{"id":3074,"date":"2009-12-09T12:09:49","date_gmt":"2009-12-09T12:09:49","guid":{"rendered":"http:\/\/402"},"modified":"2009-12-09T12:09:49","modified_gmt":"2009-12-09T12:09:49","slug":"derval-conroy","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/derval-conroy\/","title":{"rendered":"Derval CONROY"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Dublin, Irlande * <\/span><\/strong><a href=\"mailto:derval.conroy@ucd.ie\"><span style=\"font-size: small;\">derval.conroy@ucd.ie<\/span><\/a><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Professeure associ\u00e9e * University College Dublin * Lettres modernes, Histoire des id\u00e9es, XVIIe si\u00e8cle<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">L&#8217;histoire des f\u00e9minismes et de l&#8217;\u00e9galit\u00e9;  Femmes dramaturges; Femmes philosophes. Gabrielle Suchon ; Marie de Gournay ; Les femmes et le pouvoir politique ;   Iconographie f\u00e9minine ; l&#8217;Histoire du livre ; Le livre-galerie ; Le livre de f\u00eate, les p\u00e9ritextes<\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>OUVRAGES<\/strong><\/span><br \/> &#8211; <em>(2016) Ruling Women<\/em>. Vol 1. <em>Government, Virtue and the Female Prince in Seventeenth-Century France<\/em>. London and New York: Palgrave Macmillan, 2016. (229 pages).<br \/>\nol 2. <em>Configuring the Female Prince in Seventeenth-Century French Drama<\/em>. London and New York: Palgrave Macmillan. (214 pages)<br \/>\n&#8211; Conroy, D., ed. (2021). <em>Towards an Equality of the Sexes in Early Modern France<\/em>. London and New York: Routledge. Series: Routledge Studies in Renaissance and Early Modern Worlds of Knowledge (240 pages) doi:<a href=\"http:\/\/doi.org\/10.4324\/9780429275203\" rel=\"noopener noreferrer\" target=\"_blank\">10.4324\/9780429275203<\/a><br \/>\n&#8211; Conroy, D., ed. (2021). <em>Women Philosophers in Early Modern France. Special issue, Early Modern French Studies<\/em>. Taylor and Francis. (122 pages)<br \/>\n&#8211; Conroy, D. &#038; Pittion, J.-P., eds. (2016). <em>Print Culture in Early Modern France, Special issue, Irish Journal of French Studies<\/em>. 16. doi:<a href=\"http:\/\/doi.org\/10.7173\/164913316820201553 rel=\"noopener noreferrer\" target=\"_blank\">10.7173\/164913316820201553<\/a><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>\u00c9DITION CRITIQUE <\/strong><\/span><br \/> &#8211; Catherine Bernard : <em>Laodamie <\/em>et <em>Brutus<\/em>, in A. Evain, P. Gethner &#038; H. Goldwyn, dir.), <em>Th\u00e9\u00e2tre de femmes, <\/em><\/span><span style=\"font-size: small;\">vol. 3, <\/span><span style=\"font-size: small;\"><em>XVII<sup>e<\/sup>-XVIII<sup>e<\/sup> si\u00e8cles<\/em>, Anthologie, Paris, Classiques Garnier, 2022. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES <\/strong><\/span><\/p>\n<p>&#8211; <\/span><span style=\"font-size: small;\">\u00ab Les appropriations d\u2019une machine politique. Les traductions de <em>La Gallerie des femmes fortes<\/em> (1647) de Pierre Le Moyne \u00bb, <em>Revue Bossuet, Litt\u00e9rature, Culture, Religion13<\/em> (2022) :77-100 (24 pages) doi 10.48611\/isbn.978-2-406-14377-2.p.0077.<br \/>  &#8211; \u00ab Introduction: thinking equality in the early modern period. \u00bb In Conroy, ed. <em>Towards an Equality of the Sexes in Early Modern France<\/em>. London and New York: Routledge, 2021, pp. 1-11 (11 pages)<br \/>\n&#8211; \u00ab Virtue as a language of equality: gender, moral androgyny and the representation of archduchess Isabella Clara Eugenia in seventeenth-century France. \u00bb In Conroy, ed. <em>Towards an Equality of the Sexes in Early Modern France<\/em>. London and New York: Routledge, 2021, pp. 74-93 (20 pages)<br \/>\n&#8211; \u00ab Marie de Gournay\u2019s \u201cAdvis \u00e0 quelques gens d\u2019\u00c9glise\u201d and the early modern rigorist debate. \u00bb <em>Romanic Review<\/em>, 112.3, 2021 : 423-36. (14 pages) <a href=\"https:\/\/doi.org\/10.1215\/00358118-9377342\" rel=\"noopener noreferrer\" target=\"_blank\">https:\/\/doi.org\/10.1215\/00358118-9377342<\/a><br \/>\n&#8211; \u00ab Introduction: women and the history of philosophy. \u00bb Early Modern French Studies, 43.1 (2021) : 2-5. (4 pages) <a href=\"https:\/\/doi.org\/10.1080\/20563035.2021.1924012\" rel=\"noopener noreferrer\" target=\"_blank\">https:\/\/doi.org\/10.1080\/20563035.2021.1924012<\/a><br \/>\n&#8211; \u00ab Society and sociability in Gabrielle Suchon: towards a politics of friendship. \u00bb <em>Early Modern French Studies<\/em>, 43.1 (2021): 54-69. (16 pages) <a href=\"https:\/\/doi.org\/10.1080\/20563035.2021.1924008\" rel=\"noopener noreferrer\" target=\"_blank\">https:\/\/doi.org\/10.1080\/20563035.2021.1924008<\/a><br \/>\n&#8211; \u00ab Appropriations of a political machine: translations of Pierre Le Moyne\u2019s Gallerie des femmes fortes (1647) \u00bb, <em>Renaissance Studies<\/em>, 34.3 (2020): 447-64. (18 pages) <a href=\"https:\/\/doi.org\/10.1111\/rest.12651\" rel=\"noopener noreferrer\" target=\"_blank\">https:\/\/doi.org\/10.1111\/rest.12651<\/a><br \/>\n&#8211; \u00ab Casting models: female exempla of the Ancient Near East in seventeenth-century French drama and gallery books (1642-1662). \u00bb In Jane Grogan, ed., <em>Beyond Greece and Rome: Reading the Ancient Near East in Early Modern Europe<\/em>. Oxford: Oxford University Press, 2020, pp. 221-34 (14 pages)<br \/>\n&#8211; \u00ab A defence and illustration of Marie de Gournay: Bayle\u2019s reception of \u201cCette Savante Demoiselle\u201d. \u00bb <em>French Studies Bulletin<\/em>, 40.152 (2019): 51-54. (4 pages)  <a href=\"https:\/\/doi.org\/10.1093\/frebul\/ktz009\" rel=\"noopener noreferrer\" target=\"_blank\">https:\/\/doi.org\/10.1093\/frebul\/ktz009<\/a><br \/>\n&#8211; \u00ab Description or prescription&#8217; Verbal painting in Pierre Le Moyne&#8217;s <em>Gallerie des femmes fortes<\/em> (1647) \u00bb, <em>French Forum<\/em>, 36, 2-3, 2011, p.1-17.<br \/> &#8211; \u00ab Geste et monumentalit\u00e9 dans <em>La Gallerie des Femmes Fortes <\/em>du P\u00e8re Le Moyne (1647) \u00bb, <em>Cahiers Tristan L&#8217;Hermite<\/em>, 32, 2010, p.99-109.<br \/> &#8211; \u00ab Des livres d&#8217;entr\u00e9es ? Vers un po\u00e9tique de r\u00e9cit de voyage dans les relations d&#8217;entr\u00e9es de Puget de la Serre \u00bb, <em>Studi Francesi,<\/em> 157, 2009, p.19-33 <em>(Sur les entr\u00e9es royales de Marie de M\u00e9dicis en \u00ab exil \u00bb)<\/em><br \/> &#8211; \u00ab Ekphrasis, edification and the iconography of women : the case of Pierre Le Moyne&#8217;s Gallerie des femmes fortes (1647) \u00bb, in M. Brophy, P. Gaffney &#038; M. Gallagher (dir.), <em>Reverberations : Staging Relations in French Since 1500,<\/em> Dublin, UCD Press, 2008, p.224-38. <br \/> &#8211; \u00ab &#8220;Des noeuds que l&#8217;amour ne rompt point&#8221; ? Sisters and friendship in seventeenth-century French tragedy and tragi-comedy \u00bb, <em>Papers on French Seventeenth-Century Literature<\/em>, 35 (69), 2008, p.603-624. <br \/> &#8211; \u00ab The Displacement of Disorder : Gyn\u00e6cocracy and Friendship in Catherine Bernard&#8217;s Laodamie (1689) \u00bb, <em>PFSCL, <\/em>vol. 67, June 2007, p.443-464.<br \/> &#8211; \u00ab Iconographie et mise en sc\u00e8ne d&#8217;un pouvoir au f\u00e9minin : les quatre livres d&#8217;entr\u00e9es de Marie de M\u00e9dicis en exil \u00bb, in M.-F. Wagner, en collab. avec L. Frappier &#038; C. Latraverse (dir.), <em>Les Jeux de l&#8217;\u00e9change : entr\u00e9es royales et divertissements<\/em>, Paris, H. Champion, 2007, p.189-213 et pl. p.214-222..<br \/> &#8211; \u00ab Reines, invraisemblables rois ? Reines vierges et \u00e9pouses c\u00e9libataires dans le th\u00e9\u00e2tre du XVIIe si\u00e8cle : le cas d&#8217;Elisabeth, de Nitocris et de Pulch\u00e9rie \u00bb, in J.-V. Blanchard &#038; H. Visentin (dir.),<em> L&#8217;Invraisemblance du Pouvoir. Mises en sc\u00e9ne de la souverainet\u00e9 au XVIIe si\u00e8cle<\/em>, Fasano\/Paris, Schena\/PU Paris-Sorbonne, 2005, p.89-122.<br \/> &#8211; \u00ab Mapping gender transgressions ? Representations of the warrior woman in seventeenth-century tragedy (1642-1660) \u00bb, in <em>La Femme au XVIIe,<\/em> Biblio 17, 138, 2002, p.243-254.<br \/> &#8211; \u00ab The cultural politics of disguise : female cross-dressing in tragi-comedy (1630-1642) \u00bb, <em>Seventeenth-Century French Studies,<\/em> 24, 2002, p.133-147.<br \/> &#8211; \u00ab In the Beginning was the Image : feminist iconography and the frontispiece in the 1640s \u00bb, <em>Seventeenth-Century French Studies,<\/em> 23, 2001, p.27-42.<br \/> &#8211; \u00ab Gender, Power and Authority in Alexandre le Grand and Athalie \u00bb, in E. Caldicott &#038; Derval Conroy (dir.), <em>Racine : The Power and the Pleasure,<\/em> Dublin, University College Dublin Press, 2001, p.55-74.<br \/> &#8211; \u00ab Tragic Ambiguities : Gender and Sovereignty in French Classical Drama \u00bb, in C. Meek (dir.), <em>Women in Renaissance and Early Modern Europe,<\/em> Dublin, Four Courts Press, 2000, p.185-204.  [Sur <em>Nit\u00e9tis<\/em> de  Mme de Villedieu et <em>Laodamie<\/em> de Catherine Bernard] <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NOTICE<\/strong><\/span> <br \/> &#8211; \u00ab <a href=\"http:\/\/www.siefar.org\/dictionnaire\/fr\/Catherine_Bernard\">Catherine Bernard<\/a> \u00bb, in Dictionnaire des femmes de l&#8217;Ancienne France, SIEFAR, 2005. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NON PUBLI\u00c9<\/strong><\/span><br \/> &#8211; <em>Ruling Women. Gender, Government and Sovereignty in Seventeenth-Century France, <\/em>Th\u00e8se, Trinity College Dublin, July 2001.<\/span><\/span><\/p>\n<p>\u00a0<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dublin, Irlande * derval.conroy@ucd.ie \u00a0 Professeure associ\u00e9e * University College Dublin * Lettres modernes, Histoire des id\u00e9es, XVIIe si\u00e8cle \u00a0 L&#8217;histoire des f\u00e9minismes et de l&#8217;\u00e9galit\u00e9; Femmes dramaturges; Femmes philosophes. Gabrielle Suchon ; Marie de Gournay ; Les femmes et le pouvoir politique ; Iconographie f\u00e9minine ; l&#8217;Histoire du livre ; Le livre-galerie ; Le [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3074"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3074\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3074"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}