{"id":3009,"date":"2009-11-10T13:15:04","date_gmt":"2009-11-10T13:15:04","guid":{"rendered":"http:\/\/336"},"modified":"2009-11-10T13:15:04","modified_gmt":"2009-11-10T13:15:04","slug":"cristina-alvares","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/cristina-alvares\/","title":{"rendered":"Cristina ALVARES"},"content":{"rendered":"
Braga, Portugal * <\/span><\/strong>cris05alv@yahoo.com<\/span><\/a>
<\/strong><\/div>\n

<\/strong><\/div>\n
PR associ\u00e9e * Universit\u00e9 du Minho, Braga * Litt\u00e9rature fran\u00e7aise Moyen \u00c2ge <\/span><\/strong><\/div>\n
\u00a0<\/div>\n
Roman courtois en vers des XIIe et XIIIe si\u00e8cles, Litt\u00e9rature narrative occitane<\/span><\/em><\/div>\n

OUVRAGES <\/strong><\/span>
– La Peau de la pierre. \u00c9tudes sur La Vie de Sainte Enimie<\/a><\/em>, de Bertrand de Marseille, Braga, Centro de Estudos Humanisticos da Universidade do Minho, 2006.
– O amor da letra: o heterog\u00e9neo, o artificial e o feminino no Roman de la Rose de Jean Renart<\/em>, Braga, Universidade do Minho\/Hesp\u00e9rides, 1999. <\/span><\/div>\n

ARTICLES<\/strong><\/span>
– \u00abSouillure et puret\u00e9 dans La Vie de Sainte \u00c9nimie<\/em>, de Bertrand de Marseille\u00bb in Vincensini, J-J. (dir.), Souillure et puret\u00e9. Le corps dans son environemment culturel<\/em>, Paris, Maisonneuve et Larose, 2003.
– \u00abLe corps f\u00e9minin dans La Vie de Sainte \u00c9nimie<\/em>, de Bertrand de Marseille\u00bb, in G. Kremnitz, B. Czernilofsky, P. Cichon & R. Tanzmeister (dir.), Le Rayonnement de la civilisation occitane \u00e0 l’aube d’un nouveau mill\u00e9naire,<\/em> Wien, Praesens, 2001, p.301-309.
– \u00abLe mythe d’Avalon dans le roman: affrontement au f\u00e9minin et effondrement du sujet\u00bb, en ligne sur http:\/\/www.ilch.uminho.pt\/paginas\/departam\/WEB%<\/a>, mars 2001.
– \u00abLa toile de genres: fils lyriques et voix f\u00e9minine dans Le Roman de la Rose ou de Guillaume de D\u00f4le<\/em>, de Jean Renart\u00bb, in Th. Cramer, J. Greenfield, I. Kasten & E. Koller (dir.), Frauenlieder-Cantigas de amigo,<\/em> Stuttgart, S. Hirzel Verlag, 2000, p.297-304.
– \u00abCitations lyriques et roman idyllique: le dialogue des genres\u00bb, in Th. Cramer, J. Greenfield, I. Kasten, E. Koller (dir.), Frauenlieder-Cantigas de amigo<\/em>, Stuttgart, S. Hirzel Verlag, 2000, p.305-313.
– (avec Am\u00e9rico Diogo) \u00abPe(r)dido de amor\u00bb, Zentral Park, Revista de Teoria e Cr\u00edtica<\/em>, 1, 1999, p.29-39.
– \u00abGauvain et l’impossible d\u00e9nouement romanesque\u00bb, PRIS-MA<\/em>, XV\/1, 29, 1999, p.1-15.
– \u00abObjet perdu, objet tiss\u00e9. Lieux du roman dans le champ g\u00e9n\u00e9rique des XIIe et XIIIe si\u00e8cles\u00bb, Ariane<\/em>, 14\/15, 1996-8, p.19-37.
– \u00abSexualidade, economia e fic\u00e7\u00e3o nos romances de Jean Renart\u00bb, in A.G. Macedo (dir.), A mulher, o louco e a m\u00e1quina: entre a margem e a norma,<\/em> Braga, Universidade do Minho\/Centro de Estudos Human\u00edsticos, 1998, p.13-37.
– (avec Am\u00e9rico Diogo) \u00abLa demande d’ amour dans Cliges, de Chr\u00e9tien de Troyes\u00bb, in Bien dire et bien aprandre: Revue de m\u00e9di\u00e9vistique<\/em>, 15, 1997, p.109-117.
– \u00abMet\u00e1fora cort\u00eas, pedido de amor e diferen\u00e7a sexual em Jean Renart\u00bb, Diacr\u00edtica<\/em>, 10, 1995, p.535-549.
– (avec Am\u00e9rico Diogo) \u00abLa demoiselle de Norison: la fin d’un monde o\u00f9 l’on croyait aux f\u00e9es\u00bb, S\u00e9n\u00e9fiance<\/em>, 33, 1993, p.9-22.
– (avec Am\u00e9rico Diogo) \u00abLaudine: entre fin’amors et misogynie\u00bb, Bien dire et bien aprandre: Revue de m\u00e9di\u00e9vistique<\/em>, 11, 1993, p.9-24.
– \u00abSaintet\u00e9 et sexualit\u00e9: La Vida de Santa Enimia<\/em>, de Bertrand de Marseille\u00bb, Diacr\u00edtica<\/em>, 7, 1992, p.197-216.
– (avec Am\u00e9rico Diogo) \u00abL’influence proven\u00e7ale dans la lyrique gallicienne-portugaise: le cas des pastourelles\u00bb, in Contacts de langues, de civilisations et intertextualit<\/em>\u00e9, Montpellier, Centre d’ \u00c9tudes Occitanes\/SFAIEO, 1992, t.III, p.737-751.
– \u00abGauvain, les femmes et le cheval\u00bb, S\u00e9n\u00e9fiance<\/em>, 31, 1992, p.31-41.
– \u00abNarciso e a fada: o esquema fe\u00e9rico em Narcisse, conto ovidiano franc\u00eas do s\u00e9c. XII\u00bb, Diacr\u00edtica<\/em>, 3-4, 1988-89, p.243-262. <\/span><\/div>\n

COMPTES RENDUS<\/strong><\/span>
– Andr\u00e9, J., Aux origines f\u00e9minines de la sexualit\u00e9 <\/em>(Paris, P.U.F., 1995): Diacr\u00edtica<\/em>, 12, 1997, p.328-9.
<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Braga, Portugal * cris05alv@yahoo.com PR associ\u00e9e * Universit\u00e9 du Minho, Braga * Litt\u00e9rature fran\u00e7aise Moyen \u00c2ge \u00a0 Roman courtois en vers des XIIe et XIIIe si\u00e8cles, Litt\u00e9rature narrative occitane OUVRAGES – La Peau de la pierre. \u00c9tudes sur La Vie de Sainte Enimie, de Bertrand de Marseille, Braga, Centro de Estudos Humanisticos da Universidade do […]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"categorie_personnage":[],"class_list":["post-3009","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3009"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3009\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3009"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}