{"id":3374,"date":"2012-12-03T19:38:31","date_gmt":"2012-12-03T19:38:31","guid":{"rendered":"http:\/\/709"},"modified":"2012-12-03T19:38:31","modified_gmt":"2012-12-03T19:38:31","slug":"les-roles-transfrontaliers-joues-par-les-femmes-dans-la-construction-de-l-europe","status":"publish","type":"page","link":"https:\/\/siefar.org\/gb\/publications-articles\/les-roles-transfrontaliers-joues-par-les-femmes-dans-la-construction-de-l-europe\/","title":{"rendered":"Les R\u00f4les transfrontaliers jou\u00e9s par les femmes dans la construction de l&#8217;Europe"},"content":{"rendered":"<p><span style=\"color: rgb(128, 0, 0);\"><strong style=\"text-align: justify;\"><span style=\"font-size: small;\"><img loading=\"lazy\" decoding=\"async\" src=\"docsiefar\/image\/Europe-Leduc.jpg\" width=\"187\" height=\"300\" align=\"left\" style=\"margin-right: 10px; margin-bottom: 10px;\" alt=\"\" \/>Guyonne LEDUC (dir.)<\/span><\/strong><\/span><\/p>\n<p><strong><span style=\"font-size: small;\">Paris, L&#8217;Harmattan, &quot;Des id&eacute;es et des femmes&quot;, d&eacute;c. 2012, 415 p., 40 &euro;.<\/span><\/strong><\/p>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><strong><span style=\"font-size: small;\">Sommaire<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Pr&eacute;face de Suzan van Dijk (La Haye)      <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Remerciements<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Introduction: &quot; Les Projections europ&eacute;ennes des historiens modernes sur deux imp&eacute;ratrices romaines du Ve si&egrave;cle : Galla Placidia et Aelia Eudocia &quot; Bertrand Lan&ccedil;on (Limoges)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">PREMI&Egrave;RE PARTIE<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Des traductrices<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; European Women Writers Translated into Spanish in the XVIIIth Century : A Global Approach &quot; M&oacute;nica Bolufer Peruga et Juan Gomis Coloma (Valence) 33<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Traductrices fran&ccedil;aises (1751-1800) : pr&eacute;f&eacute;rences genr&eacute;es ? &quot; Suzan van Dijk (La Haye)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; La Chair, l&#8217;os et les &eacute;l&eacute;ments. &#8216;L&#8217;heureuse f&eacute;condit&eacute;&#8217; de la traduction scien&shy;tifique au XVIIIe si&egrave;cle : le cas de Marie-Genevi&egrave;ve Thiroux d&#8217;Arconville &quot; Adeline Gargam (Nouvelle Cal&eacute;donie)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Les Femmes &eacute;crivains fran&ccedil;aises dans le territoire slov&egrave;ne du XIXe si&egrave;cle &quot; Katja Mihurko Poni\u00ab et Tanja Badali \u00bb (Nova Gorica, Slov&eacute;nie)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br type=\"_moz\" \/><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">DEUXI&Egrave;ME PARTIE<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Des m&eacute;diatrices<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; La Cit&eacute; des dames, un matrimoine sans fronti&egrave;res &quot; Juliette Dor (Li&egrave;ge)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Respublica litterarum et respublica mulierum : le cercle f&eacute;minin transnational d&#8217;Anne Marie van Schurman dans l&#8217;Europe savante du XVIIe si&egrave;cle &quot; Sandrine Parageau (Paris-Ouest-Nanterre-La D&eacute;fense)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Les Femmes russes francophones en tant que m&eacute;diatrices culturelles (fin du XVIIIe &#8211; d&eacute;but du XIXe si&egrave;cle) &quot; Elena Gretchanaia (Orl&eacute;ans)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Intellectual women&#8217;s roles across borders : French educationists Genlis and Le&shy;prince de Beaumont&#8217;s influence in England in the late eighteenth century &quot; Mich&egrave;le Cohen (Richmond American International University)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; La Contribution des Roumaines dans la r&eacute;ception des litt&eacute;ratures europ&eacute;ennes dans l&#8217;espace culturel roumain au XIXe si&egrave;cle &quot; Ileana Mihaila (Bucarest)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; La Russie, terre de m&eacute;diatrices : l&#8217;exemple d&#8217;Anna Engelhardt &quot; &Eacute;velyne Enderlein (Strasbourg)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">TROISIEME PARTIE<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Voyages terrestres et intellectuels<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Quand les religieuses clo&icirc;tr&eacute;es sillonnent l&#8217;Europe : itin&eacute;raires transfrontaliers d&#8217;annonciades c&eacute;lestes au XVIIe si&egrave;cle &quot; Marie-&Eacute;lisabeth Henneau (Li&egrave;ge)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Les Femmes russes et la franc-ma&ccedil;onnerie europ&eacute;enne &agrave; la fin du XVIIIe et au d&eacute;but du XIXe si&egrave;cle &quot; Alexandre Stroev (Paris 3)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Heart of Whiteness : Letters Written during a Short Residence in Sweden, Norway, and Denmark de Mary Wollstonecraft &quot; Nathalie Zimpfer (CPGE, Lyon)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">QUATRIEME PARTIE<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Mouvements f&eacute;ministes transnationaux<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Marie Stopes et la question du contr&ocirc;le des naissances en Angleterre au d&eacute;but du XXe si&egrave;cle : un enjeu f&eacute;ministe transnational &quot; Angeline Durand-Vallot (Lyon 1, IUFM)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; De la lutte pour les droits des femmes &agrave; l&#8217;&eacute;tablissement de la d&eacute;mocratie et au pacifisme international : la contribution des f&eacute;ministes allemandes &agrave; la construction de l&#8217;Europe dans les ann&eacute;es 1890-1920 &quot; Sylvie Marchenoir (Dijon)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; L&#8217;nternationalisation de la question f&eacute;minine au d&eacute;but du XXe si&egrave;cle &quot; Fatma Chehih-Ramdani (Paris 13)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Construire un espace europ&eacute;en ou construire un espace international ? L&#8217;Exemple de Marguerite Thibert (1886-1982) &quot; Fran&ccedil;oise Th&eacute;baud (Avignon)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Des intellectuelles aux associations de terrain : l&#8217;engagement des femmes musulmanes dans la soci&eacute;t&eacute; allemande &quot; C&eacute;cile Prat-Eckert (Valenciennes)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">CINQUIEME PARTIE<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><br type=\"_moz\" \/><br \/>\n<\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">L&#8217;art transfrontalier au F&eacute;minin<\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Une Voix critique dans l&#8217;Europe litt&eacute;raire de la fin de si&egrave;cle : Lou Andreas-Salom&eacute; &quot; Isabelle Mons (Versailles &#8211; Saint-Quentin-en-Yvelines)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; &Eacute;dith Boissonnas et &#8216;le genre art brut&#8217; : tropisme suisse chez Jean Dubuffet et chez Jean Paulhan &quot; Muriel Pic (Neuch&acirc;teI)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; Les Voix de traverse de Clara Jan&eacute;s (ou les pouvoirs de la po&eacute;sie) &quot; Dani&egrave;le Miglos (Lille 3)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; L&#8217;Art transfrontalier de Unica Z&uuml;rn ou les traductions de l&#8217;impossible dans un surr&eacute;alisme au f&eacute;minin &quot; Mireille Calle-Gruber (Paris 3)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">&quot; De Freud &agrave; Cixous : Dora et le th&eacute;&acirc;tre de l&#8221;hyst&eacute;rature&#8217; &quot; Sarah-Ana&iuml;s Crevier Goulet (Paris 3)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><strong><span style=\"font-size: small;\">Conclusion<\/span><\/strong><span style=\"font-size: small;\">: &quot; Les Europ&eacute;ennes et la circulation des id&eacute;es : entre universel et particulier &quot; Fran&ccedil;oise Barret-Ducrocq (Paris 7)<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Ont contribu&eacute; &agrave; cet ouvrage<\/span><strong><span style=\"font-size: small;\"><\/span><\/strong><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">R&eacute;sum&eacute;s des contributions<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Index nominum<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Guyonne LEDUC (dir.) Paris, L&#8217;Harmattan, &quot;Des id&eacute;es et des femmes&quot;, d&eacute;c. 2012, 415 p., 40 &euro;. Sommaire Pr&eacute;face de Suzan van Dijk (La Haye) Remerciements Introduction: &quot; Les Projections europ&eacute;ennes des historiens modernes sur deux imp&eacute;ratrices romaines du Ve si&egrave;cle : Galla Placidia et Aelia Eudocia &quot; Bertrand Lan&ccedil;on (Limoges) PREMI&Egrave;RE PARTIE Des traductrices &quot; [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":2851,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3374","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/3374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3374"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/3374\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2851"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}