{"id":2599,"date":"2013-10-01T00:00:00","date_gmt":"2013-10-01T00:00:00","guid":{"rendered":"http:\/\/20712"},"modified":"2013-10-01T00:00:00","modified_gmt":"2013-10-01T00:00:00","slug":"parutions-annonces-en-septembre-2013","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/parutions-annonces-en-septembre-2013\/","title":{"rendered":"Parutions annonc\u00e9es en septembre 2013"},"content":{"rendered":"

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OUVRAGES<\/span><\/strong><\/span><\/strong><\/div>\n
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<\/span>Keiko KAWASHIMA<\/span><\/strong>, \u00c9milie du Ch\u00e2telet et Marie-Anne Lavoisier. Science et genre au XVIIIe si\u00e8cle<\/em>, traduit du japonais par Ayako L\u00e9caille-Okamura, avant-propos d’\u00c9lisabeth Badinter, Paris, Honor\u00e9 Champion, 2013.<\/span><\/div>\n
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<\/span>Marie-Julie de CORANCEZ CAVAIGNAC,<\/span><\/strong> M\u00e9moires d’une inconnue<\/em>, \u00e9d. Raymond Trousson, Paris, H. Champion, 304 p., 60 ?, ISBN 978-2-7453-2585-3<\/span><\/div>\n
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<\/span>Catherine GUYON, & Magali DELAVENNE (dir.)<\/span><\/strong>, De Domremy\u00ab \u00e0 Tokyo : Jeanne d’Arc et la Lorraine<\/em>, Nancy, PU de Nancy, 2013, 408 p., 30 \u00bb.<\/span><\/div>\n
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<\/span>Anne LAFONT<\/span><\/strong>, Plumes et Pinceaux. Discours de femmes sur l’art en Europe (1750-1850)<\/em>, Paris, Ed. Les Presses du R\u00e9el\/INHA, coll. \u0153uvres en Soci\u00e9t\u00e9s, 2012<\/span><\/div>\n
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<\/span>Karen NELSON (dir.),<\/span><\/strong> Attending to Early Modern Women: Conflict and Concord<\/em>, Delaware, Ed. University of Delaware, 2013, 268 pages, ISBN-13: 978-1611494440<\/span><\/div>\n
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<\/span>Raymond TROUSSON, <\/span><\/strong>Isabelle de Charri\u00e8re, un destin de femme au XVIIIe si\u00e8cle<\/span><\/em>, nouvelle \u00e9dition mise \u00e0 jour, Gen\u00e8ve, Slatkine, 2013, 392 p., EAN : 9782051025751<\/span><\/div>\n
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<\/span>ARTICLES et REVUES<\/span><\/strong><\/span><\/strong><\/div>\n
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<\/span>Liliane DULAC et Christine RENO<\/span><\/strong>, \u00ab Les autoportraits de Christine de Pizan \u00bb, in Elisabeth Gaucher-R\u00e9mond et Jean Garapon (dir.), L’Autoportrait dans la litt\u00e9rature fran\u00e7aise. Du Moyen \u00c2ge au XVIIe si\u00e8cle, <\/em>Rennes, PU de Rennes, coll. \u00ab Interf\u00e9rences \u00bb, 230 p., ISBN : 978-2-7535-2762-1, p. 49-69, + ill.<\/span><\/div>\n
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<\/span>Liliane DULAC et Earl Jeffrey RICHARDS<\/span><\/strong>, \u00ab Guerre sainte ou guerre juste ? le nouveau discours pol\u00e9mologique, juridique et humaniste chez Christine de Pizan apr\u00e8s la d\u00e9b\u00e2cle de Nicopolis \u00bb, Revue des Langues Romanes<\/em> (PU de la M\u00e9diterran\u00e9e), t. CXVII, 2, 2013 (\u00ab La guerre au Moyen \u00c2ge. Des motifs \u00e9piques aux r\u00e9alit\u00e9s du XVe si\u00e8cle \u00bb), p. 321-333.<\/span><\/div>\n
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<\/span>COMPTE RENDU<\/span><\/strong><\/span><\/strong><\/div>\n
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<\/span>\u00c9liane Viennot and Nicole Pellegrin (dir.).<\/span><\/strong>, Revisiter la \u00ab querelle des femmes. \u00bb Discours sur l’\u00e9galit\u00e9\/in\u00e9galit\u00e9 des sexes, de 1750 aux lendemains de la R\u00e9volution<\/em> (Saint-\u00c9tienne, PU de Saint-\u00c9tienne, 2012) : Christine Adams, H-France Review, vol. 13, n’ 10, juillet 2013.<\/span><\/div>\n
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<\/span>PRESSE<\/span><\/span><\/strong><\/span><\/span><\/div>\n
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<\/span>Sp\u00e9ciale \u00ab Olympe de Gouges ? \u00bb<\/span><\/strong><\/div>\n
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<\/span>Olympe de Gouges aurait \u00e9t\u00e9 une fabuleuse blogueuse :<\/span><\/div>\n
http:\/\/feministesentousgenres.blogs.nouvelobs.com\/archive\/2013\/09\/27\/olympe-de-gouges-507662.html<\/a><\/span><\/div>\n
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<\/span>Olympe de Gouges parmi d’autres panth\u00e9onisables : http:\/\/feministesentousgenres.blogs.nouvelobs.com\/archive\/2013\/09\/27\/olympe-de-gouges-507662.html<\/a><\/span><\/div>\n
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<\/span>Commentaire sur la d\u00e9claration des droits de la femme et de la citoyenne par Genevi\u00e8ve Fraisse :<\/span><\/div>\n
http:\/\/feministesentousgenres.blogs.nouvelobs.com\/archive\/2013\/09\/18\/la-declaration-des-droits-de-la-femme-et-de-la-citoyenne-com.html<\/a><\/span><\/div>\n
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<\/span>O. de Gouges autodidacte par G. Fraisse :<\/span><\/div>\n
http:\/\/feministesentousgenres.blogs.nouvelobs.com\/archive\/2013\/09\/18\/olympe-de-gouges-est-une-auteure-par-genevieve-fraisse-50221.html<\/a><\/span><\/div>\n
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<\/span>Olympe de Gouges et la symbolique f\u00e9ministe, entretien avec G. Fraisse<\/span><\/div>\n
http:\/\/feministesentousgenres.blogs.nouvelobs.com\/archive\/2013\/09\/14\/olympe-de-gouges-et-la-symbolique-feministe-entretien-avec-g.html<\/a><\/span><\/div>\n
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<\/span>O. de Gouges et la subversion dans l’Histoire :<\/span><\/div>\n
http:\/\/feministesentousgenres.blogs.nouvelobs.com\/archive\/2013\/09\/14\/olympe-de-gouges-et-la-subversion-dans-l-histoire-492895.html<\/a><\/span><\/div>\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"

OUVRAGES Keiko KAWASHIMA, \u00c9milie du Ch\u00e2telet et Marie-Anne Lavoisier. Science et genre au XVIIIe si\u00e8cle, traduit du japonais par Ayako L\u00e9caille-Okamura, avant-propos d’\u00c9lisabeth Badinter, Paris, Honor\u00e9 Champion, 2013. Marie-Julie de CORANCEZ CAVAIGNAC, M\u00e9moires d’une inconnue, \u00e9d. Raymond Trousson, Paris, H. Champion, 304 p., 60 ?, ISBN 978-2-7453-2585-3 Catherine GUYON, & Magali DELAVENNE (dir.), De Domremy\u00ab […]<\/p>\n","protected":false},"author":2,"featured_media":170,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,10],"tags":[],"categorie_personnage":[],"class_list":["post-2599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2599"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2599\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2599"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}