{"id":2705,"date":"2015-01-01T00:00:00","date_gmt":"2015-01-01T00:00:00","guid":{"rendered":"http:\/\/20821"},"modified":"2015-01-01T00:00:00","modified_gmt":"2015-01-01T00:00:00","slug":"nos-adhrent-e-s-publient_821","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/nos-adhrent-e-s-publient_821\/","title":{"rendered":"Nos adh\u00e9rent-e-s publient"},"content":{"rendered":"

<\/em><\/p>\n

Revue Recherches en danse,<\/em> n’3, 2015<\/span><\/strong><\/div>\n
Int\u00e9gralement en ligne :http:\/\/danse.revues.org\/837<\/a><\/span><\/div>\n
<\/span>
<\/div>\n
H\u00e9l\u00e8ne Marqui\u00e9 et Marina Nordera<\/span><\/div>\n
\u00c9ditorial<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>D\u00f3ra Kiss<\/span><\/div>\n
Les partitions chor\u00e9graphiques citant Marie-Th\u00e9r\u00e8se Subligny : sources d’hypoth\u00e8ses pour un portrait<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>Bianca Maurmayr<\/span><\/div>\n
Marie-Catherine Guyot : une danseuse professionnelle du XVIIIe si\u00e8cle, entre norme et invention<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>B\u00e9atrice Massin et Marina Nordera<\/span><\/div>\n
La \u00ab belle dance \u00bb des genres : des notations anciennes \u00e0 la cr\u00e9ation contemporaine<\/span><\/div>\n
<\/span><\/span>Entretien<\/span><\/div>\n
<\/span>
<\/div>\n
Marina Nordera<\/span><\/div>\n
Danser seule au XVIIIe si\u00e8cle : un espace f\u00e9minin de cr\u00e9ation et transmission ?<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>Vannina Olivesi<\/span><\/div>\n
Fanny Cerrito chor\u00e9graphe<\/span><\/div>\n
<\/span><\/span>La r\u00e9ception de Gemma dans la presse parisienne (mai-juin 1854)<\/span><\/div>\n
<\/span>
<\/div>\n
Camille Paillet<\/span><\/div>\n
<\/span>La f\u00e9minisation du chahut-cancan sous le Second Empire parisien<\/span><\/div>\n
<\/span><\/span>L’exemple de Marguerite Badel dite la Huguenote dite Marie la Gougnotte dite Rigolboche<\/span><\/div>\n
<\/span>
<\/div>\n
Claudia Jeschke<\/span><\/div>\n
Danseuses \u00e9crivaines. Margitta Ros\u00e9ri, Le tour du monde de la danse (Texte int\u00e9gral)<\/em><\/span><\/div>\n
<\/span>
<\/div>\n
Patrizia Veroli<\/span><\/div>\n
Les danseuses et les nouveaux m\u00e9dias (seconde moiti\u00e9 du XIXe si\u00e8cle)<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>H\u00e9l\u00e8ne Marqui\u00e9<\/span><\/div>\n
Enqu\u00eate en cours sur Madame Stichel (1856 – ap. 1933)<\/span><\/div>\n
<\/span><\/span>Quelques pistes de r\u00e9flexion<\/span><\/div>\n
<\/span>
<\/div>\n
Thierry Malandain et H\u00e9l\u00e8ne Marqui\u00e9<\/span><\/div>\n
Dans les pas de Mariquita<\/span><\/div>\n
<\/span>Entretien<\/span><\/div>\n
<\/span>
<\/div>\n
Lynn Garafola<\/span><\/div>\n
Interlude oubli\u00e9 : la danse rythmique \u00e0 l’Op\u00e9ra de Paris<\/span><\/div>\n
<\/span>
<\/div>\n
Marie Beaulieu<\/span><\/div>\n
L’auto-mythification : un moyen de survie<\/span><\/div>\n
<\/span>Vers d’autres perspectives ouvertes par le genre dans la recherche en danse<\/span><\/div>\n
<\/span>
<\/div>\n
Betty Lefevre<\/span><\/div>\n
Chercheuse et danseuse : du genre incorpor\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>Marie Ananda Gilavert<\/span><\/div>\n
L’Examen d’Aptitude Technique en danse contemporaine : une \u00e9preuve diff\u00e9renci\u00e9e selon les sexes<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>Ramsay Burt<\/span><\/div>\n
Travers\u00e9es transgressives des fronti\u00e8res : genre, \u00ab race \u00bb et sexualit\u00e9 dans la chor\u00e9graphie contemporaine des ann\u00e9es 1970<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>Aur\u00e9lie Marchand<\/span><\/div>\n
Un danseur est-il un homme qui danse ? <\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>R\u00e9cit d’exp\u00e9rience d’une ethnographe inscrite dans un processus de cr\u00e9ation chor\u00e9graphique (avril 2014).<\/span><\/div>\n<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Revue Recherches en danse, n’3, 2015 Int\u00e9gralement en ligne :http:\/\/danse.revues.org\/837 H\u00e9l\u00e8ne Marqui\u00e9 et Marina Nordera \u00c9ditorial D\u00f3ra Kiss Les partitions chor\u00e9graphiques citant Marie-Th\u00e9r\u00e8se Subligny : sources d’hypoth\u00e8ses pour un portrait Bianca Maurmayr Marie-Catherine Guyot : une danseuse professionnelle du XVIIIe si\u00e8cle, entre norme et invention B\u00e9atrice Massin et Marina Nordera La \u00ab belle dance \u00bb […]<\/p>\n","protected":false},"author":2,"featured_media":1129,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,10],"tags":[],"categorie_personnage":[],"class_list":["post-2705","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2705"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2705\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1129"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2705"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}