{"id":3006,"date":"2009-11-10T13:00:45","date_gmt":"2009-11-10T13:00:45","guid":{"rendered":"http:\/\/333"},"modified":"2009-11-10T13:00:45","modified_gmt":"2009-11-10T13:00:45","slug":"irene-aguila-solana","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/irene-aguila-solana\/","title":{"rendered":"Irene AGUIL\u00c1-SOLANA"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><b>Universidad de Zaragoza, <\/b><\/span><strong style=\"font-size: 1.1em;\"><span style=\"font-size: small;\">Zaragoza, Espagne<\/span><\/strong><span style=\"font-size: small;\"> * <a href=\"mailto:iaguila@unizar.es\">iaguila@unizar.es<\/a><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR * Universit\u00e9 de Saragosse, dep. De Philologie * Litt\u00e9rature fran\u00e7aise, XVII<sup>e<\/sup>-XVIII<sup>e<\/sup> si\u00e8cles<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\u00a0<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">Litt\u00e9rature libertine, \u00c9rotisme, Le comique et le burlesque, Litt\u00e9rature de voyages<\/span><\/em><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"font-size: small;\"><br \/>\n<span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><br \/>\n\u2013 \u00ab Edwige Feuill\u00e8re et Claire-Jos\u00e8phe-Hippolyte Leris de la Tude, deux vies en miroir\u00bb, in M. Carme Figuerola (\u00e9d.), <em>Evocar la literatura francesa y franc\u00f3fona de la modernidad. Homenaje a \u00c0ngels Santa<\/em>, Edicions de la Universitat de Lleida, col. \u201cEl Fil d\u2019Ariadna\u201d, Pag\u00e8s Editors, 2019, p. 217-224.<br \/>\n\u2013 \u00ab Les personnages du Quichotte dans l\u2019\u0153uvre et la correspondance de Sade \u00bb [Dulcin\u00e9e en particulier], <em>HispanismeS<\/em>, n\u00ba 14 (second semestre 2019), p. 229-244.<br \/>\n\u2013 \u00ab La Clairon, mucho m\u00e1s que una actriz en la Francia del siglo XVIII \u00bb [La Clairon, beaucoup plus qu\u2019une actrice dans la France du XVIII<sup>e<\/sup> si\u00e8cle], in H. Gallego Franco et M.\u00aa C. Garc\u00eda Herrero (\u00e9ds.), <em>Autoridad, poder e influencia: Mujeres que hacen historia<\/em>, Barcelona: Icaria, col. Historia y feminismo, n\u00ba 13, (1 vol. 2017 + 1 CD 2018), p. 1139-1152.<br \/>\n\u2013 \u00ab Apuntes sobre la mujer y otros lugares comunes en la Espa\u00f1a del siglo XVIII seg\u00fan Fleuriot de Langle\u00bb [Notes sur la femme et d\u2019autres lieux communs dans l\u2019Espagne du XVIII<sup>e<\/sup> si\u00e8cle], in F. Arag\u00f3n Rosano &#038; J. A. L\u00f3pez S\u00e1nchez (\u00e9ds.),<em> Historias de viajes. Una perspectiva plural<\/em>, 2 vol., Bern: Peter Lang, col. Espacios literarios en contacto, n\u00ba 14, 2017, vol. 2, p. 11-29.<br \/>\n\u2013 \u00ab L\u2019espace religieux dans l\u2019\u0153uvre de Mme de Graffigny et de Mme de Souza \u00bb, in \u00c1. Sirvent, M.\u00aa I. Corb\u00ed et M.\u00aa \u00c1. Llorca (\u00e9ds.), <em>Femmes auteurs du dix-huiti\u00e8me si\u00e8cle : Nouvelles approches critiques<\/em>, Paris, Honor\u00e9 Champion, 2016, p. 25-36.<br \/>\n\u2013 \u00ab La trag\u00e9die du XVIIIe si\u00e8cle : du th\u00e9\u00e2tre de la cruaut\u00e9 au patriotisme fatal \u00bb, in Merc\u00e8 Boixareu (dir.), Esther Juan-Oliva et \u00c1ngela M. Romera-Pintor (coord.), <em>Figures f\u00e9minines de l\u2019histoire occidentale dans la litt\u00e9rature fran\u00e7aise (vol. I : Genres, auteurs, textes)<\/em>, Paris, Honor\u00e9 Champion, 2016, p. 165-177.<br \/>\n\u2013 \u00ab Le Pornographe de R\u00e9tif de la Bretonne et l\u2019Arte de las putas de Morat\u00edn. Les avis de MM. Nicolas \u00bb [Deux auteurs, deux pays, une m\u00eame p\u00e9riode (le si\u00e8cle des Lumi\u00e8res) et un m\u00eame sujet (les prostitu\u00e9es], \u00c9tudes r\u00e9tiviennes n\u00ba 42, 2010, p. 215-234.<br \/>\n\u2013 \u00ab L\u2019all\u00e9gorie en discorde : personnifications antagoniques au Th\u00e9\u00e2tre de la Foire \u00bb [personnifications de la Foire, la Com\u00e9die-Fran\u00e7aise et la Com\u00e9die-Italienne], <em>Th\u00e9l\u00e8me. Revista Complutense de Estudios Franceses<\/em>, 2009, vol. 24, pp. 7-24.<br \/>\n&#8211; \u00ab La mujer en las an\u00e9cdotas de Voltaire sobre Luis XIV \u00bb <em>(La femme dans les anecdotes de Voltaire sur Louis XIV)<\/em>, <em>\u00c7\u00e9dille. Revista de estudios franceses<\/em>, 3, 2007 (\u00ab Monograf\u00eda: La an\u00e9cdota en el siglo XVIII \u00bb), p. 35-58. <br \/>\n&#8211; \u00ab Faut-il parler de genres dans l&#8217;apprentissage amoureux? \u00c0 propos de Voisenon et de son Histoire de la F\u00e9licit\u00e9\u00bb, in <em>Memorie dell&#8217; Accademia delle Scienze di Torino<\/em>, V, 24, fasc. 3, 2000 (\u00abL&#8217;educazione dell&#8217; uomo et della donna nella cultura illuministica \u00bb), p. 75-89. <br \/>\n&#8211; \u00abEug\u00e9nie \u00bfdrama burgu\u00e9s&#8217;\u00bb, <em>Textos 1992 <\/em>(Universidad de Zaragoza), 1992, p. 3-26 <em>(sur l&#8217;attitude de d\u00e9fi que la protagoniste oppose au pouvoir masculin dans la pi\u00e8ce)<\/em><br \/>\n&#8211; \u00abEl espacio y el tiempo como juego. Sobre el viaje en La Princesse de Babylone de Voltaire\u00bb, <em>Textos 1985 <\/em>(Universidad de Zaragoza), 1989 (\u00abEspacio y tiempo en la literatura francesa), p. 63-85 <em>(concerne en particulier la libert\u00e9 d&#8217;action et de d\u00e9cision de la protagoniste compar\u00e9e \u00e0 celle de son compagnon)<\/em>.<\/span><\/span><\/p>\n<p>\u00a0<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Universidad de Zaragoza, Zaragoza, Espagne * iaguila@unizar.es \u00a0 PR * Universit\u00e9 de Saragosse, dep. De Philologie * Litt\u00e9rature fran\u00e7aise, XVIIe-XVIIIe si\u00e8cles \u00a0 Litt\u00e9rature libertine, \u00c9rotisme, Le comique et le burlesque, Litt\u00e9rature de voyages ARTICLES \u2013 \u00ab Edwige Feuill\u00e8re et Claire-Jos\u00e8phe-Hippolyte Leris de la Tude, deux vies en miroir\u00bb, in M. Carme Figuerola (\u00e9d.), Evocar la [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-3006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3006"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/3006\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=3006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=3006"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=3006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}