{"id":3079,"date":"2009-12-09T12:26:18","date_gmt":"2009-12-09T12:26:18","guid":{"rendered":"http:\/\/407"},"modified":"2009-12-09T12:26:18","modified_gmt":"2009-12-09T12:26:18","slug":"adelaide-cron","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/adelaide-cron\/","title":{"rendered":"Ad\u00e9la\u00efde CRON"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Paris, France * <\/span><\/strong><a href=\"mailto:acrondavenel2@yahoo.fr\"><span style=\"font-size: small;\">acrondavenel2@yahoo.fr<\/span><\/a><strong><span style=\"font-size: small;\"><br \/> <\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong>\u00a0<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\"> Doctorante * Universit\u00e9 Paris III * Litt\u00e9rature fran\u00e7aise * XVIIIe si\u00e8cle <\/span><\/strong><span style=\"font-size: small;\"><br \/> <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">M\u00e9moires et romans-m\u00e9moires, \u00e9critures personnelles, femmes auteurs, litt\u00e9rarit\u00e9 et r\u00e9ception<\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>OUVRAGE <\/strong><\/span><br \/> &#8211; (avec C. Lignereux, dir.) <em>Le Langage des larmes aux si\u00e8cles classiques<\/em>, num\u00e9ro sp\u00e9ciale de <em>Litt\u00e9ratures classiques,<\/em> 62, 2007 <em>(plusieurs articles concernent le domaine femmes Ancien R\u00e9gime)<\/em>. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLE <\/strong><\/span><br \/> &#8211; \u00ab Larmes et identit\u00e9 f\u00e9minine dans l\u2019\u00e9criture m\u00e9morialiste : une corr\u00e9lation probl\u00e9matique \u00bb, in A. Cron &amp; C. Lignereux (dir.), <em>Le Langage des larmes aux si\u00e8cles classiques,<\/em> voir <em>supra<\/em>. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NON PUBLI\u00c9S<\/strong><\/span><br \/> &#8211; \u00ab La repr\u00e9sentation de l&#8217;\u00e9criture dans les m\u00e9moires de Mme de Staal-Delaunay, Mme d&#8217;Epinay et Mme Roland \u00bb, m\u00e9moire de DEA de litt\u00e9rature fran\u00e7aise, soutenu en juin 2004, sous la direction de Jean-Paul Sermain (Universit\u00e9 de Paris III-Sorbonne Nouvelle).<br \/> <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<p><span style=\"font-size: small;\"><a href=\"1\/\">Th\u00e8se en cours <\/a>: \u00ab M\u00e9moires f\u00e9minins de la fin du XVIIe si\u00e8cle \u00e0 l&#8217;\u00e9poque r\u00e9volutionnaire. Enqu\u00eate sur la constitution d&#8217;un genre et d&#8217;une identit\u00e9 \u00bb, direction Jean-Paul Sermain, Universit\u00e9 de Paris III Sorbonne Nouvelle.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Paris, France * acrondavenel2@yahoo.fr \u00a0 Doctorante * Universit\u00e9 Paris III * Litt\u00e9rature fran\u00e7aise * XVIIIe si\u00e8cle \u00a0 M\u00e9moires et romans-m\u00e9moires, \u00e9critures personnelles, femmes auteurs, litt\u00e9rarit\u00e9 et r\u00e9ception OUVRAGE &#8211; (avec C. Lignereux, dir.) Le Langage des larmes aux si\u00e8cles classiques, num\u00e9ro sp\u00e9ciale de Litt\u00e9ratures classiques, 62, 2007 (plusieurs articles concernent le domaine femmes Ancien R\u00e9gime). [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"categorie_personnage":[],"class_list":["post-3079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3079"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3079\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3079"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}