{"id":10415,"date":"2023-03-11T16:48:18","date_gmt":"2023-03-11T15:48:18","guid":{"rendered":"http:\/\/siefar.org\/?p=10415"},"modified":"2023-03-11T16:48:18","modified_gmt":"2023-03-11T15:48:18","slug":"emilie-cauvin","status":"publish","type":"post","link":"https:\/\/siefar.org\/gb\/emilie-cauvin\/","title":{"rendered":"Emilie CAUVIN"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong>Antibes, FRANCE * <a href=\"mailto:ecauvinemilie-nice@yahoo.fr\">cauvinemilie-nice@yahoo.fr<\/a> *<br \/>\nProfesseure de Lettres * Langue et litt\u00e9rature fran\u00e7aises * XVII<sup>e<\/sup>-XVIII<sup>e<\/sup> si\u00e8cles<br \/>\n<\/a><\/strong><br \/>\n<em>Litt\u00e9ratures f\u00e9minines sous l\u2019Ancien R\u00e9gime, Litt\u00e9ratures \u00e9pistolaires, Contes et genres romanesques, Egalit\u00e9 femmes\/hommes.<\/em><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #800000;\"><strong>OUVRAGES<\/strong><\/span><\/p>\n<p>&#8211; <em>Exemplier probl\u00e9matis\u00e9 de citations sur <\/em>Les Lettres de l\u2019ann\u00e9e 1671<em> de Madame de S\u00e9vign\u00e9<\/em>, Classes pr\u00e9paratoires aux grandes \u00e9coles, avec Antoinette Casabianca, Independently published, 2022, 62 pages.<br \/>\n&#8211; <em>Notes de Lectures sur <\/em>Les Contes de f\u00e9es<em> de Madame d\u2019Aulnoy<\/em>, Agr\u00e9gations 2022, Independently published, 2021, 151 pages.<\/p>\n<p><span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><\/p>\n<p>&#8211; \u00ab La disconvenance dans La Princesse Printani\u00e8re de Madame d\u2019Aulnoy \u00bb, <em>Le Pan Po\u00e9tique des Muses | Revue f\u00e9ministe, internationale &#038; multilingue de po\u00e9sie entre th\u00e9ories &#038; pratiques<\/em> : Num\u00e9ro Sp\u00e9cial | Printemps 2022 \u00ab L&#8217;humour au f\u00e9minin \u00bb, Fran\u00e7oise Urban-Menninger (dir.), mis en ligne le 25 janvier 2022.<br \/>\n&#8211; \u00ab Mythe de l\u2019invisibilit\u00e9 et l\u2019anneau de Gyg\u00e8s. Litt\u00e9ratures europ\u00e9ennes \u00bb, <em>\u00ab Litt\u00e9rature-Monde \u00bb francophone en mutation, Ecritures en dissidence<\/em>, L\u2019Harmattan, 2009, pp. 213-223. (\u00e9tude des Lettres de Mistriss Fanni Butlerd de Madame Riccoboni).<br \/>\n&#8211; \u00ab La reconnaissance dans les romans \u00e9pistolaires de Madame Riccoboni \u00bb, <em>La Reconnaissance au XVIII<sup>\u00e8me<\/sup> si\u00e8cle<\/em>, <em>Studies on Voltaire and the eighteenth century<\/em>, 2006 : 12, pp. 269-274.<br \/>\n&#8211; \u00ab <a href=\"http:\/\/revel.unice.fr\/loxias\/document.html?id=117\" rel=\"noopener noreferrer\" target=\"_blank\">Du mod\u00e8le f\u00e9minin de la soumission \u00e0 la prise de parole de la femme : le devenir litt\u00e9raire de la Griselda de Boccace et de P\u00e9trarque dans les <em>Lettres de Milady Juliette Catesby de Madame Riccoboni<\/em><\/a> \u00bb, <em>Loxias, Doctoriales II<\/em>, n\u00b010 (septembre 2005)<br \/>\n.<\/em><\/p>\n<p><span style=\"color: #800000;\"><strong>DIVERS<\/strong><\/span><\/p>\n<p>&#8211; Genres litt\u00e9raires et hybridation des genres dans l\u2019\u0153uvre de Madame Riccoboni, M\u00e9moire de DEA de l\u2019Universit\u00e9 de Nice, 2004.<br \/>\n&#8211; <em>Ecriture-femme et hybridation des genres litt\u00e9raires<\/em> dans Les Lettres de Mistriss Fanni Butlerd de Madame Riccoboni, M\u00e9moire de Ma\u00eetrise de l\u2019Universit\u00e9 de Nice, 2003.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Antibes, FRANCE * cauvinemilie-nice@yahoo.fr * Professeure de Lettres * Langue et litt\u00e9rature fran\u00e7aises * XVIIe-XVIIIe si\u00e8cles Litt\u00e9ratures f\u00e9minines sous l\u2019Ancien R\u00e9gime, Litt\u00e9ratures \u00e9pistolaires, Contes et genres romanesques, Egalit\u00e9 femmes\/hommes. \u00a0 OUVRAGES &#8211; Exemplier probl\u00e9matis\u00e9 de citations sur Les Lettres de l\u2019ann\u00e9e 1671 de Madame de S\u00e9vign\u00e9, Classes pr\u00e9paratoires aux grandes \u00e9coles, avec Antoinette Casabianca, Independently [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"categorie_personnage":[],"class_list":["post-10415","post","type-post","status-publish","format-standard","hentry","category-repertoire"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/10415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=10415"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/posts\/10415\/revisions"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=10415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categories?post=10415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/tags?post=10415"},{"taxonomy":"categorie_personnage","embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/categorie_personnage?post=10415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}