{"id":2541,"date":"2013-05-31T00:00:00","date_gmt":"2013-05-31T00:00:00","guid":{"rendered":"http:\/\/20653"},"modified":"2013-05-31T00:00:00","modified_gmt":"2013-05-31T00:00:00","slug":"did-women-artists-have-a-reformation","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/did-women-artists-have-a-reformation\/","title":{"rendered":"Did Women Artists Have a Reformation ?"},"content":{"rendered":"<p><\/em><\/p>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Scholars across disciplines have amply demonstrated the role of women in spiritual reform, as writers, patrons (of artworks and religious orders), and in devotional practices. Art-historical inquiry has recently turned to the involvement of some canonical artists in reform movements: women artists, however, seem absent from this discussion, despite their production of altarpieces and devotional images, as well as their connections with ecclesiastics.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">This session seeks to explore women artists&#8217; engagement with religious issues. Is this a promising line of inquiry\u00ab Did women tackle specific theological matters in their art&#8217; Do they express the thoughts of a patron or religious community \u00bb Are they motivated, moreover, by personal sentiments&#8217; Did they align themselves with any specific currents within the Reform&#8217; Do we have evidence of women artists attempting a specifically gendered devotion&#8217; Paper proposals that speak to these or similar issues are invited.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><br type=\"_moz\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><span style=\"font-size: small;\">Please send a paper title; an abstract (150-word maximum); keywords; and a brief curriculum vitae (300-word maximum) to Sheila ffolliott <a href=\"mailto:sffollio@gmu.edu\" _fcksavedurl=\"mailto:sffollio@gmu.edu\">sffollio@gmu.edu<\/a> by the end of May 2013.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<\/p>\n<p><em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scholars across disciplines have amply demonstrated the role of women in spiritual reform, as writers, patrons (of artworks and religious orders), and in devotional practices. Art-historical inquiry has recently turned to the involvement of some canonical artists in reform movements: women artists, however, seem absent from this discussion, despite their production of altarpieces and devotional [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":680,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,9],"tags":[],"categorie_personnage":[],"class_list":["post-2541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-appels-contribution"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2541"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2541"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}