{"id":2615,"date":"2014-01-24T00:00:00","date_gmt":"2014-01-24T00:00:00","guid":{"rendered":"http:\/\/20729"},"modified":"2014-01-24T00:00:00","modified_gmt":"2014-01-24T00:00:00","slug":"artistes-femmes-au-muse-regards-actuels","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/artistes-femmes-au-muse-regards-actuels\/","title":{"rendered":"Artistes femmes au mus\u00e9e ? Regards actuels"},"content":{"rendered":"

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Paris, Auditorium du Louvre,<\/span>19 h<\/span><\/div>\n
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<\/span>Depuis la c\u00e9l\u00e8bre question soulev\u00e9e par l’historienne<\/span>am\u00e9ricaine Linda Nochlin en 1971, ? Pourquoi n’y a-til<\/span>pas eu de grandes femmes artistes ? ?, la recherche<\/span>universitaire et la culture mus\u00e9ale ont donn\u00e9 davantage<\/span>de visibilit\u00e9 aux oeuvres r\u00e9alis\u00e9es par des artistes femmes.<\/span><\/div>\n
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<\/span>Ce cycle de conf\u00e9rences confronte cette \u00e9volution<\/span>aux collections du Louvre, \u00e0 l’histoire et \u00e0 l’actualit\u00e9<\/span>du mus\u00e9e. Cinq historiennes de l’art d\u00e9veloppent, \u00e0<\/span>partir d’oeuvres des collections, diverses approches :<\/span>la critique institutionnelle, la question du genre dans<\/span>l’iconographie, la tradition historiographique de la ? vie<\/span>d’artiste ?, l’histoire sociale de la r\u00e9ception, l’histoire de<\/span>la culture visuelle.<\/span><\/div>\n
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<\/span><\/span>Vendredi 24 janvier ? <\/span><\/strong>Griselda Pollock (University<\/span>of Leeds) : Le Mus\u00e9e \u00e0 moiti\u00e9 vide : vision, invisibilit\u00e9<\/span>et inscription de la diff\u00e9rence parmi les ? vieilles<\/span>ma\u00eetresses ? de l’art<\/span><\/div>\n
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<\/span>Vendredi 14 f\u00e9vrier ?<\/span><\/strong> Bettina Uppenkamp<\/span>(Hochschule f\u00fcr Bildende K\u00fcnste, Dresde) :<\/span>Les \u00ab femmes fortes \u00bb dans le regard de femmes fortes.<\/span>Une relecture critique de Judith et autres h\u00e9ro\u00efnes<\/span>de l’art baroque<\/span><\/div>\n
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<\/span>Mercredi 5 mars ?<\/span><\/strong> Abigail Solomon-Godeau<\/span>(professeure \u00e9m\u00e9rite, University of California,<\/span>Santa Barbara) : Constance Mayer : la mythologie,<\/span>l’historiographie et le f\u00e9minisme<\/span><\/div>\n
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<\/span>Vendredi 21 mars ?<\/span><\/strong> Laura Auricchio (The New<\/span>School, New York) : Ad\u00e9la\u00efde Labille-Guiard<\/span>et le Louvre : \u00e9changes, exclusions, inscriptions<\/span><\/div>\n
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<\/span>Mercredi 9 avril ?<\/span><\/strong> Susan Siegfried (University<\/span>of Michigan, Ann Arbor) : La mode et l’id\u00e9al<\/span>classique dans \u00c9tude de femme d’apr\u00e8s nature de<\/span>Marie-Denise Villiers, ou la cr\u00e9ation d’une identit\u00e9<\/span>imagin\u00e9e dans la France postr\u00e9volutionnaire<\/span><\/div>\n
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<\/a><\/span>En savoir plus<\/a><\/span><\/strong><\/a><\/span><\/div>\n<\/p>\n

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Paris, Auditorium du Louvre,19 h Depuis la c\u00e9l\u00e8bre question soulev\u00e9e par l’historienneam\u00e9ricaine Linda Nochlin en 1971, ? Pourquoi n’y a-tilpas eu de grandes femmes artistes ? ?, la rechercheuniversitaire et la culture mus\u00e9ale ont donn\u00e9 davantagede visibilit\u00e9 aux oeuvres r\u00e9alis\u00e9es par des artistes femmes. Ce cycle de conf\u00e9rences confronte cette \u00e9volutionaux collections du Louvre, \u00e0 […]<\/p>\n","protected":false},"author":2,"featured_media":1682,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,13],"tags":[],"categorie_personnage":[],"class_list":["post-2615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-manifestations-scientifiques"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2615"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2615\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1682"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2615"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}