{"id":2377,"date":"2012-06-01T00:00:00","date_gmt":"2012-06-01T00:00:00","guid":{"rendered":"http:\/\/20485"},"modified":"2012-06-01T00:00:00","modified_gmt":"2012-06-01T00:00:00","slug":"parutions-annonces-en-juin-2012","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/parutions-annonces-en-juin-2012\/","title":{"rendered":"Parutions annonc\u00e9es en juin 2012"},"content":{"rendered":"<p><\/em><\/p>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"color: rgb(128, 0, 0);\"><strong><span style=\"font-size: small;\">OUVRAGES<\/span><\/strong><\/span><strong><\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Dominique H\u00d6LZLE<\/span><\/strong><span style=\"font-size: small;\">, <em>Le Roman libertin au XVIIIe si\u00e8cle : une esth\u00e9tique de la s\u00e9duction<\/em>, SVEC 2012:05, ISBN 978-0-7294-1045-8, viii+286 pages, \u00ab 60 \/ \u00bb80 \/ $105<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Peter PAROLIN (dir.)<\/span><\/strong><span style=\"font-size: small;\">, <em>Access and Contestation: Women&#8217;s Performance in Early Modern England, Italy, France, and Spain<\/em>, num\u00e9ro sp\u00e9ciale de Early Theatre, 15.1, 2012.<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Elisabeth SEYS<\/span><\/strong><span style=\"font-size: small;\">, <em>Ces femmes qui \u00e9crivent. De Madame de S\u00e9vign\u00e9 \u00e0 Annie Ernaux<\/em>, Paris, Editions Ellipses, 2012 (<a _fcksavedurl=\"http:\/\/ellipses-editions.fr\/mailing\/9782729872168_tdm.pdf\" href=\"http:\/\/ellipses-editions.fr\/mailing\/9782729872168_tdm.pdf\">Table des mati\u00e8res<\/a>)<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">\u00c9liane ITTI,<\/span><\/strong><span style=\"font-size: small;\"> <em>Madame Dacier, femme et savante du Grand Si\u00e8cle (1645-1720)<\/em>, Pr\u00e9face de Roger Zuber, Paris, L&#8217;Harmattan, 374 p., 39 ?, ISBN : 978-2-296-96931-5<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Jean-Pierre CHALINE<\/span><\/strong><span style=\"font-size: small;\">, <em>Rouen et Jeanne d&#8217;Arc, un si\u00e8cle d&#8217;hommages<\/em>, Soci\u00e9t\u00e9 d&#8217;histoire de Normandie, 2012, 120 p., 20 euros<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Christel SNITER<\/span><\/strong><span style=\"font-size: small;\">, <em>Les Femmes c\u00e9l\u00e8bres sont-elles de grands hommes comme les autres \u00ab <\/em>, Paris \/ Grane, Creaphis, mai 2012, 568 p., 25 \u00bb<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"color: rgb(128, 0, 0);\"><strong><span style=\"font-size: small;\">ARTICLES<\/span><\/strong><\/span><strong><\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Sylvie Mouysset (dir.), <a _fcksavedurl=\"http:\/\/w3.pum.univ-tlse2.fr\/~no-35-Ecrire-au-quotidien~.html\" href=\"http:\/\/w3.pum.univ-tlse2.fr\/%7Eno-35-Ecrire-au-quotidien%7E.html\"><em>Ecrire au quotidien<\/em><\/a>, num\u00e9ro sp\u00e9cial de <em>CLIO <\/em>n&#8217;35. 2 articles concernent le domaine \u00ab Femmes Ancien R\u00e9gime \u00ab : <strong>Isabelle LUCIANI<\/strong>, \u00bb De l&#8217;espace domestique au r\u00e9cit de soi \u00bb \u00c9crits f\u00e9minins du for priv\u00e9 (Provence, XVIe-XVIIIe si\u00e8cle) \u00ab ; <strong>Nahema HANAFI<\/strong>, ? Des plumes singuli\u00e8res. Les \u00e9critures f\u00e9minines du corps souffrant au XVIIIe si\u00e8cle \u00bb<\/p>\n<p><\/span><\/div>\n<p><\/p>\n<p><em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OUVRAGES Dominique H\u00d6LZLE, Le Roman libertin au XVIIIe si\u00e8cle : une esth\u00e9tique de la s\u00e9duction, SVEC 2012:05, ISBN 978-0-7294-1045-8, viii+286 pages, \u00ab 60 \/ \u00bb80 \/ $105 Peter PAROLIN (dir.), Access and Contestation: Women&#8217;s Performance in Early Modern England, Italy, France, and Spain, num\u00e9ro sp\u00e9ciale de Early Theatre, 15.1, 2012. Elisabeth SEYS, Ces femmes qui [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":139,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,10],"tags":[],"categorie_personnage":[],"class_list":["post-2377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2377"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2377\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2377"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}