{"id":2189,"date":"2011-04-27T00:00:00","date_gmt":"2011-04-27T00:00:00","guid":{"rendered":"http:\/\/20290"},"modified":"2011-04-27T00:00:00","modified_gmt":"2011-04-27T00:00:00","slug":"il-y-a-dans-ce-moment-de-grands-mouvements-littraires-littrature-et-culture-paris-au-lendemain-de-la-rvolution","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/il-y-a-dans-ce-moment-de-grands-mouvements-littraires-littrature-et-culture-paris-au-lendemain-de-la-rvolution\/","title":{"rendered":"\u00ab Il y a dans ce moment de grands mouvements litt\u00e9raires \u00bb. Litt\u00e9rature et culture \u00e0 Paris au lendemain de la R\u00e9volution"},"content":{"rendered":"

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Organisation <\/span><\/strong>: Christiane Coester<\/span><\/div>\n
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Mercredi 27 avril 2011 \u00e0 18 h<\/span><\/strong><\/div>\n
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<\/span>\u00ab C’est en effet un grand bonheur de faire des vers \u00bb
Une soir\u00e9e avec Constance de Salm<\/span><\/strong><\/span><\/div>\n
Gudrun Gersmann, directrice de l’Institut historique allemand de Paris<\/span> : Ouverture<\/span><\/div>\n
Caroline Keufen, actrice<\/span> : Lecture de \u00ab Vingt-Quatre Heures d’une femme sensible \u00bb de Constance de Salm<\/span><\/div>\n
Musique : Bach Collegium Paris<\/span><\/div>\n
Conf\u00e9rence et lecture suivies d’une r\u00e9ception<\/span><\/div>\n
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Jeudi 28 avril 2011<\/span><\/strong><\/div>\n
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9 h 30, <\/span><\/strong>Paris ? Lieu d’\u00e9changes<\/span><\/strong><\/div>\n
Pr\u00e9sidence : Bernd Klesmann<\/span><\/div>\n
Amir Minsky (Abou Dabi) : \u00ab Limites de la libert\u00e9 ? \u00bb German Exiles in Paris and the Debate on the Rhine Borders<\/span><\/div>\n
Boris Roman Gibhardt (Paris) : De la r\u00e9publique des lettres au salon litt\u00e9raire : culture parisienne autour de 1800, vue par les classiques de Weimar<\/span><\/div>\n
Kiriakos Papoulidis (Poznan) : Activit\u00e9s litt\u00e9raires et philologiques \u00e0 Paris post-revolutionnaire : la Soci\u00e9t\u00e9 Hell\u00e9nique institu\u00e9e \u00e0 Paris pour la propagation des Lumi\u00e8res en Gr\u00e8ce (1828-1830)<\/span><\/div>\n
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12 h : d\u00e9jeuner<\/span><\/div>\n
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13 h<\/span>, Le Paris des artistes<\/span><\/strong><\/span><\/div>\n
Pr\u00e9sidence : Godehard Janzing<\/span><\/div>\n
Gerrit Walczak (Cologne) : Courtiers, Terrorists, and Remigrants: Revolutionary Biographies of Artists in Post-Revolutionary Paris<\/span><\/div>\n
Eva Knels (Paris) : \u00ab Une \u00e9cole \u00e0 part ? \u00bb Artistes femmes au Salon des artistes vivants autour de 1800<\/span><\/div>\n
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15 h, Le Paris des salons<\/span><\/strong><\/span><\/div>\n
Pr\u00e9sidence : Eva Knels<\/span><\/div>\n
Antonietta Angelica Zucconi (Rome) : Les salons des princes et des princesses Bonaparte sous le Consulat et l’Empire<\/span><\/div>\n
Florence de Peyronnet-Dryden (Paris) : Mme de La Briche (1755-1844) : un salon paisible<\/span><\/div>\n
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Vendredi 29 avril 2011<\/span><\/strong><\/div>\n
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9 h 30, Femmes et \u00e9criture<\/span><\/strong><\/span><\/div>\n
Pr\u00e9sidence : Anne Lafont<\/span><\/div>\n
Amandine Gorse (Paris) : De soie et de satin. Le go\u00fbt des \u00e9lites parisiennes selon la presse f\u00e9minine au lendemain de la R\u00e9volution (1795-1804)<\/span><\/div>\n
Sharon Worley (Houston\/Phoenix) : The Painted Eye: Gender and Primogeniture in Neoclassical Tragedy and the Revolutionary Politics of French Feminism<\/span><\/div>\n
Nicole Pellegrin (Paris): Litt\u00e9rature et \u00ab droits des femmes \u00bb : le point de vue de Fortun\u00e9e Briquet (1782-1815), une amie m\u00e9connue de Constance Pipelet et l’auteure d’un Dictionnaire historique, litt\u00e9raire et bibliographique des fran\u00e7aises et des \u00e9trang\u00e8res connues par leurs \u00e9crits (1804)<\/span><\/div>\n
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<\/span>12 h : d\u00e9jeuner<\/span><\/div>\n
<\/span><\/strong><\/div>\n
13 h, La correspondance de Constance de Salm<\/span><\/strong><\/span><\/div>\n
Pr\u00e9sidence : Florence de Peyronnet-Dryden<\/span><\/div>\n
Marie-Th\u00e9r\u00e8se Raguet (Marseille) : \u00c0 la d\u00e9couverte de la correspondance de Constance de Salm pendant la p\u00e9riode napol\u00e9onienne<\/span><\/div>\n
Eve-Marie Lampron (Montr\u00e9al) : La correspondance de Constance de Salm avec d’autres femmes auteures : de l’exception \u00e0 la r\u00e8gle<\/span><\/div>\n
Christiane Coester (Paris) : Une femme entre deux mondes : Constance de Salm, Paris et la Rh\u00e9nanie<\/span><\/div>\n
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Vers 16 h : fin du colloque<\/span><\/div>\n
<\/span><\/div>\n
<\/span>Informations<\/strong><\/span><\/div>\n
Institut historique allemand de Paris<\/span><\/div>\n
8, rue du Parc-Royal ? 75003 Paris<\/span><\/div>\n
M\u00e9tro Saint-Paul ou Chemin Vert ? Bus 29 ou 96<\/span><\/div>\n
T\u00e9l. + 33 (0)1 44 54 23 80 ? info@dhi-paris.fr<\/a> ? www.dhi-paris.fr<\/a><\/span><\/div>\n
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<\/p>\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

Organisation : Christiane Coester Mercredi 27 avril 2011 \u00e0 18 h \u00ab C’est en effet un grand bonheur de faire des vers \u00bbUne soir\u00e9e avec Constance de Salm Gudrun Gersmann, directrice de l’Institut historique allemand de Paris : Ouverture Caroline Keufen, actrice : Lecture de \u00ab Vingt-Quatre Heures d’une femme sensible \u00bb de Constance de […]<\/p>\n","protected":false},"author":2,"featured_media":1342,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,13],"tags":[],"categorie_personnage":[],"class_list":["post-2189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-manifestations-scientifiques"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2189"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2189\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1342"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2189"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}