{"id":3046,"date":"2009-11-12T12:34:40","date_gmt":"2009-11-12T11:34:40","guid":{"rendered":"http:\/\/373"},"modified":"2009-11-12T12:34:40","modified_gmt":"2009-11-12T11:34:40","slug":"cynthia-j-brown","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/cynthia-j-brown\/","title":{"rendered":"Cynthia J. BROWN"},"content":{"rendered":"
USA * <\/strong>cjbrown@frit.ucsb.edu<\/a>
<\/strong><\/span><\/div>\n

<\/strong><\/span><\/div>\n
University of California, Santa Barbara * PR de fran\u00e7ais * Litt\u00e9rature et culture fran\u00e7aises du moyen \u00e2ge tardif, XIV, XV, XVIe si\u00e8cles *<\/strong><\/span><\/div>\n
\u00a0<\/span><\/div>\n
Transition du manuscrit \u00e0 l’imprim\u00e9, Les rh\u00e9toriqueurs, Biblioth\u00e8ques de femmes<\/em><\/span><\/div>\n

OUVRAGE<\/strong><\/span><\/span><\/div>\n
– (dir., avec Anne-Marie Legar\u00e9), Les Femmes, l\u2019art et la culture en Europe entre Moyen \u00c2ge et Renaissance \/ Women, Art and Culture in Medieval and Renaissance Europe<\/em>, Turnhout, Brepols, 2016.<\/span><\/div>\n
– The Queen\u2019s Library: Image-Making at the Court of Anne of Brittany, 1477-1514<\/em>, Philadelphia, University of Pennsylvania Press, 2011.<\/span><\/div>\n
– (dir.), The Cultural and Political Legacy of Anne de Bretagne\u00a0: Negotiating Convention in Books and Documents<\/em>, Cambridge, UK, D. S. Brewer, 2010.
– (dir., avec Martha Driver), Women and the Book Culture in Late Medieval and Early Modern France<\/em>, num\u00e9ro sp\u00e9cial du Journal of the Early Book Society<\/em>, Vol. IV, 2001. <\/span><\/div>\n
\u00a0
\u00c9DITION\u00a0<\/strong><\/span><\/span><\/div>\n
– Pierre Gringore: Les Entr\u00e9es royales \u00e0 Paris de Marie d’Angleterre (1514) et de Claude de France (1517)<\/em>, Paris, Droz, 2005. <\/span><\/div>\n

ARTICLES<\/strong><\/span>
– \u00abFamily Female Networking in Early Sixteenth-Century France: The Power of Text and Image\u00bb, in S. Broomhall (dir.), Women and Power at the French Renaissance Court<\/em>, Amsterdam, Amsterdam UP (\u00e0 para\u00eetre). <\/span><\/div>\n
– \u00abAnne de Bretagne and Anne de France : French Female Networks at the Dawn of the Renaissance\u00bb, in L. E. Doggett & D. O’Sullivan (dir.), Founding Feminisms in Medieval Studies: Essays in Honor of E. Jane Burns<\/em>, Cambridge, Boydell and Brewer, 2016, p. 171-86.<\/span><\/div>\n
– \u00abParent\u00e9 royale et livresque : une anthologie manuscrite dans la biblioth\u00e8que de Charlotte de Savoie\u00a0(BnF fr. 2222)\u00bb, in C. J. Brown & A.-M. Legar\u00e9 (dir.), Les Femmes, la culture et les arts en Europe entre Moyen \u00c2ge et Renaissance \/ Women, Art and Culture in Medieval and Renaissance France<\/em>, Turnhout, Brepols, 2016, p. 371-90. <\/span><\/div>\n
– (avec Elizabeth A. R. Brown) \u00abL\u2019ordre qui fut tenue a l\u2019obseque et funeraille de feue tresexcellente et tresdebonnaire princesse Anne\u2026de Bretaigne\u2026\u00a0: A Critical Edition\u00bb, in J.L. Deuffic (dir.), Pecia: Le Livre et l\u2019\u00e9crit,<\/em> Turnhout, Brepols, 2014, p. 250-271.<\/span><\/div>\n
– (avec Elizabeth A. R. Brown) \u00abLe Tr\u00e9pas de l\u2019hermine regrettee: A Critical Edition\u00bb, in J.L. Deuffic (dir.), Pecia: Le Livre et l\u2019\u00e9crit<\/em>, Turnhout, Brepols, 2014, p.191-249. <\/span><\/div>\n
–\u00a0\u00abBooks for a Queen : The Literary Patronage of Claude de France\u00bb, Bulletin du Bibliophile<\/em>, 2, 2012, p.257-70. <\/span><\/div>\n
– \u00abLes images r\u00e9currentes de femmes \u00e0 l\u2019aube de la Renaissance : Les XXI Epistres<\/em> d\u2019Ovide\u00bb,\u00a0Textimage\u00a0: Actes du colloque sur la r\u00e9p\u00e9tition (Universit\u00e9 de Victoria, juin 2011)<\/a><\/em>. <\/span><\/div>\n
– \u00abAnne de Bretagne\u00a0: Die Auftraggeberin \/ Anne de Bretagne: The Patron\u00bb, in R. S. Wieck, C. J. Brown & E. K\u00f6nig (dir.), Die Fibel der Claude de France \/ The Primer of Claude de France: Fitzwilliam, MS 159, Cambridge: Kommentar zur Faksimile-Edition \/ Commentary to the Facsimile Edition<\/em>, Luzern, Quaternio Verlag Luzern, 2012, p. 9-23, 111-123. <\/span><\/div>\n
– \u00abD\u00e9dicaces \u00e0 Anne de Bretagne\u00a0: \u00c9loges d\u2019une reine\u00bb, in R.-Cl. Breitenstein (dir.), Publics and publications dans les \u00e9loges collectifs de femmes \u00e0 la fin du Moyen \u00c2ge et sous l\u2019Ancien R\u00e9gime<\/em>, num\u00e9ro sp\u00e9cial d’\u00c9tudes fran\u00e7aises<\/em>, 47, 3, 2012, p.29-54. <\/span><\/div>\n
– \u00abCelebration and Controversy at a Late Medieval French Court\u00a0: A Poetic Anthology for and about Anne of Brittany and Her Female Entourage\u00bb, Biblioth\u00e8que d\u2019Humanisme et Renaissance<\/em>, LXXII, 3, 2010, p. 541-73. <\/span><\/div>\n
– \u00abLa Mise en oeuvre et la mise en pages des recueils traitant des femmes c\u00e9l\u00e8bres \u00e0 la fin du moyen \u00e2ge\u00bb, in T. Van Hemelryck & S. Marzano (dir.), Le Recueil \u00e0 la fin du Moyen \u00c2ge<\/em>, Turnhout, Brepols, 2010, p.33-46. <\/span><\/div>\n
– \u00abDie Gebete \/ The Patron\u00bb, in R. Wieck avec C. J. Brown, Das Gebetbuch der Claude de France \/ The Prayer Book of Claude de France : MS M.1166 The Pierpont Morgan Library<\/em>, New York, Luzern, Quaternio Verlag Luzern, 2010, p. 46-66, p.183-206. <\/span><\/div>\n
– \u00abLike Mother, Like Daughter\u00a0: The Blurring of Royal Imagery in Books for Anne de Bretagne and Claude de France\u00bb, in C. J. Brown (dir.), The Cultural and Political Legacy of Anne de Bretagne: Negotiating Convention in Books and Documents<\/em>, Cambridge, UK, D. S. Brewer, 2010, p.101-21. <\/span><\/div>\n
– \u00abLe M\u00e9c\u00e9nat d\u2019Anne de Bretagne et la politique du livre\u00bb, in K. Wilson-Chevalier (dir.), Patronnes et femmes m\u00e9c\u00e8nes en France \u00e0 la Renaissance, d\u2019Anne de France \u00e0 Catherine de M\u00e9dicis<\/em>, Saint-\u00c9tienne, PU de Saint-\u00c9tienne, 2007, p.195-224. <\/span><\/div>\n
– \u00abParatextual Performances in the Early Parisian Book Trade: Antoine V\u00e9rard\u2019s Edition of Boccaccio\u2019s Nobles et cleres dames<\/em> (1493)\u00bb, in E. Jane Burns, E.\u00a0Doss-Quinby & R. Krueger (dir.), Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado<\/em>, Woodbridge, Surrey, Boydell & Brewer, 2007, p.255-64. <\/span><\/div>\n
– \u00abFrom Stage to Page\u00a0: Royal Entry Performances in Honour
\n of Mary Tudor (1514)\u00bb, in A. Armstrong & M.\u00a0Quainton (dir.), Poetry on the Page: Book and Text in France, 1400-1600<\/em>, Aldershot, Ashgate, 2007, p.49-72. <\/span><\/div>\n
– \u00abBooks in Performance\u00a0: The Parisian Entry<\/em> (1504) and Funeral<\/em> (1514) of Anne of Brittany\u00bb, in M. Burland, D. LaGuardia & A. Tarnowski (dir.), Meanings and Objects: Material Culture in Medieval and Renaissance France<\/em>, num\u00e9ro sp\u00e9cial de\u00a0Yale French Studies<\/em>, 110, 2006, p.75-91. <\/span><\/div>\n
– \u00abLes Louanges d’Anne de Bretagne dans la po\u00e9sie de Jean Bouchet et de ses contemporains: voix de deuil masculines et f\u00e9minines\u00bb, in N. Dauvois & J. Britnell (dir.), Les Grands Jours de Rabelais en Poitou,<\/em> Actes du Colloque International de Poitiers (29 ao\u00fbt-2 sept. 2001), Paris, H. Champion, 2003, p.32-51.
– \u00abThe ‘Famous Women’ Topos in Early Sixteenth-Century France: Echoes of Christine de Pizan\u00bb, in J.-C. M\u00fchlethaler & D. Billotte (dir.), \u00abRien ne mest seur que la chose incertaine\u00bb: \u00c9tudes sur l’art d’\u00e9crire au Moyen Age offertes \u00e0 Eric Hicks par ses \u00e9l\u00e8ves, coll\u00e8gues, amies et amis,<\/em> Gen\u00e8ve, Slatkine, 2001, p.149-160.
– \u00abGrief, Rape and Suicide as Consolation for the Queen: Ambivalent Images of Female Rulers in the Books of Anne de Bretagne\u00bb, Journal of the Early Book Society<\/em>, IV, 2001, p.172-201.
– \u00abTextual and Iconographical Ambivalence in the Late Medieval Representation of Women\u00bb, Bulletin of the John Rylands University Library of Manchester<\/em>, 81, 3, 1999 (\u00abWord and Images: Studies in the French Illustrated Book from the Middle Ages to the Present\u00bb), p.205-39.
– \u00abAllegorical Design and Image-Making in Fifteenth-Century France: Alain Chartier’s Joan of Arc\u00bb, French Studie<\/em>s<\/em>, 53, 4, 1999, p.385-403.
– \u00abThe Reconstruction of an Author in Print: Christine de Pizan in the 15th and 16th Centuries\u00bb, in M. Desmond (dir.), Christine de Pizan and the Categories of Difference,<\/em> Minneapolis, University of Minnesota Press, 1998, p.215-35. <\/span><\/div>\n

NOTICE <\/strong><\/span>
– \u00abAnne de Bretagne<\/a>\u00bb, in Dictionnaire des femmes de l’Ancienne France<\/em>, SIEFAR, 2005. <\/span><\/div>\n

COMPTES RENDUS<\/strong><\/span>
– Dagmar Eichberger, Anne-Marie Legar\u00e9 and Wim H\u00fcsken (dir.), Women at the Burgundian Court: Presence and Influence \/ Femmes \u00e0 la cour de Bourgogne: pr\u00e9sence et influence <\/em>(Turnhout, Brepols, 2010) : \u00a0Bulletin du Bibliophile<\/em>, 2014, p.374-78.<\/span><\/div>\n
– Sophie Cassagnes-Brouquet, Un Manuscrit d\u2019Anne de Bretagne: Les Vies des femmes c\u00e9l\u00e8bres d\u2019Antoine Dufour <\/em>(Rennes, \u00c9ditions Ouest-France, 2007) :\u00a0Bulletin du Bibliophile<\/em>, 1, 2010, p.176-78.<\/span><\/div>\n
– Helen J. Swift, Gender, Writing, and Performance: Men Defending Women in Late Medieval France (1440-1538) <\/em>(Oxford, Clarendon Press, 2008) :\u00a0Medium Aevum<\/em>, LXXVIII, 1, 2009, p.148-49. <\/span><\/div>\n
– June Hall McCash (dir.), The Cultural Patronage of Medieval Women <\/em>(Athens, University of Georgia Press, 1996) :\u00a0Medieval Feminist Newsletter<\/em>, 22, Fall 1996, p.52-54.<\/span><\/p>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

USA * cjbrown@frit.ucsb.edu University of California, Santa Barbara * PR de fran\u00e7ais * Litt\u00e9rature et culture fran\u00e7aises du moyen \u00e2ge tardif, XIV, XV, XVIe si\u00e8cles * \u00a0 Transition du manuscrit \u00e0 l’imprim\u00e9, Les rh\u00e9toriqueurs, Biblioth\u00e8ques de femmes OUVRAGE – (dir., avec Anne-Marie Legar\u00e9), Les Femmes, l\u2019art et la culture en Europe entre Moyen \u00c2ge et […]<\/p>\n","protected":false},"author":3,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,5],"tags":[],"categorie_personnage":[],"class_list":["post-3046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3046"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3046\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3046"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}