{"id":2045,"date":"2024-09-18T17:03:02","date_gmt":"2024-09-18T17:03:02","guid":{"rendered":"http:\/\/20029"},"modified":"2024-09-18T17:03:02","modified_gmt":"2024-09-18T17:03:02","slug":"nos-adhrent-e-s-publient_29","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/nos-adhrent-e-s-publient_29\/","title":{"rendered":"Nos adh\u00e9rent-e-s publient"},"content":{"rendered":"

<\/em><\/p>\n

Mont-Saint-Aignan, Publications des universit\u00e9s de Rouen et du Havre, 2008<\/span><\/div>\n
340 p., 20 ?, ISBN: 978-2-87775-461-3 <\/span><\/div>\n
<\/b>
<\/span><\/o:p><\/b>
\n <\/b><\/span><\/span><\/div>\n
L’oeuvre de Mme de
\n Genlis (1747-1830) comprend des romans et des contes,
\n des m\u00e9moires, des pi\u00e8ces de th\u00e9\u00e2tre, de la po\u00e9sie,
\n des essais, des manuels et des pamphlets. Cette
\n production multiple et multiforme, qui compte plus d’une
\n centaine de titres, fait d’elle l’une des grandes femmes
\n de lettres de la fin du 18e si\u00e8cle et du d\u00e9but du si\u00e8cle
\n suivant.
\n Construite sur pr\u00e8s d’un demi-si\u00e8cle, marqu\u00e9e par un
\n souci constant de p\u00e9dagogie et par une grande ma\u00eetrise
\n des pratiques \u00e9ditoriales du temps, l’oeuvre \u00e9tonne
\n aujourd’hui par son ampleur et sa diversit\u00e9, m\u00eame si
\n elle ne fait pas myst\u00e8re des positions
\n antiphilosophiques de l’auteur et de son ardente d\u00e9fense
\n du catholicisme. Les contributions contenues dans ce
\n volume permettent de mesurer la nature et l’originalit\u00e9
\n du travail de Mme de Genlis. Elles constituent le
\n premier ouvrage collectif consacr\u00e9 \u00e0 une oeuvre mal
\n connue, que tout sp\u00e9cialiste de litt\u00e9rature se doit de
\n red\u00e9couvrir.
<\/span><\/div>\n
<\/span><\/o:p><\/div>\n
<\/b>
<\/span><\/div>\n
TABLE DES MATIERES<\/b>
<\/span><\/div>\n
<\/b><\/span><\/o:p><\/b>
\n <\/b><\/span><\/span><\/div>\n

<\/span><\/div>\n
Martine REID
\n Avant-propos<\/span><\/div>\n
<\/b>
<\/span><\/div>\n
Ad\u00e8le et Th\u00e9odore<\/b><\/span><\/span><\/div>\n
<\/b>
<\/span><\/div>\n
Isabelle
\n BROUARD-ARENDS
\n Les jeux intertextuels dans Ad\u00e8le et Th\u00e9odore <\/em>:
\n le discours \u00e9ducatif entre contrainte et libert\u00e9<\/span><\/div>\n
Didier MASSEAU
\n Pouvoir \u00e9ducatif et vertige de la programmation dans Ad\u00e8le
\n et Th\u00e9odore <\/em>et quelques autres ouvrages<\/span><\/div>\n
Gilian
\n DOW
\n ?The best system of education ever published in
\n France?: Adela\u00efde and Theodore <\/em>en
\n Angleterre<\/span><\/span><\/o:p><\/span>
\n <\/span><\/span><\/span><\/div>\n
Christophe MARTIN
\n L’\u00e9ducation n\u00e9gative chez Mme de Genlis (Ad\u00e8le et
\n Th\u00e9odore <\/em>et Z\u00e9lie ou l’Ing\u00e9nue<\/em>)<\/span><\/div>\n

<\/span><\/div>\n
Le\u00e7ons du roman et de
\n l’essai<\/b><\/span><\/span><\/div>\n
<\/b>
<\/span><\/div>\n
Francis MARCOIN
\n Les Petits \u00c9migr\u00e9s<\/em>, entre Lumi\u00e8res et
\n romantisme<\/span><\/div>\n
Marie-Emmanuelle
\n PLAGNOL-DI\u00c9VAL
\n Les Annales de la vertu <\/em>ou la tentation de
\n l’exhaustivit\u00e9<\/span><\/div>\n
Vicki MISTACCO
\n Genlis \u00e0 contre-courant: De l’influence des
\n femmes<\/em><\/span><\/span><\/div>\n
Benedetta CRAVERI
\n Mme de Genlis et la transmission d’un savoir-vivre<\/span><\/div>\n
Robert ADELSON et
\n Jacqueline LETZTER
\n La harpe virile: Mme de Genlis et la carri\u00e8re
\n manqu\u00e9e de Casimir Baecker<\/span><\/div>\n

<\/span><\/div>\n
Esth\u00e9tique romanesque
\n et r\u00e9ception<\/b><\/span><\/span><\/div>\n
<\/b>
<\/span><\/div>\n
Shelly CHARLES
\n Mme de Genlis et le dilemme du roman<\/span><\/div>\n
Brigitte LOUICHON
\n Mme de Genlis: homme de lettres et grand-m\u00e8re<\/span><\/div>\n
Diana COOPER-RICHET
\n Entre culture, divertissement et biens\u00e9ance: les
\n \u00e9crits de Mme de Genlis dans les magazines britanniques
\n (fin XVIIIe-d\u00e9but XIXe si\u00e8cle)<\/span><\/div>\n

<\/span><\/div>\n
M\u00e9moires<\/b><\/span><\/span><\/div>\n
<\/b>
<\/span><\/div>\n
Damien ZANONE
\n Morale de la m\u00e9moire (sur les M\u00e9moires <\/em>de Mme
\n de Genlis)<\/span><\/div>\n
B\u00e9atrice DIDIER
\n M\u00e9moires et autobiographie chez Mme de Genlis<\/span><\/div>\n
Martine REID
\n \u00ab Ma vie litt\u00e9raire \u00bb<\/span><\/div>\n

<\/span><\/div>\n
Histoire, religion,
\n philosophie<\/b><\/span><\/span><\/div>\n
<\/b>
<\/span><\/div>\n
Nicole PELLEGRIN
\n Pratique de l’histoire dans les \u00e9crits de Mme de Genlis<\/span><\/div>\n
Nicolas BRUCKER
\n \u00c9ducation et religion dans l’oeuvre de Mme de Genlis<\/span><\/div>\n
Fran\u00e7ois BESSIRE
\n Mme de Genlis ou l’?ennemie de la philosophie
\n moderne?<\/span><\/div>\n

<\/span><\/div>\n
Annexe<\/b><\/span><\/span><\/div>\n
<\/b>
<\/span><\/div>\n
Fran\u00e7ois BESSIRE et
\n Martine REID \/ Manuscrits de Mme de Genlis, anciennement \u00e0 l’Institut
\n fran\u00e7ais de Florence<\/span><\/div>\n

<\/span><\/div>\n
Bibliographie, index<\/span><\/div>\n

<\/span><\/div>\n
Url de r\u00e9f\u00e9rence :
\n <\/span>http:\/\/www.univ-rouen.fr\/irshs\/users\/purh\/index.php<\/span><\/span><\/span><\/a><\/b><\/div>\n

<\/span><\/div>\n

<\/span><\/div>\n

<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Mont-Saint-Aignan, Publications des universit\u00e9s de Rouen et du Havre, 2008 340 p., 20 ?, ISBN: 978-2-87775-461-3 L’oeuvre de Mme de Genlis (1747-1830) comprend des romans et des contes, des m\u00e9moires, des pi\u00e8ces de th\u00e9\u00e2tre, de la po\u00e9sie, des essais, des manuels et des pamphlets. Cette production multiple et multiforme, qui compte plus d’une centaine de […]<\/p>\n","protected":false},"author":2,"featured_media":1232,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,10],"tags":[],"categorie_personnage":[],"class_list":["post-2045","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-dernieres-parutions"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2045"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/2045\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=2045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=2045"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=2045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}