{"id":2634,"date":"2014-03-05T00:00:00","date_gmt":"2014-03-05T00:00:00","guid":{"rendered":"http:\/\/20748"},"modified":"2014-03-05T00:00:00","modified_gmt":"2014-03-05T00:00:00","slug":"cre-er-interpre-ter-diffuser-la-musique-des-femmes","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/cre-er-interpre-ter-diffuser-la-musique-des-femmes\/","title":{"rendered":"Cr\u00e9er, interpr\u00e9ter, diffuser la musique des femmes"},"content":{"rendered":"<p><\/em><\/p>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Mercredi 5 mars 2014, 13h00-17h00<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Universite? Paris-Sorbonne, 1 rue Victor Cousin, Paris, 5e Amphith\u00e9\u00e2tre Cauchy<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Escalier F, 3e \u00e9tage, acce?s par ascenseur dans la galerie Richelieu<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Pr\u00e9sidence de s\u00e9ance : Raphae?lle LEGRAND (Universite? Paris-Sorbonne)<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">-13h Raphae?lle LEGRAND : Introduction<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">-13h15 Marge CRAMOISAN (Paris-Sorbonne) et Hyacinthe RAVET (Paris-Sorbonne) : \u00ab La programmation des compositrices de musique contemporaine aujourd&#8217;hui en France \u00bb<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">-13h45 Florence LAUNAY (Darmstadt) : \u00ab Le genre de la m\u00e9lodie \u00bb<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">-14h15 Pause<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">-14h30 Table ronde anim\u00e9e par Catherine DEUTSCH (Paris-Sorbonne) : \u00ab Interpr\u00e9ter les compositrices : la recherche de r\u00e9pertoire, probl\u00e8mes et outils \u00bb, avec Clotilde ANGLEYS (Biblioth\u00e8que nationale de France), Claire BODIN (CRR de Toulon, Festival Pr\u00e9sences f\u00e9minines), Raquel CAMARINHA (soprano), Laurence DECOBERT (Biblioth\u00e8que nationale de France), Jeanne-Marie GOLSE (pianiste), Florence LAUNAY (soprano), Jean-Marc PONT-MARCHESI (pianiste)<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">-16h15 Pause<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">-16h30 Katarina LIVLJANIC (Paris-Sorbonne, Ensemble Dialogos) : \u00ab Judith, Une histoire biblique de la Croatie renaissante \u00bb<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">-17h Pot au club des enseignants<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Comment d\u00e9couvrir, interpr\u00e9ter et faire conna\u00eetre la musique des compositrices d&#8217;hier et d&#8217;aujourd&#8217;hui ? La question de la diffusion est en effet cruciale pour les cr\u00e9atrices : nombreuses sont celles dans l&#8217;histoire qui se sont consacr\u00e9es \u00e0 des genres comme la m\u00e9lodie leur permettant d&#8217;interpr\u00e9ter elles-m\u00eames leur musique sans avoir \u00e0 passer par des institutions qui les rejetaient. Aujourd&#8217;hui encore, la volonte? de faire entendre davantage d&#8217;\u0153uvres de femmes dans les concerts se heurte \u00e0 la m\u00e9connaissance de leur production. De nouveaux outils, catalogues et ressources num\u00e9riques, sont n\u00e9cessaires pour accompagner les interpr\u00e8tes souhaitant promouvoir ce r\u00e9pertoire sous-estime?.<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Concert du Festival Pr\u00e9sences f\u00e9minines<\/span><\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Universite? Paris-Sorbonne, 1 rue Victor Cousin, Paris, 5e<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Amphith\u00e9\u00e2tre Richelieu<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Acce?s par la cour d&#8217;honneur<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">18h30-20h<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">M\u00e9lodies d&#8217;H\u00e8le?ne de MONTGEROULT (1764-1836), Fanny HENSEL-MENDELSSOHN (1805-1847), Amy BEACH (1867-1944), Alma SCHINDLER-MAHLER (1879-1964), Lili BOULANGER (1893-1918), Kaija SAARIAHO (1952).<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Raquel CAMARINHA, soprano, Satoshi KUBO, piano <\/p>\n<p><\/span><\/div>\n<p><\/p>\n<p><em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mercredi 5 mars 2014, 13h00-17h00 Universite? Paris-Sorbonne, 1 rue Victor Cousin, Paris, 5e Amphith\u00e9\u00e2tre Cauchy Escalier F, 3e \u00e9tage, acce?s par ascenseur dans la galerie Richelieu Pr\u00e9sidence de s\u00e9ance : Raphae?lle LEGRAND (Universite? Paris-Sorbonne) -13h Raphae?lle LEGRAND : Introduction -13h15 Marge CRAMOISAN (Paris-Sorbonne) et Hyacinthe RAVET (Paris-Sorbonne) : \u00ab La programmation des compositrices de musique [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1697,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,13],"tags":[],"categorie_personnage":[],"class_list":["post-2634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-manifestations-scientifiques"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2634"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2634\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1697"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2634"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}