{"id":2631,"date":"2014-04-09T00:00:00","date_gmt":"2014-04-09T00:00:00","guid":{"rendered":"http:\/\/20745"},"modified":"2014-04-09T00:00:00","modified_gmt":"2014-04-09T00:00:00","slug":"artistes-femmes-au-muse-regards-actuels_745","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/artistes-femmes-au-muse-regards-actuels_745\/","title":{"rendered":"Artistes femmes au mus\u00e9e ? Regards actuels"},"content":{"rendered":"

<\/em><\/p>\n

Cycle de conf\u00e9rences<\/span><\/strong><\/div>\n
<\/span>Paris, Auditorium du Louvre,<\/span><\/strong><\/div>\n
<\/span>19 h<\/span><\/strong><\/div>\n
<\/span>
<\/div>\n
<\/span>Depuis la c\u00e9l\u00e8bre question soulev\u00e9e par l’historienne am\u00e9ricaine Linda Nochlin en 1971, \u00ab Pourquoi n’y a-til pas eu de grandes femmes artistes ? \u00bb, la recherche universitaire et la culture mus\u00e9ale ont donn\u00e9 davantage de visibilit\u00e9 aux \u0153uvres r\u00e9alis\u00e9es par des artistes femmes. Ce cycle de conf\u00e9rences confronte cette \u00e9volution aux collections du Louvre, \u00e0 l’histoire et \u00e0 l’actualit\u00e9 du mus\u00e9e. Cinq historiennes de l’art d\u00e9veloppent, \u00e0 partir d’\u0153uvres des collections, diverses approches : la critique institutionnelle, la question du genre dans l’iconographie, la tradition historiographique de la \u00ab vie d’artiste \u00bb, l’histoire sociale de la r\u00e9ception, l’histoire de la culture visuelle.<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>– Vendredi 24 janvier <\/strong>? Griselda Pollock (University of Leeds) : Le Mus\u00e9e \u00e0 moiti\u00e9 vide : vision, invisibilit\u00e9 et inscription de la diff\u00e9rence parmi les \u00ab vieilles ma\u00eetresses \u00bb de l’art<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>– Vendredi 14 f\u00e9vrier<\/strong> ? Bettina Uppenkamp (Hochschule f\u00fcr Bildende K\u00fcnste, Dresde) : Les \u00ab femmes fortes \u00bb dans le regard de femmes fortes. Une relecture critique de Judith et autres h\u00e9ro\u00efnes de l’art baroque<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>– Mercredi 5 mars<\/strong> ? Abigail Solomon-Godeau (professeure \u00e9m\u00e9rite, University of California, Santa Barbara) : Constance Mayer : la mythologie, l’historiographie et le f\u00e9minisme<\/span><\/div>\n
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<\/div>\n
<\/span>– Vendredi 21 mars <\/span><\/strong>? Laura Auricchio (The New School, New York) : Ad\u00e9la\u00efde Labille-Guiard et le Louvre : \u00e9changes, exclusions, inscriptions<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span><\/span><\/span>– Mercredi 9 avril ?<\/strong> Susan Siegfried (University of Michigan, Ann Arbor) : La mode et l’id\u00e9al classique dans \u00c9tude de femme d’apr\u00e8s nature de Marie-Denise Villiers, ou la cr\u00e9ation d’une identit\u00e9 imagin\u00e9e dans la France postr\u00e9volutionnaire<\/span><\/div>\n
<\/span>
<\/div>\n
<\/a><\/span>En savoir plus<\/a><\/span><\/div>\n
<\/span>
<\/div>\n<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Cycle de conf\u00e9rences Paris, Auditorium du Louvre, 19 h Depuis la c\u00e9l\u00e8bre question soulev\u00e9e par l’historienne am\u00e9ricaine Linda Nochlin en 1971, \u00ab Pourquoi n’y a-til pas eu de grandes femmes artistes ? \u00bb, la recherche universitaire et la culture mus\u00e9ale ont donn\u00e9 davantage de visibilit\u00e9 aux \u0153uvres r\u00e9alis\u00e9es par des artistes femmes. Ce cycle de […]<\/p>\n","protected":false},"author":2,"featured_media":1695,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,13],"tags":[],"categorie_personnage":[],"class_list":["post-2631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-manifestations-scientifiques"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2631"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2631\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1695"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2631"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}