In his introduction to\u00a019<\/i>\u2019s 2021 issue on women collectors, Tom Stammers writes that \u201cthe renewed study of female collectors promises to reconfigure the history of art and the history of gender alike.\u201d Across time, women\u2019s access to the social and financial resources necessary to collect art has been different from that of their male counterparts, often more limited. Both because of and in spite of these limitations, women have served as art patrons, developed ideologically and materially expansive collections, and promoted art in public arenas. Yet, women collectors have been systematically excluded from museum and curatorial studies, perhaps in part because their collections and practices may manifest differently.<\/p>\n
For this graduate student colloquium, we seek brief, 10-minute lightning talks that take up the theme of women art collectors. How does the study of female collectors challenge and expand existing museum studies scholarship? Who were these women, and why did they collect? How might a private or domestic collecting practice differ from a public-facing curatorial project?<\/p>\n
Possible subjects include, but are not limited to:\u00a0<\/p>\n
We welcome submissions from graduate students in the disciplines of art history, archaeology, literary studies, queer and gender studies, history, english, cultural studies, anthropology, sociology, philosophy, museum studies, and related fields. Projects at all stages, including works in progress are welcome, as this will be a space for community and conversation.\u00a0<\/p>\n