{"id":3003,"date":"2009-11-10T12:35:33","date_gmt":"2009-11-10T12:35:33","guid":{"rendered":"http:\/\/329"},"modified":"2025-03-27T05:40:15","modified_gmt":"2025-03-27T05:40:15","slug":"hedia-abdelkefi","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/hedia-abdelkefi\/","title":{"rendered":"H\u00e9dia ABDELKEFI"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Institut Sup\u00e9rieur des Sciences Humaines, Tunisie * <\/span><\/strong><a href=\"mailto:h.abdelkefi@yahoo.fr\"><span style=\"font-size: small;\">h.abdelkefi@yahoo.fr<\/span><\/a><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PR * <\/span><\/strong><strong><span style=\"font-size: small;\">Universit\u00e9 de Tunis El Manar *<\/span><\/strong><strong><span style=\"font-size: small;\"> Litt\u00e9rature fran\u00e7aise, XVIe, XIXe, XXe si\u00e8cles<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><em>Po\u00e9tique, s\u00e9miotique (le sujet moderne et postmoderne)<\/em><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">\u00a0<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: #800000;\"><b>OUVRAGE<\/b><\/span><br \/>\n&#8211;<\/span><em style=\"font-size: small;\">Enonciation lyrique et figuration du sujet dans<\/em><span style=\"font-size: small;\">Sonnets d\u2019amour<\/span><em style=\"font-size: small;\">de Jean de Sponde<\/em><span style=\"font-size: small;\">, Facult\u00e9 des Lettres et Sciences Humaines de Sfax,<\/span><span style=\"font-size: small;\">Imprimerie Reliure d\u2019Art, Sfax-Tunisie, 2003<\/span><span style=\"font-size: small;\">.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<div class=\"corpsTexte\"><strong><span style=\"font-size: small;\"><span style=\"color: #800000;\">ARTICLE<\/span><\/span><\/strong><span style=\"font-size: small;\"><br \/>\n&#8211; \u00ab Le Discours pr\u00e9faciel dans L&#8217;H\u00e9catombe \u00e0 Diane d&#8217;Agrippa d&#8217;Aubign\u00e9\u00bb,<em>ALBINEANA 12<\/em>,<em>Cahiers d&#8217;Aubign\u00e9<\/em>(Paris, Honor\u00e9 Champion), 2000.<\/span><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Institut Sup\u00e9rieur des Sciences Humaines, Tunisie * h.abdelkefi@yahoo.fr PR * Universit\u00e9 de Tunis El Manar * Litt\u00e9rature fran\u00e7aise, XVIe, XIXe, XXe si\u00e8cles Po\u00e9tique, s\u00e9miotique (le sujet moderne et postmoderne) \u00a0 OUVRAGE &#8211;Enonciation lyrique et figuration du sujet dansSonnets d\u2019amourde Jean de Sponde, Facult\u00e9 des Lettres et Sciences Humaines de Sfax,Imprimerie Reliure d\u2019Art, Sfax-Tunisie, 2003. 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