{"id":3091,"date":"2009-12-21T13:15:27","date_gmt":"2009-12-21T13:15:27","guid":{"rendered":"http:\/\/419"},"modified":"2009-12-21T13:15:27","modified_gmt":"2009-12-21T13:15:27","slug":"catherine-despres","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/catherine-despres\/","title":{"rendered":"Catherine DESPR\u00c8S"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Valladolid, Espagne * <\/span><\/strong><a href=\"mailto:despres@fyl.uva.es\"><span style=\"font-size: small;\">despres@fyl.uva.es<\/span><\/a><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">MC * Universit\u00e9 de Valladolid * Litt\u00e9rature et Linguistique fran\u00e7aises * Litt\u00e9rature, XIIe si\u00e8cle <\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">La repr\u00e9sentation de l&#8217;espace dans la litt\u00e9rature m\u00e9di\u00e9vale, Morphosyntaxe fran\u00e7aise<\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/> &#8211;<\/span><span style=\"font-size: small;\">\u00ab<\/span><span style=\"font-size: small;\">L&#8217;Antigone du <em>Roman de Th\u00e8bes<\/em>: un maillon isol\u00e9 de la cha\u00eene mythique<\/span><span style=\"font-size: small;\">\u00bb<\/span><span style=\"font-size: small;\"><span style=\"font-size: small;\">, <em>Texto y sociedad en las letras francesas<\/em>, 2009, p.27-36 (<a href=\"http:\/\/fr.slideshare.net\/AnselmiJuan\/texto-y-sociedad-en-las-letras-francesas-y-francfonas\">en ligne<\/a>).<br \/> &#8211; \u00ab Le code pluriel de la d\u00e9claration amoureuse : l&#8217;objet, le geste, le regard et la parole dans le roman antique \u00bb, <em>Bien Dire et Bien Aprandre<\/em> (Univ. de Lille), 15, 1997, p.78-86.<br \/> &#8211; \u00ab La m\u00e8re associ\u00e9e \u00e0 la ville dans la &#8220;triade classique&#8221; : protection et manipulation \u00bb,<em> Bien Dire et Bien Aprandre<\/em> (Univ. de Lille), 16, 1998, p.109-118.<br \/> &#8211; \u00ab Le nu sous le v\u00eatu dans quelques extraits du roman antique \u00bb, <em>Senefiance<\/em> (Aix-en-Provence), 47, 2001, p.105-114.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Valladolid, Espagne * despres@fyl.uva.es MC * Universit\u00e9 de Valladolid * Litt\u00e9rature et Linguistique fran\u00e7aises * Litt\u00e9rature, XIIe si\u00e8cle \u00a0 La repr\u00e9sentation de l&#8217;espace dans la litt\u00e9rature m\u00e9di\u00e9vale, Morphosyntaxe fran\u00e7aise ARTICLES &#8211;\u00abL&#8217;Antigone du Roman de Th\u00e8bes: un maillon isol\u00e9 de la cha\u00eene mythique\u00bb, Texto y sociedad en las letras francesas, 2009, p.27-36 (en ligne). &#8211; \u00ab [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"categorie_personnage":[],"class_list":["post-3091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3091"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3091"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}