{"id":3061,"date":"2009-11-25T13:21:14","date_gmt":"2009-11-25T13:21:14","guid":{"rendered":"http:\/\/388"},"modified":"2009-11-25T13:21:14","modified_gmt":"2009-11-25T13:21:14","slug":"francoise-charpentier","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/francoise-charpentier\/","title":{"rendered":"Fran\u00e7oise CHARPENTIER"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Paris, France<\/span><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br \/> <\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\"> PR \u00e9m\u00e9rite * Universit\u00e9 de Paris VII * Litt\u00e9rature fran\u00e7aise de la Renaissance, XVIe, XVIIe si\u00e8cles<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Th\u00e9\u00e2tre, Po\u00e9tique, Rh\u00e9torique, Po\u00e9sie lyonnaise, Rabelais, Montaigne, Heptam\u00e9ron <\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>\u00c9DITIONS CRITIQUES<\/strong><\/span><br \/> &#8211; Louise Lab\u00e9 : <em>Oeuvres po\u00e9tiques, suivies des Rymes de Pernette du Guillet et d&#8217;un choix de Blasons du corps feminin<\/em>, Paris, Gallimard \u00ab Po\u00e9sie \u00bb, 1983. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/> &#8211; \u00ab La rh\u00e9torique des Dames \u00bb, in <em>M\u00e9langes Nicole Cazauran<\/em>, Paris, H. Champion (\u00e0 para\u00eetre).<br \/> &#8211; \u00ab Diane Lyonnaise \u00bb, <em>Albineana<\/em>, XIV, 2002 (\u00ab Le Mythe de Diane en France \u00e0 la Renaissance \u00bb).<br \/> &#8211; \u00ab Dissonances du f\u00e9minin dans les <em>Essais <\/em>\u00bb, in J.-R. Fanlo (dir.), \u00ab D&#8217;une fantastique bigarrure \u00bb. <em>Le Texte composite \u00e0 la Renaissance, Etudes offertes \u00e0 Andr\u00e9 Tournon<\/em>, Paris, H. Champion, 2000, p.119-134.<br \/> &#8211; \u00ab La gu\u00e9rison par la parole. \u00c0 propos de la XXXIIe nouvelle de <em>L&#8217;Heptameron <\/em>\u00bb, in N. Cazauran &amp; J. Dauphin\u00e9 (dir.), <em>Marguerite de Navarre, 1492-1992, <\/em>Mont-deMarsan, \u00c9ditions InterUniversitaires, 1995, p.645-655.<br \/> &#8211; \u00ab D\u00e9sir et parole dans les devis de <em>L&#8217;Heptameron<\/em> \u00bb, in M. Tetel (dir.), <em>Les Visages et les voix de Marguerite de Navarre,<\/em> Paris, Klincksieck, 1995, p.41-49.<br \/> &#8211; \u00ab M\u00e9d\u00e9e figure de la passion. D&#8217;Euripide \u00e0 l&#8217;\u00e2ge classique \u00bb, in P<em>r\u00e9mices et floraison de l&#8217;\u00e2ge classique, M\u00e9langes offerts \u00e0 J. Jehasse<\/em>, Saint-\u00c9tienne, PUSE, 1995, p.387-405.<br \/> &#8211; \u00ab Projet po\u00e9tique, travail po\u00e9tique dans les <em>Rymes <\/em>de Pernette du Guillet : autour de trois quatrains \u00bb, in <em>Po\u00e9tique et Narration, M\u00e9langes offerts \u00e0 Guy Demerson<\/em>, Paris, H. Champion, 1993, p.143-155.<br \/> &#8211; \u00ab Le Lion, la vieille et le renard : Rabelais et l&#8217;obsc\u00e8ne \u00bb <em>(obsc\u00e9nit\u00e9 et misogynie)<\/em>, <em>Europe<\/em>, 757, mai 1992 (\u00ab Rabelais \u00bb), p.80-91.<br \/> &#8211; \u00ab Les voix du d\u00e9sir : le Debat de Folie et d&#8217;Amour de Louise Lab\u00e9 \u00bb, in L.D. Kritzman (dir.), <em>Le Signe et le Texte,<\/em> Lexington, French Forum Publishers, 1990, p.27-38. <br \/> &#8211; \u00ab Le d\u00e9bat de Louise et d&#8217;Amour, une po\u00e9tique ? \u00bb, in G. Demerson (dir.), <em>Louise Lab\u00e9, les voix du lyrisme,<\/em> Saint-\u00c9tienne, PUSE, 1990, p.147-160. R\u00e9ed. in B. Alonso et E. Viennot, Louise Lab\u00e9 2005, Saint-\u00c9tienne, PUSE, 2004.<br \/> &#8211; \u00ab \u00c0 l&#8217;\u00e9preuve du miroir : narcissisme, m\u00e9lancolie et &#8216;honneste amour&#8217; dans la XXIVe nouvelle de<em> L&#8217;Heptam\u00e9ron<\/em> \u00bb, <em>L&#8217;Esprit cr\u00e9ateur<\/em>, XXX, 4, Winter 1990 (\u00ab \u00c9crire au f\u00e9minin \u00e0 la Renaissance \u00bb), p.23-37. <br \/> &#8211; \u00ab Un royaume qui perdure sans femmes \u00bb, in R. La Charit\u00e9 (dir.), <em>Rabelais&#8217; incomparable book<\/em>, Lexington, French Forum Publishers, 1986, p.195-209. <br \/> &#8211; \u00ab L&#8217;absente des <em>Essais <\/em>: quelques questions autour de l&#8217;essai II-8, &#8216;De l&#8217;affection des peres aux enfans&#8217; \u00bb, <em>Bulletin de la Soci\u00e9t\u00e9 des Amis de Montaigne, <\/em>17-18, 1984, p.7-16.<br \/> &#8211; \u00ab La guerre des Andouilles : <em>Pantagruel <\/em>IV, chap.35-42 \u00bb <em>(R. et la sexualit\u00e9 ambigu\u00eb)<\/em>, in <em>\u00c9tudes Seizi\u00e9mistes offertes \u00e0 V.L. Saulnier,<\/em> THR CLXXVII, Gen\u00e8ve, Droz, 1980, p.119-135.<br \/> &#8211; \u00ab Une appropriation de l&#8217;\u00e9criture : Territoires du f\u00e9minin avec Marguerite Duras de Marcelle Marini \u00bb, <em>Litt\u00e9rature<\/em>, 31, 1978, p.117-125.<br \/> &#8211; \u00ab Notes pour le Tiers Livre de <em>Pantagruel<\/em>, chap.32 : le discours de Rondibilis \u00bb <em>(R. et les femmes)<\/em>, <em>Revue Belge de Philologie et d&#8217;Histoire<\/em>, LIV-3, 1976, p.780-796. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>NOTICES<\/strong><\/span><br \/> &#8211; \u00ab <a href=\"http:\/\/www.siefar.org\/dictionnaire\/fr\/Louise_Lab%C3%A9\">Louise Lab\u00e9<\/a> \u00bb, in <em>Dictionnaire des femmes de l&#8217;Ancienne France,<\/em> SIEFAR, 2005. <br \/> &#8211; \u00ab Pernette Du Guillet \u00bb &#8211; \u00ab Louise Lab\u00e9 \u00bb, in B. Didier (dir.), <em>Dictionnaire Universel des Litt\u00e9ratures<\/em>, Paris, PUF, 1994, p.1037-1038 (col.2-1), 1960 (col.1-2), 3794 (col.1-2) et 3795 (col.1-2). <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/> <span style=\"color: #800000;\"><strong>\u00c9MISSIONS RADIOPHONIQUES<\/strong><\/span><br \/> &#8211; \u00ab Louise Lab\u00e9 \u00bb, avec R. Irabedian, M. Lazard, R. Le Loch, J. Risset : France-Culture, <em>Une vie, une oeuvre (Christine Rey)<\/em>, 21 novembre 1996.<br \/> &#8211; \u00ab Paroles des unes, paroles des autres \u00bb, avec M. Marini : France-Culture, <em>Chemins de la connaissance<\/em>, 20 mars 1980.<br \/> &#8211; \u00ab Louise Lab\u00e9 \u00bb, avec M. Fusco, M. Lazard : France-Culture, <em>Relecture (Hubert Juin)<\/em>, 23 d\u00e9cembre 1983.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Paris, France PR \u00e9m\u00e9rite * Universit\u00e9 de Paris VII * Litt\u00e9rature fran\u00e7aise de la Renaissance, XVIe, XVIIe si\u00e8cles \u00a0 Th\u00e9\u00e2tre, Po\u00e9tique, Rh\u00e9torique, Po\u00e9sie lyonnaise, Rabelais, Montaigne, Heptam\u00e9ron \u00c9DITIONS CRITIQUES &#8211; Louise Lab\u00e9 : Oeuvres po\u00e9tiques, suivies des Rymes de Pernette du Guillet et d&#8217;un choix de Blasons du corps feminin, Paris, Gallimard \u00ab Po\u00e9sie \u00bb, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3061","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3061"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3061\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3061"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}