{"id":3086,"date":"2009-12-21T11:34:44","date_gmt":"2009-12-21T11:34:44","guid":{"rendered":"http:\/\/414"},"modified":"2009-12-21T11:34:44","modified_gmt":"2009-12-21T11:34:44","slug":"martine-debaisieux","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/martine-debaisieux\/","title":{"rendered":"Martine DEBAISIEUX"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Verona, USA * <\/span><\/strong><a href=\"mailto:baisieux@facstaff.wisc.edu\"><span style=\"font-size: small;\">baisieux@facstaff.wisc.edu<\/span><\/a><strong> <br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR of French* University of Wisconsin, Madison * Litt\u00e9rature fran\u00e7aise, XVIe, XVIIe si\u00e8cles <\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><br \/> <\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Auteurs femmes, Baroque, Fiction, Th\u00e9orie litt\u00e9raire <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>OUVRAGE<\/strong><\/span><br \/> &#8211; (avec Gabrielle Verdier, dir.) <em>Violence et fiction jusqu&#8217;\u00e0 la R\u00e9volution<\/em>, T\u00fcbingen, Gunter Narr Verlag, 1998. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES <\/strong><\/span><br \/> &#8211; \u00ab Cruels effets du d\u00e9sir adult\u00e8re : sc\u00e9narios de la violence dans Les Angoysses douloureuses \u00bb, in G. Verdier &amp; M. Debaisieux (dir.), <em>Violence et fiction&#8230; <\/em><em>(1998)<\/em>, p.139-150.<br \/> &#8211; \u00ab Marie de Gournay cont(r)e la tradition : Le Proumenoir de M. de Montaigne \u00bb, <em>Renaissance and Reformation\/Renaissance et R\u00e9forme<\/em>, XXI, 2, 1997, p.45-58.<br \/> &#8211; \u00ab &#8220;Subtilitez feminines&#8221; : l&#8217;art de la contradiction dans l&#8217;oeuvre d&#8217;H\u00e9lisenne de Crenne \u00bb, <em>\u00c9tudes litt\u00e9raires,<\/em> XXVII, 2, Fall 1994 (\u00ab \u00c9crits de femmes \u00e0 la Renaissance \u00bb), p.25-37.<br \/> &#8211; \u00ab From Criminality to Hysteria : Translating the Marquise de Merteuil \u00bb, <em>The Romanic Review,<\/em> LXXVIII, 4, Fall 1997, p.461-470.<br \/> &#8211; \u00ab &#8220;Des Dames du temps jadis&#8221; : fatalit\u00e9 culturelle et identit\u00e9 f\u00e9minine dans Les Angoysses douloureuses \u00bb, <em>Symposium<\/em>, XLI,1, Spring 1997, p.28-41. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NON PUBLI\u00c9<\/strong><\/span><br \/> &#8211; <em>Les Voies de la diff\u00e9rence : d\u00e9tournements de la tradition litt\u00e9raire, de la Renaissance au Classicisme<\/em> <em>(sur H\u00e9lisenne de Crenne et Marie de Gournay notamment)<\/em> : livre en cours de r\u00e9vision.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Verona, USA * baisieux@facstaff.wisc.edu PR of French* University of Wisconsin, Madison * Litt\u00e9rature fran\u00e7aise, XVIe, XVIIe si\u00e8cles Auteurs femmes, Baroque, Fiction, Th\u00e9orie litt\u00e9raire OUVRAGE &#8211; (avec Gabrielle Verdier, dir.) Violence et fiction jusqu&#8217;\u00e0 la R\u00e9volution, T\u00fcbingen, Gunter Narr Verlag, 1998. ARTICLES &#8211; \u00ab Cruels effets du d\u00e9sir adult\u00e8re : sc\u00e9narios de la violence dans Les [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"categorie_personnage":[],"class_list":["post-3086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3086"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3086\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3086"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}