{"id":11448,"date":"2024-08-07T03:56:56","date_gmt":"2024-08-07T10:56:56","guid":{"rendered":"https:\/\/siefar.org\/?p=11448"},"modified":"2024-08-07T03:56:56","modified_gmt":"2024-08-07T10:56:56","slug":"laodamie-reine-depire-de-catherine-bernard-remonte-en-scene","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/laodamie-reine-depire-de-catherine-bernard-remonte-en-scene\/","title":{"rendered":"Laodamie, reine d&#8217;Epire, de Catherine Bernard, remonte en sc\u00e8ne !"},"content":{"rendered":"<p><strong>Trag\u00e9die de Catherine Bernard (1689), par la Cie La Subversive &#8211; Mise en sc\u00e8ne d&#8217;Aurore Evain<\/strong><\/p>\n<p>Elles sont s\u0153urs mais rivales en amour. Et pourtant,\u00a0<em>Laodamie<\/em> n\u2019est pas une trag\u00e9die de la jalousie, au contraire. Grand succ\u00e8s du 17e si\u00e8cle \u00e0 la Com\u00e9die-Fran\u00e7aise, la pi\u00e8ce de Catherine Bernard r\u00e9habilit\u00e9e par la metteuse en sc\u00e8ne Aurore \u00c9vain, sp\u00e9cialiste des \u00ab oubli\u00e9es de l\u2019Histoire \u00bb, propose une vision renouvel\u00e9e des liens de sororit\u00e9, des rapports hommes-femmes et du dilemme racinien entre loyaut\u00e9 au peuple et lois de l\u2019attraction. Rompue \u00e0 exhumer du pass\u00e9 ces autrices effac\u00e9es, Aurore \u00c9vain redonne souffle et vie \u00e0 cette souveraine exemplaire et \u00e0 ce triangle amoureux qui rebat les cartes de l\u2019h\u00e9ro\u00efsme.<\/p>\n<div class=\"ft-14\">\n<p>Mise en sc\u00e8ne Aurore \u00c9vain \u2022 sc\u00e9nographie Carmen Mariscal \u2022 costumes Tanya Artioli \u2022 collaboratrice artistique &amp; photos \u00c9lise Pr\u00e9vost \u2022 regard ext\u00e9rieur Sophie Daull \u2022 avec Amal Allaoui, Nathalie Bourg, Mona El Yafi, Nathan Gabily, Matila Malliarakis, Catherine Piffaretti \u2022 cr\u00e9ation musicale Nathan Gabily (machines), en collaboration avec Amal Allaoui (chant) &amp; Mona El Yafi (fl\u00fbte traversi\u00e8re) \u2022 cr\u00e9ation lumi\u00e8re Jean-Michel Wartner \u2022 construction des d\u00e9cors Marcel Montes de Oca<\/p>\n<\/div>\n<div class=\"mt-35 pt-40 ft-14 ft-i color--contrast with--line line--alt\">\n<p>Production Compagnie La Subversive \u2022 coproduction th\u00e9\u00e2tre des \u00celets \u2013 CDN de Montlu\u00e7on \u2013 r\u00e9gion Auvergne-Rh\u00f4ne-Alpes, La Ferme de Bel \u00c9bat \u2013 Th\u00e9\u00e2tre de Guyancourt, Le Vivat \u2013 sc\u00e8ne conventionn\u00e9e art &amp; cr\u00e9ation d\u2019Armenti\u00e8res \u2022 projet soutenu par le minist\u00e8re de la Culture \u2013 Drac \u00cele-de-France<\/p>\n<p><strong>Les 19 et 20 septembre 2024 au <a href=\"https:\/\/www.theatredesilets.fr\/evenement\/laodamie-reine-depire\/\">Th\u00e9\u00e2tre des \u00celets &#8211; CDN de Montlu\u00e7on<\/a><\/strong><\/p>\n<p><strong>Le 24 septembre 2024 au <a href=\"https:\/\/tmb-jeanguerrin.fr\/spectacle\/journees-du-matrimoine-laodamie-de-catherine-bernard\/\">Th\u00e9\u00e2tre Berthelot &#8211; Jean Gu\u00e9rin de Montreuil<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Trag\u00e9die de Catherine Bernard (1689), par la Cie La Subversive &#8211; Mise en sc\u00e8ne d&#8217;Aurore Evain Elles sont s\u0153urs mais rivales en amour. Et pourtant,\u00a0Laodamie n\u2019est pas une trag\u00e9die de la jalousie, au contraire. Grand succ\u00e8s du 17e si\u00e8cle \u00e0 la Com\u00e9die-Fran\u00e7aise, la pi\u00e8ce de Catherine Bernard r\u00e9habilit\u00e9e par la metteuse en sc\u00e8ne Aurore \u00c9vain, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11453,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[],"categorie_personnage":[],"class_list":["post-11448","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-manifestations-culturelles"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/11448","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=11448"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/11448\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=11448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=11448"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=11448"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=11448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}