{"id":2584,"date":"2013-07-01T00:00:00","date_gmt":"2013-07-01T00:00:00","guid":{"rendered":"http:\/\/20697"},"modified":"2013-07-01T00:00:00","modified_gmt":"2013-07-01T00:00:00","slug":"parution-de-notre-bienfaitrice-guyonne-leduc","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/parution-de-notre-bienfaitrice-guyonne-leduc\/","title":{"rendered":"Parution de notre bienfaitrice Guyonne LEDUC"},"content":{"rendered":"<p><\/em><\/p>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Guyonne LEDUC et Mich\u00e8le VIGNAUX, dir.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Pr\u00e9face de Mich\u00e8le Vignaux. <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Paris: L&#8217;Harmattan, &#8220;Des id\u00e9es et des femmes&#8221;, 2013. 204 pp. 21?<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">L&#8217;objectif de cet ouvrage est de faire appara\u00eetre la conscience et la mise en place d&#8217;un &#8220;espace europ\u00e9en&#8221;, bien ant\u00e9rieures \u00e0 l&#8217;\u00e9tablissement d&#8217;institutions europ\u00e9ennes et d&#8217;en \u00e9tudier les diverses modalit\u00e9s sous l&#8217;angle des r\u00f4les jou\u00e9s par les femmes, \u00e0 titre individuel ou collectif, sur une p\u00e9riode s&#8217;\u00e9tendant de la fin du Moyen Age aux ann\u00e9es 1930. L&#8217;approche retenue vise \u00e0 rendre compte de la richesse des apports f\u00e9minins dans les domaines de la litt\u00e9rature, de l&#8217;art et des id\u00e9es.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><span style=\"font-size: small;\"><\/span><strong><span style=\"font-size: small;\">PREMI\u00c8RE PARTIE<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><strong><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">Pr\u00e9mices : trouver une voie\/voix f\u00e9minine<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<ul>\n<li><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; La Repr\u00e9sentation de la m\u00e9g\u00e8re dans le fabliau de &#8216;La Dame Escoillee&#8217;, dans &#8216;The Wife of Bath&#8217;s Prologue and Tale&#8217; de Chaucer et dans The Taming of the Shrew de Shakespeare &#8220;<\/span><span style=\"font-size: small;\">Natalie Roulon (Strasbourg)<\/span><\/li>\n<li><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; Les Filles de Dibutade : Voyageuses britanniques et hi\u00e9rar-chie des genres picturaux en Europe au XVIIIe si\u00e8cle &#8220;<\/span><span style=\"font-size: small;\">Isabelle Baudino (ENS de Lyon)<\/span><\/li>\n<li><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; Le R\u00e9cit de voyage de Mary Wollstonecraft, Letters Written from a Short Residence in Sweden, Norway and Denmark (1796) ou l&#8217;\u00e9criture au-del\u00e0 des fronti\u00e8res &#8220;<\/span><span style=\"font-size: small;\">St\u00e9phanie Gourdon (Lyon 2)<\/span><\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><span style=\"font-size: small;\"><\/span><strong><span style=\"font-size: small;\">DEUXI\u00c8ME PARTIE<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><strong><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">sur les voies de l&#8217;\u00c9migration et de l&#8217;exil<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; Le D\u00e9passement des pr\u00e9jug\u00e9s nationaux dans les &#8216;romans d&#8217;\u00e9migration&#8217; d&#8217;Isabelle de Char?ri\u00e8re :<\/span><span style=\"font-size: small;\">Paola Perazzolo (V\u00e9rone)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; &#8216;La g\u00e9ographie de l&#8217;Europe ne s&#8217;apprend que trop bien par le malheur&#8217; : Le Pittoresque f\u00e9minin dans Dix ann\u00e9es d&#8217;exil<\/span><span style=\"font-size: small;\">de Germaine de Sta\u00ebl &#8221; :<\/span><span style=\"font-size: small;\">St\u00e9phanie Genand (Rouen ? IUF)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; \u00c9pistoli\u00e8res d&#8217;Europe : \u00c9crire, d\u00e9crire, construire un espace europ\u00e9en \u00e0 soi au XIXe si\u00e8cle &#8220;:<\/span><span style=\"font-size: small;\">Marie-Claire Hoock-Demarle (Paris7)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><span style=\"font-size: small;\"><\/span><strong><span style=\"font-size: small;\">TROISI\u00c8ME PARTIE<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><strong><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">circulation des id\u00e9es<\/span><span style=\"font-size: small;\">scientifiques, litt\u00e9raires et artistiques<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<ul>\n<li><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; La &#8216;verdammte Mademoiselle Royer&#8217; : Cl\u00e9mence Royer, premi\u00e8re traductrice fran\u00e7aise de On the Origin of Species<\/span><span style=\"font-size: small;\">de Charles Darwin &#8221; :<\/span><span style=\"font-size: small;\">Michel Prum (Paris 7)<\/span><\/li>\n<li><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; Bois-Mort (1934), roman woolfien face \u00e0 la critique fran&#8217;\u00e7aise &#8221; :<\/span><span style=\"font-size: small;\">Maud Dubois (Neuch\u00e2tel)<\/span><\/li>\n<li><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">&#8221; Jessica Dismorr et les peintres abstraites anglaises au sein du concert europ\u00e9en &#8221; :<\/span><span style=\"font-size: small;\">Laurent Bury (Lyon 2)<\/span><\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">Ont contribu\u00e9 \u00e0 cet ouvrage<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">R\u00e9sum\u00e9s des contributions<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">Index nominum<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Commander l&#8217;ouvrage :<\/span><\/strong><span style=\"font-size: small;\"><\/span><a href=\"http:\/\/www.editions-harmattan.fr\/index.asp?navig=catalogue&amp;obj=livre&amp;no=40588\" style=\"font-size: 12px;\"><span style=\"font-size: small;\">http:\/\/www.editions-harmattan.fr\/index.asp?navig=catalogue&amp;obj=livre&amp;no=40588<\/span><\/a><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<\/p>\n<p><em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guyonne LEDUC et Mich\u00e8le VIGNAUX, dir. Pr\u00e9face de Mich\u00e8le Vignaux. Paris: L&#8217;Harmattan, &#8220;Des id\u00e9es et des femmes&#8221;, 2013. 204 pp. 21? L&#8217;objectif de cet ouvrage est de faire appara\u00eetre la conscience et la mise en place d&#8217;un &#8220;espace europ\u00e9en&#8221;, bien ant\u00e9rieures \u00e0 l&#8217;\u00e9tablissement d&#8217;institutions europ\u00e9ennes et d&#8217;en \u00e9tudier les diverses modalit\u00e9s sous l&#8217;angle des r\u00f4les [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,10],"tags":[],"categorie_personnage":[],"class_list":["post-2584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2584"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2584\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2584"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}