{"id":3352,"date":"2012-02-24T20:58:04","date_gmt":"2012-02-24T20:58:04","guid":{"rendered":"http:\/\/687"},"modified":"2012-02-24T20:58:04","modified_gmt":"2012-02-24T20:58:04","slug":"les-femmes-auteurs-et-le-livre-du-moyen-age-aux-lendemains-de-la-revolution","status":"publish","type":"page","link":"https:\/\/siefar.org\/gb\/publications-articles\/les-femmes-auteurs-et-le-livre-du-moyen-age-aux-lendemains-de-la-revolution\/","title":{"rendered":"Les femmes auteurs et le livre, du Moyen \u00c2ge aux lendemains de la R\u00e9volution"},"content":{"rendered":"<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"color: rgb(128, 0, 0);\"><strong><span style=\"font-size: small;\"><img loading=\"lazy\" decoding=\"async\" align=\"left\" width=\"100\" height=\"135\" alt=\"\" style=\"margin-right: 10px; margin-bottom: 10px;\" src=\"docsiefar\/image\/Femmes-MoyenAge.jpg\" \/>Martine REID (dir.)<\/span><\/strong><\/span><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><strong>Revue de la BNF &#8211; n&deg;39, 2012<\/strong><br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Les  articles rassembl&eacute;s &agrave; l&rsquo;occasion de ce dossier dessinent un parcours  qui va des premi&egrave;res manifestations de voix et d&rsquo;&eacute;crits de femmes au  Moyen &Acirc;ge et conduit &agrave; la participation des femmes &agrave; une production de  livres devenue &laquo;industrielle&raquo; &agrave; partir de la Restauration. Ils  illustrent chacun &agrave; leur mani&egrave;re, tant&ocirc;t par des propos g&eacute;n&eacute;raux, tant&ocirc;t  par l&rsquo;&eacute;tude de quelque figure significative, la forte conscience qu&rsquo;ont  les femmes du monde de l&rsquo;&eacute;crit puis de l&rsquo;imprim&eacute;, de son efficacit&eacute;, de  ses<br \/>\npouvoirs, des moyens de diffusion de la pens&eacute;e mais aussi des revenus qu&rsquo;il peut offrir.<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">&bull; <\/span><span style=\"font-size: small;\">Introduction, Martine Reid. <br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">&bull; Deux femmes auteurs au Moyen &Acirc;ge: Marie de France et Christine de Pizan, Anne Paupert <br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">&bull; Ce que l&rsquo;imprimerie changea pour les femmes, &Eacute;liane Viennot <br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">&bull; Claude Barbin (1628-1698), un libraire pour dames&#8217; Nathalie Grande <br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">&bull; Fran&ccedil;oise de Graffigny (1695-1758), femme de lettres et femme du livre, Fran&ccedil;ois Bessire <br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">&bull; Madame de Genlis dans le champ &eacute;ditorial de son temps, Martine Reid. <br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Disponible chez votre libraire<br \/>\n<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\">Abonnements: Gabrielle Nouvel t&eacute;l. + 33 (0) 1 53 79 81 73 &mdash; fax + 33 (0) 1 53 79 81 72<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><span>courriel: <\/span><\/span><span style=\"font-size: small;\"><a href=\"mailto:commercial@bnf.fr\"><span style=\"font-size: small;\">commercial@bnf.fr<\/span><\/a><\/span><\/div>\n<p style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/p>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Martine REID (dir.) Revue de la BNF &#8211; n&deg;39, 2012 Les articles rassembl&eacute;s &agrave; l&rsquo;occasion de ce dossier dessinent un parcours qui va des premi&egrave;res manifestations de voix et d&rsquo;&eacute;crits de femmes au Moyen &Acirc;ge et conduit &agrave; la participation des femmes &agrave; une production de livres devenue &laquo;industrielle&raquo; &agrave; partir de la Restauration. Ils [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":2851,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3352","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/3352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=3352"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/3352\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2851"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=3352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}