{"id":2048,"date":"2024-09-18T17:03:02","date_gmt":"2024-09-18T17:03:02","guid":{"rendered":"http:\/\/20033"},"modified":"2024-09-18T17:03:02","modified_gmt":"2024-09-18T17:03:02","slug":"nos-adhrent-e-s-publient_33","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/nos-adhrent-e-s-publient_33\/","title":{"rendered":"Nos adh\u00e9rent-e-s publient"},"content":{"rendered":"

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Paris, H. Champion, d\u00e9c. 2008, 448 p., 79 ?, ISBN 978-2-7453-1780-3
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Publi\u00e9 \u00e0 Paris chez Mathieu Guillemot en 1599, La Pucelle d’Orl\u00e9ans<\/i>
\nest le premier roman fran\u00e7ais enti\u00e8rement consacr\u00e9 \u00e0 Jeanne d’Arc. On y
\ntrouve les caract\u00e9ristiques les plus remarquables de la production
\nnarrative b\u00e9roaldienne des ann\u00e9es 1592 \u00e0 1610: une pr\u00e9f\u00e9rence marqu\u00e9e
\npour l’ordo artificialis<\/i> fait de surprises, d’incertitude, de
\nsuspense et pour tout ce qui accentue l’impression de non-lin\u00e9arit\u00e9, de
\nd\u00e9calage, d’illusion, de trompe-l’?il; les constructions en sym\u00e9trie;
\nle recours aux artifices comme l’anamorphose ou la st\u00e9ganographie;
\nl’emploi de noms cod\u00e9s ou anagrammis\u00e9s et le symbolisme alchimique. Ce
\nroman offre maintes r\u00e9sistances mais il a aussi la capacit\u00e9 de
\nr\u00e9veiller encore et toujours la curiosit\u00e9 et transmettre au lecteur
\ncette passion pour la recherche de la connaissance qui fut celle de
\nB\u00e9roalde.<\/span><\/div>\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

Paris, H. Champion, d\u00e9c. 2008, 448 p., 79 ?, ISBN 978-2-7453-1780-3 Publi\u00e9 \u00e0 Paris chez Mathieu Guillemot en 1599, La Pucelle d’Orl\u00e9ans est le premier roman fran\u00e7ais enti\u00e8rement consacr\u00e9 \u00e0 Jeanne d’Arc. On y trouve les caract\u00e9ristiques les plus remarquables de la production narrative b\u00e9roaldienne des ann\u00e9es 1592 \u00e0 1610: une pr\u00e9f\u00e9rence marqu\u00e9e pour l’ordo […]<\/p>\n","protected":false},"author":2,"featured_media":1837,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,10],"tags":[],"categorie_personnage":[],"class_list":["post-2048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2048"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2048\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1837"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2048"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}