{"id":2628,"date":"2014-02-18T00:00:00","date_gmt":"2014-02-18T00:00:00","guid":{"rendered":"http:\/\/20742"},"modified":"2014-02-18T00:00:00","modified_gmt":"2014-02-18T00:00:00","slug":"du-fminin-et-du-masculin-dans-la-thorie-musicale","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/du-fminin-et-du-masculin-dans-la-thorie-musicale\/","title":{"rendered":"Du f\u00e9minin et du masculin dans la th\u00e9orie musicale"},"content":{"rendered":"

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Universit\u00e9 Paris-Sorbonne (Institut de Recherche en Musicologie, UMR 8223)<\/span><\/div>\n
<\/span>Universit\u00e9 du Maine (CERHIO)<\/span><\/div>\n
<\/span>Universit\u00e9 de Reims Champagne-Ardenne (CERHIC)<\/span><\/div>\n
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<\/div>\n
<\/span>Huiti\u00e8mes rencontres du CReIM<\/span><\/strong><\/div>\n
<\/span>Cercle de Recherche Interdisciplinaire sur les Musiciennes<\/span><\/strong><\/div>\n
<\/span>Mardi 18 f\u00e9vrier 2014, 14h-19h<\/span><\/strong><\/div>\n
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<\/div>\n
<\/span>Universit\u00e9 Paris-Sorbonne<\/span><\/div>\n
<\/span>Centre universitaire Clignancourt<\/span><\/div>\n
<\/span>2 rue Francis de Croisset, 75018 Paris<\/span><\/div>\n
<\/span>(M\u00e9tro Porte de Clignancourt)<\/span><\/div>\n
<\/span>Salle 418<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>Du f\u00e9minin et du masculin dans la th\u00e9orie musicale<\/span><\/strong><\/div>\n
<\/span>
<\/div>\n
<\/span><\/strong><\/span>Pr\u00e9sidence de s\u00e9ance :<\/span><\/div>\n
<\/span>Florence Launay (Darmstadt, CReIM) et Bertrand Porot (Universit\u00e9 de Reims Champagne-Ardenne)<\/span><\/div>\n
<\/span>14h Accueil et introduction<\/span><\/div>\n
<\/span>14h 15 Isabelle Ragnard (Universit\u00e9 Paris-Sorbonne) : ? Par b\u00e9carre, par nature et par b\u00e9mol !<\/span>Les hexacordes ont-ils un genre ? ?<\/span><\/div>\n
<\/span>14h 45 Catherine Deutsch (Universit\u00e9 Paris-Sorbonne) : ? Ordre musical, ordre sexu\u00e9 : la<\/span>m\u00e9taphore du genre dans les d\u00e9bats sur la modernit\u00e9 musicale italienne entre XVIe et<\/span>XVIIe si\u00e8cles ?<\/span><\/div>\n
<\/span>15h15 Th\u00e9odora Psychoyou (Universit\u00e9 Paris-Sorbonne) : ? F\u00e9minin\/masculin dans la<\/span>th\u00e9orie du XVIIe si\u00e8cle en France ?<\/span><\/div>\n
<\/span>15h 45 Pause<\/span><\/div>\n
<\/span>16h Rapha\u00eblle Legrand (Universit\u00e9 Paris-Sorbonne) : ? Et voil\u00e0 pourquoi le mode majeur est<\/span>le “ma\u00eetre de l’harmonie” : Rameau et le sexage des modes et des degr\u00e9s ?<\/span><\/div>\n
<\/span>16h30 Alban Ramaut (Universit\u00e9 Jean Monnet, Saint-Etienne) : ? Du f\u00e9minin et du masculin<\/span>dans les \u00e9crits th\u00e9oriques d’Anton Reicha ?<\/span><\/div>\n
<\/span>17h Florence Launay (Darmstadt, CReIM) : ? F\u00e9minin\/masculin dans la th\u00e9orie, \u00e9tat des<\/span>lieux bibliographiques ?<\/span><\/div>\n
<\/span>17h30 Pause<\/span><\/div>\n
<\/span>17h45 Table ronde : ? Feminine Endings de Susan McClary (1991) : relectures ?<\/span><\/div>\n
<\/span>Avec Esteban Buch (EHESS), Catherine Deutsch (Universit\u00e9 Paris-Sorbonne), Florence<\/span>Launay (Darmstadt, CReIM), Rapha\u00eblle Legrand (Universit\u00e9 Paris-Sorbonne), Hyacinthe<\/span>Ravet (Universit\u00e9 Paris-Sorbonne)<\/span><\/div>\n<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Universit\u00e9 Paris-Sorbonne (Institut de Recherche en Musicologie, UMR 8223) Universit\u00e9 du Maine (CERHIO) Universit\u00e9 de Reims Champagne-Ardenne (CERHIC) Huiti\u00e8mes rencontres du CReIM Cercle de Recherche Interdisciplinaire sur les Musiciennes Mardi 18 f\u00e9vrier 2014, 14h-19h Universit\u00e9 Paris-Sorbonne Centre universitaire Clignancourt 2 rue Francis de Croisset, 75018 Paris (M\u00e9tro Porte de Clignancourt) Salle 418 Du f\u00e9minin et […]<\/p>\n","protected":false},"author":2,"featured_media":1691,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,13],"tags":[],"categorie_personnage":[],"class_list":["post-2628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-manifestations-scientifiques"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2628"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2628\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1691"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2628"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}