{"id":15878,"date":"2026-02-03T18:44:27","date_gmt":"2026-02-03T17:44:27","guid":{"rendered":"https:\/\/siefar.org\/?p=15878"},"modified":"2026-02-03T19:06:07","modified_gmt":"2026-02-03T18:06:07","slug":"parution-de-notre-adherente-helene-cazes","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/parution-de-notre-adherente-helene-cazes\/","title":{"rendered":"Parution de notre adh\u00e9rente H\u00e9l\u00e8ne Cazes"},"content":{"rendered":"<p><strong>H\u00e9l\u00e8ne Cazes, avec Viviane Fairbank et Magdalena Ko\u017aluk (dir.), <em>D\u00e9couvrir le sexe f\u00e9minin : dires et savoirs de la &#8220;nature&#8221; cach\u00e9e des femmes<\/em>, num\u00e9ro sp\u00e9cial de <em>Folia Litteraria Romanica, <\/em>n\u00b0 21, (Acta Universitatis Lodziensis. Folia Litteraria Romanica), janv. 2026.<\/strong><\/p>\n<p>Actes du colloque <i>Repr\u00e9senter le sexe f\u00e9minin\u00a0: images et imaginaires, 16<sup>e<\/sup>-21<sup>e<\/sup>\u00a0si\u00e8cles\/ Seeing and Imagining Female Sexual Anatomy, 16<sup>th<\/sup>-21<sup>st<\/sup><\/i><span style=\"font-family: Arial, sans-serif;\">, University of Victoria (Canada), mai-juin 2021.<\/span><\/p>\n<div class=\"page\" data-page-number=\"413\" data-loaded=\"true\">\n<div><strong>Tables des mati\u00e8res<\/strong><\/div>\n<div class=\"textLayer\">\n<div class=\"page\" data-page-number=\"411\" data-loaded=\"true\">\n<div class=\"textLayer\">H\u00e9l\u00e8ne CAZES:Avant-propos &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;7<\/div>\n<div><\/div>\n<div class=\"textLayer\"><strong>D\u00e9crire, conna\u00eetre, regarder<\/strong><\/div>\n<div class=\"textLayer\">Jacqueline Vons:Les le\u00e7ons du scalpel. De l\u2019anatomie \u00e0 la physiologie f\u00e9minines dans quelques textes d\u2019anatomie au d\u00e9but des temps modernes&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;17<\/div>\n<div class=\"textLayer\">Annagiulia Gramenzi:Repr\u00e9senter le sexe f\u00e9minin dans la premi\u00e8re modernit\u00e9: dissections et interpr\u00e9tations de l\u2019ut\u00e9rus&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..35<\/div>\n<div class=\"textLayer\">Herv\u00e9 Baudry:Un dr\u00f4le de genre chez Herm\u00e8s et Esculape : quelques remarques d\u2019iconogynie historique dans l\u2019alchimie et l\u2019anatomie&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;49<\/div>\n<div class=\"textLayer\">Cristina Santos Pinheiro: La diff\u00e9rence sexuelle et l\u2019ut\u00e9rus chez Luis Mercado, Rodrigo de Castro et Zacuto Lusitano&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.87<\/div>\n<div class=\"textLayer\">Sylvie Chaperon : Le \u00abmoment Kobelt\u00bbou l\u2019h\u00e9t\u00e9rosexualit\u00e9 fond\u00e9e organiquement&#8230;&#8230;107<\/div>\n<div><\/div>\n<div class=\"textLayer\"><strong>Raconter, nommer, argumenter<\/strong><\/div>\n<div class=\"textLayer\">Nicolas Garnier:Et Renart cr\u00e9a la femme: repr\u00e9sentations du sexe f\u00e9minin dans le Roman de Renart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127<\/div>\n<div class=\"textLayer\">Pascale Chiron:\u00abComment a nom\u00bb: nommer et repr\u00e9senter le sexe f\u00e9minin chez les po\u00e8tes de la premi\u00e8re renaissance &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;139<\/div>\n<div class=\"textLayer\">Tatiana Clavier:Les mots du sexe au c\u0153ur de la Querelle des femmes \u00e0 la Renaissance &#8230;155<\/div>\n<div><\/div>\n<div class=\"textLayer\"><strong>Lire, figurer, interpr\u00e9ter<\/strong><\/div>\n<div class=\"textLayer\">Nancy M. Frelick:Le sexe f\u00e9minin et le regard de l\u2019Autre dans la \u2018Visio prima\u2019 du Catoptrum microcosmicum de Remmelin: \u00ab entre la M\u00e9duse et l\u2019ab\u00eeme\u00bb&#8230;&#8230;&#8230;&#8230;&#8230;..175<\/div>\n<div class=\"textLayer\">Magdalena Ko\u017aluk:L\u2019appareil g\u00e9nital f\u00e9minin dans les emblemata medica de Louis de Caseneuve (1626) &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.207<\/div>\n<div class=\"textLayer\">Anne R\u00e9gent-Susini: La Vie dans les plis : l\u2019ut\u00e9rus marial dans quelques sermons catholiques fran\u00e7ais du XVIIe si\u00e8cle &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;231<\/div>\n<div class=\"textLayer\">Victoria Bujak: Fleurir et fl\u00e9trir: dires et savoirs sur la \u2018nature\u2019 cach\u00e9e des femmes dans le discours m\u00e9dical aux XVIe et XVIIe si\u00e8cles en France &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;247<\/div>\n<div><\/div>\n<div class=\"textLayer\"><strong>Cacher, montrer, d\u00e9montrer<\/strong><\/div>\n<div class=\"textLayer\">Marie Piccoli-Wentzo:Le sexe, cet \u00e0-c\u00f4t\u00e9 de la femme. R\u00e9ceptions des images vulvaires en Italie au XVe si\u00e8cle (Gentile da Fabriano, Sandro Botticelli)&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.267<\/div>\n<\/div>\n<div class=\"page\" data-page-number=\"412\" data-loaded=\"true\">\n<div class=\"textLayer\">Sara Petrella : Le pouvoir du v\u00e9g\u00e9tal. Sexe et corail dans l\u2019illustration anatomique moderne &#8230; 285<\/div>\n<div class=\"textLayer\">Helen King : Du dessin au tricot : Vesalius et le mouvement \u201cTricotez-vous un vagin\u201d&#8230;. 313<\/div>\n<div class=\"textLayer\">Mary Hague-Yearl :D\u00e9couvrir la forme f\u00e9minine dans la biblioth\u00e8que Osler de l\u2019histoire de la m\u00e9decine &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 341<\/div>\n<div><\/div>\n<div class=\"textLayer\"><strong>D\u00e9noncer, dessiner, imaginer<\/strong><\/div>\n<div class=\"textLayer\">Kim Daly : \u00ab Vulve vieillie vol\u00e9e \u00bb: Biais de vieillissement de la vulve dans des images positives au sein des m\u00e9dias sociaux et de la banque d\u2019images photographiques&#8230; 363<\/div>\n<div class=\"textLayer\">MagaliNachtergael : Le sexe f\u00e9minin dans l\u2019art contemporain : un organe en performance 383<\/div>\n<div class=\"textLayer\">Caroline Boileau : Dessiner pour voir&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 397<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" data-page-number=\"414\" data-loaded=\"true\">\n<div class=\"textLayer\">Caroline Boileau: Drawing is Seeing&#8230;<\/div>\n<\/div>\n<p><a href=\"https:\/\/czasopisma.uni.lodz.pl\/romanica\"><strong>Consultable en ligne<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>H\u00e9l\u00e8ne Cazes, avec Viviane Fairbank et Magdalena Ko\u017aluk (dir.), D\u00e9couvrir le sexe f\u00e9minin : dires et savoirs de la &#8220;nature&#8221; cach\u00e9e des femmes, num\u00e9ro sp\u00e9cial de Folia Litteraria Romanica, n\u00b0 21, (Acta Universitatis Lodziensis. Folia Litteraria Romanica), janv. 2026. Actes du colloque Repr\u00e9senter le sexe f\u00e9minin\u00a0: images et imaginaires, 16e-21e\u00a0si\u00e8cles\/ Seeing and Imagining Female Sexual [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15879,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,10,1],"tags":[],"categorie_personnage":[],"class_list":["post-15878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-dernieres-parutions","category-uncategorized"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/15878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=15878"}],"version-history":[{"count":3,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/15878\/revisions"}],"predecessor-version":[{"id":15887,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/15878\/revisions\/15887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/15879"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=15878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=15878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=15878"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=15878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}