{"id":3073,"date":"2009-12-09T12:04:17","date_gmt":"2009-12-09T12:04:17","guid":{"rendered":"http:\/\/401"},"modified":"2009-12-09T12:04:17","modified_gmt":"2009-12-09T12:04:17","slug":"nerina-clerici-balmas","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/nerina-clerici-balmas\/","title":{"rendered":"Nerina CLERICI-BALMAS"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Milano, Italie * <\/span><\/strong><a href=\"mailto:Nerina.Clericibalmas@unimi.it\"><span style=\"font-size: small;\">Nerina.Clericibalmas@unimi.it<\/span><\/a><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR * Universit\u00e0 statale di Milano * Litt\u00e9rature fran\u00e7aise, XVIe et XVIIe si\u00e8cles <\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Th\u00e9\u00e2tre fran\u00e7ais, Correspondance de Montaigne, Po\u00e9sie <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>\u00c9DITION CRITIQUE<\/strong><\/span><br \/> &#8211; Guillaume de La Tyassoni\u00e8re : <em>L&#8217;Attifet des damoizelles, suivi de L&#8217;Epithalame (1575)<\/em>, Gen\u00e8ve, Droz, 1992. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/> &#8211; \u00ab Claude Catherine de Retz : une Diane chant\u00e9e par Jodelle et Jacques Gohory \u00bb, actes du Colloque International Diane-Artemis (Gargnano, juin 2001) (\u00e0 para\u00eetre).<br \/> &#8211; \u00ab Du genre narratif au th\u00e9\u00e2tre : la Trag\u00e9die de Radegonde de Fran\u00e7ois Du Souhait \u00bb, in <em>Sans autre guide. M\u00e9langes de la Renaissance offerts \u00e0 Marcel Tetel<\/em>, Paris, Klincksiek, 1999, p.239-253.<br \/> &#8211; \u00ab Les courtisanes de Montaigne \u00bb, <em>Journal of Medieval and Renaissance Studies<\/em>, 25, 3, 1995, p.501-509.<br \/> &#8211; \u00ab Un&#8217;immagine burlesca della donna in alcuni poeti satirici del primo Seicento \u00bb, <em>Adriatica<\/em>, Bari\/Paris, Nizet, 1987, p.101-111.<br \/> &#8211; \u00ab Una figura femminile nell&#8217;opera del capitano Lasphrise : La royalle Amilly \u00bb, <em>B\u00e9r\u00e9nice<\/em>, 16, mars 1986, p.337-344.<br \/> &#8211; \u00ab Profili di donne veronesi nell&#8217;opera di Val\u00e9ry \u00bb, <em>Quaderni Utinensi<\/em> (Doretti, Udine), Publications de la Facult\u00e9 de Lettres de l&#8217;Universit\u00e9 de Udine, 1-2, 1983, p.54-70.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Milano, Italie * Nerina.Clericibalmas@unimi.it PR * Universit\u00e0 statale di Milano * Litt\u00e9rature fran\u00e7aise, XVIe et XVIIe si\u00e8cles \u00a0 Th\u00e9\u00e2tre fran\u00e7ais, Correspondance de Montaigne, Po\u00e9sie \u00c9DITION CRITIQUE &#8211; Guillaume de La Tyassoni\u00e8re : L&#8217;Attifet des damoizelles, suivi de L&#8217;Epithalame (1575), Gen\u00e8ve, Droz, 1992. ARTICLES &#8211; \u00ab Claude Catherine de Retz : une Diane chant\u00e9e par Jodelle [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3073"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3073\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3073"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}