{"id":2607,"date":"2013-12-12T00:00:00","date_gmt":"2013-12-12T00:00:00","guid":{"rendered":"http:\/\/20721"},"modified":"2013-12-12T00:00:00","modified_gmt":"2013-12-12T00:00:00","slug":"genre-et-cration-dans-l-histoire-des-arts-vivants","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/genre-et-cration-dans-l-histoire-des-arts-vivants\/","title":{"rendered":"Genre et cr\u00e9ation dans l’Histoire des arts vivants"},"content":{"rendered":"

<\/em><\/p>\n

Comit\u00e9 d’organisation \/ Organizing committee :<\/span><\/div>\n
<\/span>Elizabeth CLAIRE (CNRS-CRH) ? Catherine DEUTSCH (Univ. Paris-Sorbonne) ? Rapha\u00eblle DOYON (LABEX CAP, CRAL-HICSA)<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>Comit\u00e9 scientifique \/ Scientific Committee :<\/span><\/div>\n
<\/span>Alessandro Arcangeli (Univ. di Verona, Italie) ? Esteban Buch (CRAL-EHESS-CNRS, France) ? Susan Manning<\/span>(Northwestern Univ., USA) ? H\u00e9l\u00e8ne Marqui\u00e9 (Univ. Paris 8, France) ? Roxane Martin (Univ. de Nice-Sophia Antipolis,<\/span>France) ? Felicia McCarren (Tulane Univ., USA) ? Rapha\u00eblle Legrand (Univ. Paris-Sorbonne, France) ? Stefano Lorenzetti<\/span>(Conservatorio di Vicenza, Italie) ? Annelis Kuhlmann (Aarhus Univ., Danemark) ? Henry Phillips (U. of Manchester, UK)<\/span>Reid Hall, Columbia Univ. in Paris<\/span><\/div>\n

<\/div>\n
<\/span>Reid Hall, Columbia Univ. in Paris<\/div>\n
<\/span>La Grande Halle<\/span><\/div>\n
<\/span>4 rue de Chevreuse, 75006 Paris<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>Institut national d’histoire de l’art (INHA)<\/span><\/div>\n
<\/span>Galerie Colbert, Auditorium<\/span><\/div>\n
<\/span>2 rue Vivienne, 75002 Paris<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span><\/span>Entr\u00e9e dans la limite des places disponibles. Inscription conseill\u00e9e jusqu’au 10 d\u00e9cembre.<\/span><\/div>\n
<\/span>Free admission, subject to availability. Registration advised by December 10th.<\/span><\/div>\n
<\/span>INSCRIPTION \/ REGISTRATION : genre.vivarts@gmail.com<\/a><\/span><\/div>\n
<\/span>
<\/div>\n
<\/span><\/span>12 D\u00c9CEMBRE 2013<\/span><\/strong><\/div>\n
<\/span>REID HALL, COLUMBIA UNIV. IN PARIS<\/span><\/strong><\/div>\n
<\/span>GESTE ET INTERPR\u00c9TATION \/ GESTURE AND INTERPRETATION<\/span><\/strong><\/div>\n
<\/span>
<\/div>\n
<\/span>9h00-9h30 ? ACCUEIL avec caf\u00e9 & croissants<\/span><\/div>\n
<\/span>9h30-10h00 ? INTRODUCTION<\/span><\/div>\n
<\/span>Elizabeth Claire, Catherine Deutsch, Rapha\u00eblle Doyon<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>10h-11h30 ? Le genre du geste \/ The Gender of Gesture<\/span><\/div>\n
<\/span>Pr\u00e9sident de s\u00e9ance : Henry Phillips (Univ. of Manchester, UK)<\/span><\/div>\n
<\/span>1\/ Samuel Breene (Rhode Island College, USA) – Amazons and Men of Feeling: Gender Transgressions in<\/span>Eighteenth-Century Instrumental Practice<\/span><\/div>\n
<\/span>2\/ Tomoko Takase (Univ. Meiji, Tokyo, Japon) – La Rose de Versailles, et la fonction du r\u00f4le de \u00ab travesti \u00bb<\/span>dans le th\u00e9\u00e2tre populaire contemporain Takarazuka au Japon<\/span><\/div>\n
<\/span>3\/ Rachana Vajjhala (Univ. of Califonia, Berkeley, USA) – Flex, Flex, Flex! Constructions of French<\/span>Masculinity in Jeux [1913″!!<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>11h30-12h00 ? Pause caf\u00e9<\/span><\/div>\n
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<\/div>\n
<\/span>12h-13h ? Le genre et le r\u00e8gne animal \/ Gender and the Animal Kingdom<\/span><\/div>\n
<\/span>Pr\u00e9sidente de s\u00e9ance : Anne Simon (CRAL-EHESS-CNRS, France)<\/span><\/div>\n
<\/span>1\/ Charlotte Foucher Zarmanian (Univ. Fran\u00e7ois Rabelais, Tours, France) – Quand les femmes entrent en<\/span>piste ! Domptage et \u00e9mancipation f\u00e9minine au passage du XIXe au XXe si\u00e8cle<\/span><\/div>\n
<\/span>2\/ Julien Aubert (Univ. de Toulouse 2 – Le Mirail, France) – Le corps du torero : une affirmation complexe<\/span>d’un corps genr\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>13h-14h30 ? Pause d\u00e9jeuner<\/span><\/div>\n
<\n\/span>
<\/div>\n
<\/span>14h30-16h ? Normes expressives du genre \/ Gender and norms of expression<\/span><\/div>\n
<\/span>Pr\u00e9sident de s\u00e9ance : Esteban Buch (CRAL-EHESS-CNRS, France)<\/span><\/div>\n
<\/span>Constructions of Femininity in Late-19th\/Early-20th-Century French and Belgian Music:<\/span><\/div>\n
<\/span>1\/ Melissa L.!Khong (City Univ. of New York, USA) – Lekeu?s Ophelia : Construction the Feminine Ideal<\/span><\/div>\n
<\/span>2\/ Mary Hubbell (City Univ. of New York, USA) – Reynaldo Hahn and the Construction of Female<\/span>Performance Practice<\/span><\/div>\n
<\/span>3\/ Sylvia Kahan (City Univ. of New York, USA) – \u00ab La musique faite femme \u00bb : Poulenc, Vilmorin, Polignac,<\/span>and the Gendered M\u00e9lodie<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>16h-16h30 ? Pause caf\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>16h30-18h00 ? Interpr\u00e9tations et regards \/ Interpretation and Perspectives<\/span><\/div>\n
<\/span>Pr\u00e9sidentes de s\u00e9ance : Elizabeth Claire, Catherine Deutsch, Rapha\u00eblle Doyon<\/span><\/div>\n
<\/span>1\/ Marcia J. Citron (Rice Univ., Houston, USA) – The Female Dancing Body in Opera-Film: Powell &<\/span>Pressburger?s The Tales of Hoffmann<\/span><\/div>\n
<\/span>2\/ Christine Jeanneret (Univ. de Gen\u00e8ve, Suisse) – Femmes priv\u00e9es, femmes publiques : Chanteuses et<\/span>com\u00e9diennes en Italie au XVIIe si\u00e8cle<\/span><\/div>\n
<\/span>3\/ Juan Vallejos (Conicet, Argentine) – Les danseuses des passions de Jean-Georges Noverre<\/span><\/div>\n
<\/span>
<\/strong><\/div>\n
<\/span>13 D\u00c9CEMBRE 2013<\/span><\/strong><\/div>\n
<\/span>REID HALL, COLUMBIA UNIV. IN PARIS<\/span><\/strong><\/div>\n
<\/span>FABRIQUE DE L’ART ET CONSTRUCTION DE SOI \/ MAKING ART AND CONSTRUCTING THE SELF<\/span><\/strong><\/div>\n
<\/span>
<\/div>\n
<\/span>9h00-9h30 ? ACCUEIL avec caf\u00e9 & croissants<\/span><\/div>\n
<\/span>9h30h-10h30 ? Session pl\u00e9ni\u00e8re : Shannon Jackson (UC Berkeley, USA)<\/span><\/div>\n
<\/span>Varieties of Gendered Performance<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>10h30-11h30 ? F\u00e9minisme I \/ Feminism I<\/span><\/div>\n
<\/span>Pr\u00e9sidente de s\u00e9ance : H\u00e9l\u00e8ne Marqui\u00e9 (Univ. Paris 8, France)<\/span><\/div>\n
<\/span>1\/ Pierre Philippe-Meden (Univ. Paris 8 – MSH Paris Nord, France) – La danse naturelle des athl\u00e9tesses de<\/span>La Palestra h\u00e9bertiste \u00e0 Deauville (1919-1939)<\/span><\/div>\n
<\/span>2\/ Damien Delille (INHA, Univ. Paris 1, France) – Danses androgynes : les utopies du genre de Valentine<\/span>de Saint-Point, Ricciotto Canudo et Vivian Postel du Mas<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>11h30-12h00 ? Pause caf\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>12h-13h00 ? F\u00e9minisme II \/ Feminism II<\/span><\/div>\n
<\/span>Pr\u00e9sidente de s\u00e9ance : Yvonne Hardt (K\u00f6ln Univ., Allemagne)<\/span><\/div>\n
<\/span>1\/ Anne Searcy (Harvard Univ., USA) – \u00ab She Danced Like an Angel Because She was One \u00bb : Galina<\/span>Ulanova Shapes a New Role for the Soviet Ballerina, 1944-1959<\/span><\/div>\n
<\/span>2\/ Sabine Feisst (Arizona State Univ., USA) – Negotiating Nature and Music Through Technology :<\/span>Ecological Reflections in the Works of Maggi Payne and Laurie Spiegel<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>13h00-14h30 ? Pause d\u00e9jeuner<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>14h30-15h30 ? \u00c9ducation, corps & pratiques de soi \/ Education, the self and the body in practice<\/span><\/div>\n
<\/span>Pr\u00e9sident de s\u00e9ance : Rafael Mandressi (CNRS, Centre Alexandre-Koyr\u00e9, France)<\/span><\/div>\n
<\/span>1\/ Rebecca Dowd Geoffroy-Schwinden (Duke Univ., USA) – L’\u00e9cole de
\ns jeunes filles de Madame Campan :<\/span>musique, performance et genre au lendemain de la R\u00e9volution fran\u00e7aise<\/span><\/div>\n
<\/span>2\/ Elena Lazzarini (Univ. di Pisa, Italie) – Le corps f\u00e9minin \u00e0 la Renaissance : construction de l’art et<\/span>construction d’une identit\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>15h30-16h00 ? Pause caf\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>16h00-17h30 \u00ab Cr\u00e9er, Interpr\u00e9ter? \/ Creating, Interpreting \u00bb<\/span><\/div>\n
<\/span>Pr\u00e9sident de s\u00e9ance : Fabien Guilloux (Centre d’\u00c9tudes Sup\u00e9rieures de la Renaissance de Tours, France)<\/span><\/div>\n
<\/span>1\/ Elodie Oriol (Aix-Marseille Univ., France \/ Universit\u00e9 de Rome I La Sapienza, Italie) – Organisations et<\/span>repr\u00e9sentations genr\u00e9es dans les m\u00e9tiers de la musique : le cas de Rome au XVIIIe si\u00e8cle<\/span><\/div>\n
<\/span>2\/ Sarah Caissie!Provost (Univ. of North Florida, USA) – Innovation and Emulation in Reception History<\/span>of Early Jazz Women<\/span><\/div>\n
<\/span>3\/ Annelis Kuhlmann (Aarhus Univ., Danemark) – Traces in the Snow in Words : Written Artistic<\/span>Autobiography as an Actress’ Transmission of her Living Archive<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>17h30-17h45 ? Pause caf\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>17h45-19h00 ? ?Diriger (Table ronde) \/ ?Directing (Round Table)<\/span><\/div>\n
<\/span>Anne-Fran\u00e7oise Benhamou (\u00c9cole Normale Sup\u00e9rieure, France), Roberta Pierangela Gandolfi (Univ. degli<\/span>Studi di Parma, Italie), Felicia McCarren (Tulane Univ., USA), Hyacinthe Ravet (Univ. Paris-Sorbonne, FR)<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>14 D\u00c9CEMBRE 2013<\/span><\/strong><\/div>\n
<\/span>INHA, AUDITORIUM<\/span><\/strong><\/div>\n
<\/span>TRANSMISSION ET H\u00c9RITAGE \/ TRANSMISSION AND HERITAGE<\/span><\/strong><\/div>\n
<\/span>
<\/div>\n
<\/span>9h00-9h30 ? ACCUEIL avec caf\u00e9 & croissants<\/span><\/div>\n
<\/span>9h30-10h30 ? Session pl\u00e9ni\u00e8re : Suzanne Cusick (New York Univ., USA)<\/span><\/div>\n
<\/span>Gender, Performativity and Musical Bodies<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span><\/span>10h30-11h30 ? Extase et magie \/ Ecstasy and Magic<\/span><\/div>\n
<\/span>Pr\u00e9sident de s\u00e9ance : Alessandro Arcangeli (Univ. degli Studi di Verona, Italie)<\/span><\/div>\n
<\/span>1\/ Kathryn Dickason (Stanford Univ., USA) – Partnering Divinity : Ecstatic Dance and the Gendered Turn<\/span>of Medieval Mysticism<\/span><\/div>\n
<\/span>2\/ Virginia Preston (Stanford Univ.\/McGill Univ., Montr\u00e9al, Canada) – Baroque Gender, Magic, and<\/span>Transformation: Examining Records of Early Ballet<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>11h30-12h00 ? Pause caf\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>12h-13h00 ? Mysticism et d\u00e9votion \/ Mysticism and Devotion<\/span><\/div>\n
<\/span>Pr\u00e9sidente de s\u00e9ance : Xenia von Tippelskirch (Humboldt-Univ., Berlin, Allemagne)<\/span><\/div>\n
<\/span>1\/ Henry Phillips (Univ. of Manchester, GB) – La prise de voile d’Yvonne Hautin, actrice de la Com\u00e9die-<\/span>Fran\u00e7aise<\/span><\/div>\n
<\/span>2\/ Mara Nerbano (Accademia di Belle Arti di Carrara, Italia) – Les femmes mystiques et le th\u00e9\u00e2tre religieux<\/span>m\u00e9di\u00e9val<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span><\/span>13h00-14h30 ? Pause d\u00e9jeuner<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>14h30-15h30 ? \u00c9criture de soi \/ Writing the self<\/span><\/div>\n
<\/span>Pr\u00e9sidente de s\u00e9ance : Mich\u00e8le Le Doeuff (CRAL-EHESS-CNRS, France)<\/span><\/div>\n
<\/span>1\/ David Kennerley (Oxford Univ., GB) – !\u00ab Who wo
\nuld be a Singer! \u00bb : Gender and artistic identity in the<\/span>diary of a female professional singer in early Victorian society<\/span><\/div>\n
<\/span>2\/ Vannina Olivesi (CRAL-EHESS-CNRS, France) – La cr\u00e9ation chor\u00e9graphique dans les ?Souvenirs’ de<\/span>Marie Taglioni : la voie du ? je ?<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>15h30-17h00 ? Historiographie de la cr\u00e9ation \/ Historiography of Creative Practice<\/span><\/div>\n
<\/span>Pr\u00e9sidente de s\u00e9ance : Rapha\u00eblle Legrand (Univ. Paris-Sorbonne, France)<\/span><\/div>\n
<\/span>1\/ Bertrand Porot (Univ. Reims Champagne -Ardenne, France) – La vision historiographique des<\/span>chanteuses du XVIIIe si\u00e8cle \u00e0 travers le cas de Rosalie Levasseur<\/span><\/div>\n
<\/span>2\/ Flora Mele (Univ. Paris-Sorbonne, France) – Le th\u00e9\u00e2tre de la Foire et les manuscrits oubli\u00e9s de Madame<\/span>Favart<\/span><\/div>\n
<\/span>3\/ H\u00e9l\u00e8ne Marqui\u00e9 (Univ. Paris 8, France) – Id\u00e9ologies et enjeux de l’historiographie en danse au tournant<\/span>de la Belle \u00e9poque<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>17h00-17h30 ? Pause caf\u00e9<\/span><\/div>\n
<\/span>
<\/div>\n
<\/span>17h30-18h30 ? Session pl\u00e9ni\u00e8re : Lynn Garafola (Columbia Univ.)<\/span><\/div>\n
<\/span>Discourses of Memory: The Marginalization of Bronislava Nijinska<\/span><\/div>\n
<\/span>18h30-19h00 ? Discussion & d\u00e9bat de cl\u00f4ture \/ Final Debate & Reflections<\/span><\/div>\n
<\/span>Pr\u00e9sidente de s\u00e9ance : Felicia McCarren (Tulane Univ., USA)<\/span><\/div>\n
<\/div>\n

<\/div>\n<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Comit\u00e9 d’organisation \/ Organizing committee : Elizabeth CLAIRE (CNRS-CRH) ? Catherine DEUTSCH (Univ. Paris-Sorbonne) ? Rapha\u00eblle DOYON (LABEX CAP, CRAL-HICSA) Comit\u00e9 scientifique \/ Scientific Committee : Alessandro Arcangeli (Univ. di Verona, Italie) ? Esteban Buch (CRAL-EHESS-CNRS, France) ? Susan Manning(Northwestern Univ., USA) ? H\u00e9l\u00e8ne Marqui\u00e9 (Univ. Paris 8, France) ? Roxane Martin (Univ. de Nice-Sophia […]<\/p>\n","protected":false},"author":2,"featured_media":1673,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,13],"tags":[],"categorie_personnage":[],"class_list":["post-2607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-manifestations-scientifiques"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2607"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2607\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1673"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2607"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}