{"id":2573,"date":"2013-07-31T00:00:00","date_gmt":"2013-07-31T00:00:00","guid":{"rendered":"http:\/\/20685"},"modified":"2013-07-31T00:00:00","modified_gmt":"2013-07-31T00:00:00","slug":"identits-genres-en-posie","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/identits-genres-en-posie\/","title":{"rendered":"Identit\u00e9s genr\u00e9es en po\u00e9sie"},"content":{"rendered":"<p><\/em><\/p>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Qu&#8217;est-ce que c&#8217;est &#8221;\u00eatre une femme&#8221;, qu&#8217;est-ce que c&#8217;est &#8221;\u00eatre un homme&#8221; en po\u00e9sie et comment aborde-t-on la po\u00e9sie des minorit\u00e9s sexuelles ? Des \u00e9diteurs, \u00e9ditrices, libraires, universitaires, po\u00e8tes et po\u00e9tesses luttent depuis plusieurs d\u00e9cennies pour parler librement de cette po\u00e9sie. Des figures, mod\u00e8les et repr\u00e9sentations peuplent les recueils et les \u00e9tudes mais un silence pesant continue \u00e0 occulter ce domaine pluridisciplinaire. Comment construit-on une identit\u00e9 genr\u00e9e dans un po\u00e8me \u00ab Le po\u00e8me peut-il \u00eatre le lieu de l&#8217;absence du genre ? La po\u00e9sie est-elle le territoire de la diff\u00e9rence des sexes ou celui de leur similitude \u00bb<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">Que dire d&#8217;une femme po\u00e8te qui refuse les appellations \u00ab \u00ab po\u00e9tesse?? et ??\u00e9criture f\u00e9minine? \u00bb \u00bb Que faire quand un po\u00e8te homme \u00e9crit ses po\u00e8mes dans la peau d&#8217;une femme (voire vice versa) \u00ab Que dire d&#8217;une \u00e9criture qui travestit le genre, le d\u00e9joue ou qui s&#8217;en empare pour exister \u00bb<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">Pour tenter de r\u00e9pondre \u00e0 toutes ces questions et bien d&#8217;autres, Le Pan po\u00e9tique des muses(revue f\u00e9ministe et num\u00e9rique de po\u00e9sie) vous propose de participer \u00e0 l&#8217;\u00e9laboration d&#8217;un dossier sp\u00e9cial consacr\u00e9 aux &#8221;Identit\u00e9s genr\u00e9es en po\u00e9sie&#8221;, qui comprend les march\u00e9s \u00e9ditoriaux ou revuistes.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">Vos textes d&#8217;une longueur de 25000 caract\u00e8res (espaces compris) sont les bienvenus jusqu&#8217;au 31 juillet 2013 \u00e0 l&#8217;adresse suivante : <a href=\"mailto:contact.revue@pandesmuses.fr\" _fcksavedurl=\"mailto:contact.revue@pandesmuses.fr\">contact.revue@pandesmuses.fr<\/a>. Merci de respecter les normes usuelles de notre revue lors de la r\u00e9daction de votre article. Les contributions non retenues b\u00e9n\u00e9ficieront d&#8217;une publication sur le blog de la revue.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><strong><span style=\"font-size: small;\">Url de r\u00e9f\u00e9rence <\/span><\/strong><span style=\"font-size: small;\">:<\/span><span style=\"font-size: small;\"><a href=\"http:\/\/www.pandesmuses.fr\/\" _fcksavedurl=\"http:\/\/www.pandesmuses.fr\/\">http:\/\/www.pandesmuses.fr\/<\/a><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<\/p>\n<p><em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Qu&#8217;est-ce que c&#8217;est &#8221;\u00eatre une femme&#8221;, qu&#8217;est-ce que c&#8217;est &#8221;\u00eatre un homme&#8221; en po\u00e9sie et comment aborde-t-on la po\u00e9sie des minorit\u00e9s sexuelles ? Des \u00e9diteurs, \u00e9ditrices, libraires, universitaires, po\u00e8tes et po\u00e9tesses luttent depuis plusieurs d\u00e9cennies pour parler librement de cette po\u00e9sie. Des figures, mod\u00e8les et repr\u00e9sentations peuplent les recueils et les \u00e9tudes mais un silence [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":719,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,9],"tags":[],"categorie_personnage":[],"class_list":["post-2573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-appels-contribution"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2573"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2573\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2573"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}