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Paris, Garnier Classiques, 2013, 336 p.,35 ?, ISBN<\/span>978-2-8124-1025-3<\/span><\/div>\n
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<\/span>Au xviiie si\u00e8cle, la figure insistante de la \u00ab femme philosophe\u00ab s’articule \u00e0 un imaginaire ambivalent de la diff\u00e9rence des sexes, entre hantise d’une confusion d\u00e9l\u00e9t\u00e8re et qu\u00eate d’un mod\u00e8le d’harmonie. La femme travestit-elle la philosophie \u00bb Les Lumi\u00e8res ont-elles un genre \u00bb<\/span><\/div>\n
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Commander<\/a><\/span><\/div>\n
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La Nef des folles<\/span><\/strong><\/em>, \u00e9<\/span>dition d’Olga Anna DUHL<\/span><\/strong><\/div>\n
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La Nef des folles<\/span><\/strong><\/em>, \u00e9<\/span>dition d’Olga Anna DUHL<\/span><\/strong><\/div>\n<\/span>Paris, Classiques Garnier, coll. “Textes de la Renaissance”, 2013,<\/span>309 p., 38 ?<\/span>EAN 9782812411380<\/span><\/div>\n
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<\/span><\/span><\/span>La Nef des folles<\/span><\/em> n’est pas seulement la version fran\u00e7aise de la traduction latine par Jodocus Badius du Narrenschiff de Sebastian Brant. Tout en prenant pour cible les d\u00e9fauts f\u00e9minins, elle constitue une somme embl\u00e9matique des modalit\u00e9s de transmission des savoirs qui trouvent alors un appui dans l’imprimerie.<\/span><\/div>\n