelle: la double pr\u00e9sence de Marguerite d\u2019Autriche \u00e0 Brou et \u00e0 Malines\u00bb, in\u00a0C.\u00a0Pieri (dir.), Brou, un monument europ\u00e9en \u00e0 l\u2019aube de la Renaissance\/ Brou, a European Monument in the Renaissance,<\/em> Paris, Centre des monuments nationaux, \u00a02009, p. 41-57.
–\u00a0\u00ab \u2019Una libreria per donne assai ornata et riccha\u2019 \u2013 Frauenbibliotheken des 16. Jahrhunderts zwischen Ideal und Wirklichkeit\u00bb, in\u00a0G.\u00a0Signori (dir.), Die lesende Frau<\/em>, Wolfenb\u00fcttel, Harrassowitz, 2009, s. 241-264.
–\u00a0\u00ab Car il me semble que vous aimez bien les carboncles – Die Sch\u00e4tze Margaretes von \u00d6sterreich und Maximilians I.\u00bb, in\u00a0E.\u00a0Vavra, K. Holzner-Tobisch\u00a0& T.\u00a0K\u00fchtreiber (dir.), Vom Umgang mit Sch\u00e4tzen,\u00a0<\/em>Wien, \u00d6sterreichische Akademie der Wissenschaften Krems,\u00a02007, p. 129-152.
–\u00a0\u00ab Margaret of Austria. A Princess with Ambition and Political Insight\u00bb, \u00a0in D. Eichberger (dir.), Women of Distinction: Margaret of York and Margaret of Austria<\/em>, Turnhout-London, Brepols\/ Leuven, 2005, p.\u00a048-55.
–\u00a0\u00ab The Culture of Gifts. A Courtly Phenomenon from a Female Perspective\u00bb, 286-295, in D. Eichberger (dir.), Women of Distinction: Margaret of York and Margaret of Austria,<\/em> Turnhout-London: Brepols\/ Leuven,\u00a02005. <\/span><\/div>\n
– \u00ab A Cultural Centre in the southern Netherlands : the Court of Archiduchess Margaret of Austria (1480-1530) in Mechelen \u00bb, in M. Gosman, A. Vanderjagt et A. MacDonald (dir.), Princes and Princely Culture (c. 1450-1650)<\/em>, Leiden, Brill, 2003, p.239-258.
– \u00ab A noble Residence for a Female Regent. Margaret of Austria and the Construction of the Palais de Savoy in Mechelen \u00bb, in H. Hills (dir.), Architecture and the Politics of Gender in Early Modern Europe,<\/em> Ashgate, Aldershot and Burlington, 2003, p.25-46.
– \u00ab Stilpluralismus und Internationalit\u00e4t am Hofe Margarete von \u00d6sterreichs (1506-1530) \u00bb, in N. Nu\u00dfbaum, C. Euskirchen & S. Hoppe (dir.), Wege zur Renaissance,<\/em> K\u00f6ln, 2003, p.261-283.
– \u00ab Hoofse hobby’s, over humanisme en mecenaat in de vroege 16de eeuw \u00bb, Kunstschrift <\/em>1, 2002, p.32-7.
– \u00ab Close Encounters with Death : Changing Representations of Women in Renaissance Art and Literature \u00bb, in B. Muir (dir.), Festschrift in Honour of Margaret M. Manion<\/em>, Exeter, Exeter UP, 2002, p.173-96.-24.
– \u00ab Bernard van Orley’s Triptych “La Vertu de Patience” and the Office of the Dead \u00bb, Bulletin des Mus\u00e9es Royaux des Beaux-Arts\/ Koninklijke Musea voor Schone Kunsten<\/em>, 43-44 (1994-1995), d\u00e9cembre 2000, p.45-80.
– \u00ab Devotional Objects in Book Format : Diptychs in the Art Collection of Margaret of Austria and her Family \u00bb, in M. Manion & B. Muir (dir.), The Art of the Book : Its Place in Medieval Worship,<\/em> Exeter, Exeter UP, 1998, p.285-303.
– \u00ab Female patronage in the light of dynastic ambitions and artistic quality \u00bb, Oxford Journal of Renaissance Studies<\/em>, 10, 1996-2, p.259-79.
– (avec Lisa Beaven) \u00ab Family Members and Political Allies : The Portrait Gallery of Margaret of Austria in Mechelen \u00bb, Art Bulletin<\/em>, LXXVII, 1995-2, p.225-248.
– \u00ab Burgundian Tapestries. Art for Export and for Pleasure \u00bb, Australian Journal of Art<\/em>, X, 1992, p.23-44. <\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Allemagne d.eichbherger@zegk.uni-heidelberg.de \/ eichber1@uni-trier.de PR * Universit\u00e4t Heidelberg, Kunsthistorisches Institut Marguerite d’Autriche, M\u00e9c\u00e9nat, Femmes dans l’art et la litt\u00e9rature OUVRAGES – avec A.-M. Legar\u00e9 et W. H\u00fcsken, dir.), Women at the Burgundian Court: Presence and Influence \/ Femmes \u00e0 la cour de Bourgogne : pr\u00e9sence et influence, Turnhout, Brepols, 2010. – (dir.) Women of distinction, […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3110"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3110\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3110"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}