{"id":2980,"date":"2009-09-24T18:46:41","date_gmt":"2009-09-24T18:46:41","guid":{"rendered":"http:\/\/307"},"modified":"2009-09-24T18:46:41","modified_gmt":"2009-09-24T18:46:41","slug":"oeuvres-de-femmes-publiees-depuis-1990-lettre-m","status":"publish","type":"page","link":"https:\/\/siefar.org\/gb\/bibliographies2\/oeuvres-de-femmes-publiees-depuis-1990-lettre-m\/","title":{"rendered":"Oeuvres de femmes publi\u00e9es depuis 1990 &#8211; Lettre M"},"content":{"rendered":"<ul>\n<li class=\"corpsTexte\" style=\"text-align: justify;\"><strong>Maintenon, Fran\u00e7oise d&#8217;Aubign\u00e9, marquise de (1635-1719)<\/strong><\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"> &#8211; 2017,\u00a0<em>Correspondance. Lettres \u00e0 Madame de Maintenon, Volume XI et dernier. 1715-1719,<\/em>\u00a0\u00e9d. Hans Bots, Eug\u00e9nie Bots-Estourgie et Catherine H\u00e9mon-Fabre, Paris, H. Champion.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&#8211; 2017,\u00a0<em>Lettres \u00e0 Madame de Maintenon\u00a0X &#8211; 1710-1714<\/em>, \u00e9d. Hans Bots, Eug\u00e9nie Bots-Estourgie et Catherine H\u00e9mon-Fabre, Paris, H. Champion.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">&#8211; 2016,\u00a0<em>\u00a0Lettres \u00e0 Madame de Maintenon<\/em>\u00a0<em>IX. 1706-1709,<\/em> \u00e9d. Hans BOTS, Eug\u00e9nie BOTS-ESTOURGIE et Catherine HEMON-FABRE, Paris, H. Champion.<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">&#8211; 2016,\u00a0<em>Lettres \u00e0 Madame de Maintenon<\/em>, <em>VIII &#8211; 1651-1706,<\/em> \u00e9d. Hans Bots, Eug\u00e9nie Bots-Estourgie et Catherine H\u00e9mon-Fabre, Paris, H. Champion.<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">&#8211; 2015, <a href=\"http:\/\/www.siefar.org\/actualites-du-domaine\/dernieres-parutions\/parution-de-notre-diteur-partenaire-garnier-classiques,830\/?lang=fr&amp;li=sousrub13\"><i><u>Proverbes dramatique<\/u><\/i>,<\/a> \u00e9d. Perry Gethner et Theresa Varney Kennedy, Paris, Classiques Garnier.<br \/> &#8211; 2013,\u00a0<em><a href=\"http:\/\/www.siefar.org\/actualites-du-domaine\/dernieres-parutions\/nos-adhrent-e-s-publient,739\/?lang=fr&amp;li=sousrub13\">Lettres de Madame de Maintenon<\/a><\/em>, Volume V. 1711-1713, \u00e9d. Christine Mongenot, Paris, H. Champion.<br \/> &#8211; 2011,\u00a0<em>Lettres VI<\/em> (1714-1719), \u00e9d. Jan Schillings, Paris, H. Champion.<br \/> &#8211; 2011,<em> Lettres IV &#8211; <\/em><em>1707-1710<\/em>, \u00e9d. Marcel Loyau, Avant-propos de Fran\u00e7oise Chandernagor de l\u2019Acad\u00e9mie Goncourt, Paris, H. Champion.<br \/> &#8211; 2011,<em> Lettres III &#8211; 1698-1706<\/em>, \u00e9d. Hans Bots &amp; Eug\u00e9nie Bots Estourgie, Paris, H. Champion.<br \/> &#8211; 2010,<em> Lettres II &#8211; 1690-1697<\/em>, \u00e9d. Hans Bots &amp; Eug\u00e9nie Bots Estourgie, Paris, H. Champion.<br \/> &#8211; 2009,<em> Lettres I &#8211; 1650-1689<\/em>, \u00e9d. Hans Bots &amp; Eug\u00e9nie Bots Estourgie, Paris, H. Champion.<\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Mancini, Hortense, duchesse de Mazarin (1646-1699)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2003, <em>Les M\u00e9moires d&#8217;Hortense et Marie Mancini<\/em>, Paris, Mercure de France .<br \/><\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Mancini, Marie (1639-1715)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2003, <em>Les M\u00e9moires d&#8217;Hortense et Marie Mancini<\/em>, Paris, Mercure de France .<br \/> &#8211; 1998, <em>La V\u00e9rit\u00e9 dans son jour<\/em>, \u00e9d. Patricia F. Cholakian &amp; Elizabeth C. Goldsmith, Delmar (New York), Scholars Facsimiles and Reprints, 1998.<br \/><\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Marguerite de Navarre (1492-1549)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2013, <em>\u0152uvres compl\u00e8tes X, vol. 1<\/em>,\u00a0<i>L\u2019Heptam\u00e9ron, <\/i>\u00e9d. Nicole Cazauran &amp; Sylvie Lef\u00e8vre, notes sur les \u00e9ditions anciennes par Annie Charon-Parent &amp; William Kemp,Paris, H. Champion.<br \/> &#8211; 2012,\u00a0<em>\u0152uvres compl\u00e8tes V &#8211;\u00a0<\/em><i>L\u2019Histoire des Satyres, et Nymphes de Dyane &#8211; Les Quatre Dames et les Quatre Gentilzhommes &#8211; La Coche<\/i>, \u00e9d.Andr\u00e9 Gendre, Loris Petris et Simone de Reyff, Paris, H. Champion.<br \/> &#8211; 2007,\u00a0<em>\u0152uvres compl\u00e8tes VIII &#8211; Chr\u00e9tiens et mondains, po\u00e8mes \u00e9pars,<\/em>\u00a0\u00e9d. Richard Cooper, Paris, H. Champion.<br \/> &#8211; 2006, Th\u00e9\u00e2tre : <em>L&#8217;Inquisiteur, Le Malade, Trop Prou Peu Moins, Les Quatre femmes, Les Parfaits amants, Com\u00e9die de Mont de Marsan, La Nativit\u00e9, Le D\u00e9sert,<\/em> \u00e9d. C. Masson &amp; N. Erickson Bouzrara, en collab. avec A. Evain, voir <a href=\"1\/\">anthologie <\/a>A. Evain, P. Gethner &amp; H. Goldwyn.<br \/> &#8211; 2005, <em>L&#8217;Heptam\u00e9ron<\/em>, \u00e9d. Marie-Claire Thomine et V\u00e9ronique Montagne, Neuilly, Atlande.<br \/> &#8211; 2002, <em>Oeuvres compl\u00e8tes IV &#8211; Th\u00e9\u00e2tre<\/em>, \u00e9d. Genevi\u00e8ve Hasenohr et Olivier Millet, sous la dir. de Nicole Cazauran, Paris, H. Champion. [\u00abCom\u00e9die de la Nativit\u00e9\u00bb; \u00abCom\u00e9die de l&#8217;Adoration des trois roys\u00bb; \u00abCom\u00e9die des Innocents\u00bb; \u00abCom\u00e9die du d\u00e9sert\u00bb; \u00abLe mallade\u00bb; \u00abL&#8217;inquisiteur\u00bb; \u00abTrop prou peu moins\u00bb; \u00abCom\u00e9die des quatre femmes\u00bb; \u00abCom\u00e9die sur le trepas du roy\u00bb; \u00abCom\u00e9die de Mont-de-Marsan\u00bb; \u00abCom\u00e9die des parfaits amants\u00bb]<br \/> &#8211; 2001, <em>Oeuvres compl\u00e8tes III,<\/em> \u00e9d. Simone de Reyff, sous la dir. de Nicole Cazauran, Paris, H. Champion. <em>(\u00abLe Triomphe de l&#8217;Agneau\u00bb)<\/em><br \/> &#8211; 2001, <em>Oeuvres compl\u00e8tes I,<\/em> \u00e9d. Sabine Lardon, sous la dir. de Nicole Cazauran, Paris, H. Champion. <em>(\u00abPater noster\u00bb; \u00abPetites oeuvres d\u00e9votes\u00bb)<\/em><br \/> &#8211; 2001, <em>Com\u00e9dies<\/em>, Clermont-Ferrand, Pal\u00e9o, coll. Fleurs de rh\u00e9torique. <em>(\u00abCom\u00e9die de la nativit\u00e9\u00bb; \u00abCom\u00e9die de l&#8217;adoration des trois rois\u00bb; \u00abCom\u00e9die des innocents\u00bb; \u00abCom\u00e9die du d\u00e9sert\u00bb)<\/em><br \/> &#8211; 2001, <em>Th\u00e9\u00e2tre<\/em>, Clermont-Ferrand, Pal\u00e9o, coll. Fleurs de rh\u00e9torique <em>(\u00abCom\u00e9die\u00bb; \u00abFarce de Trop, Prou, Peu, Moins\u00bb; \u00abLa coche\u00bb; \u00abL&#8217;ombre\u00bb; \u00abLa mort et r\u00e9surrection d&#8217;amour\u00bb; \u00abChanson faite \u00e0 une dame\u00bb; \u00abLes adieux des dames\u00bb; \u00ab\u00c9nigme\u00bb)<\/em><br \/> &#8211; 2001, <em>Chansons<\/em>, Clermont-Ferrand, Pal\u00e9o, coll. Fleurs de rh\u00e9torique. <em>(Titre d&#8217;ensemble: \u00abLes Marguerites\u00bb)<\/em>.<br \/> &#8211; 2001, <em>\u00c9p\u00eetres, dits et histoires,<\/em> Clermont-Ferrand, Pal\u00e9o, coll. Fleurs de rh\u00e9torique <em>(\u00abHistoire des nymphes et satyres de Diane\u00bb; \u00ab\u00c9p\u00eetres\u00bb; \u00abLes quatre dames et les quatre gentilshommes\u00bb)<\/em><br \/> &#8211; 2001, <em>Heptam\u00e9ron\/Maria Colino; d&#8217;apr\u00e8s Marguerite de Valois; Marguerite d&#8217;Angoul\u00eame,<\/em> pr\u00e9f. et adapt. Pierre Delort, Angoul\u00eame, Centre national de la bande dessin\u00e9e et de l&#8217;image.<br \/> &#8211; 2000, <em>Les Com\u00e9dies bibliques<\/em>, \u00e9d. Barbara Marczuk avec la collab. de Beata Skrzeszewska et Piotr Tylus, Gen\u00e8ve, Droz.<br \/> &#8211; 2000, <em>Heptam\u00e9ron<\/em>, \u00e9d. Nicole Cazauran et Sylvie Lef\u00e8vre, Paris, Gallimard, \u00abfolio classique\u00bb<br \/> &#8211; 1999, <em>Heptam\u00e9ron<\/em>, \u00e9d. Gis\u00e8le Mathieu-Castallani, Paris, LGF \u00able livre de poche classique\u00bb<br \/> &#8211; 1999, <em>Heptam\u00e9ron<\/em>, \u00e9d. Renja Salminen, Gen\u00e8ve, Droz.<br \/> &#8211; 1999, <em>Contes d&#8217;Angoul\u00eame<\/em> <em>(d&#8217;apr\u00e8s L&#8217;Heptam\u00e9ron)<\/em>, \u00e9d. Jean-Marie Boutinot, Paris, Ed. th\u00e9\u00e2trales Art et com\u00e9die.<br \/> &#8211; 1996, <em>Po\u00e9sies chr\u00e9tiennes<\/em>, \u00e9d. Nicole Cazauran, Paris, Le Cerf.<br \/> &#8211; 1995, <em>La Com\u00e9die de Mont-de-Marsan<\/em>, \u00e9d. Christian Barataud, Mont-de-Marsan, Feijoo.<br \/> &#8211; 1994, <em>Trois contes<\/em>, \u00e9d. Fran\u00e7oise Joukovski, Paris, La Table ronde.<br \/> &#8211; 1992, <em>Th\u00e9\u00e2tre profane<\/em>, \u00e9d. R\u00e9gine Reynolds-Cornell, Ottawa, Dovehouse Editions.<br \/> &#8211; 1992, <em>L&#8217;Heptam\u00e9ron<\/em>, \u00e9d. Lyc\u00e9e Marguerite de Valois, Angoul\u00eame. <em>(Transcription du prologue et des trois premi\u00e8res journ\u00e9es par l&#8217;\u00e9quipe de transcription du lyc\u00e9e Marguerite de Valois)<\/em><br \/> &#8211; 1991, <em>L&#8217;Heptam\u00e9ron<\/em>, \u00e9d. Michel Fran\u00e7ois, Paris, Bordas.<br \/> &#8211; 1991, <em>Heptam\u00e9ron<\/em>, \u00e9d. Renja Salminen, Helsinki, Suomalainen tiedeakatemia.<br \/><\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Marguerite de Valois (1553-1615)\u00a0<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<p><span styl\ne=\"font-size: 12pt;\"> &#8211; 2004, <a href=\"1\/\"><em>M\u00e9moires et discours<\/em>,<\/a> \u00e9d. Eliane Viennot, Saint-\u00c9tienne, Publications de l&#8217;Universit\u00e9 de Saint-\u00c9tienne.<br \/> &#8211; 2004, <em>M\u00e9moires<\/em>, \u00e9d. Yves Cazeaux, Paris, Mercure de France (r\u00e9\u00e9d. de 1971).<br \/> &#8211; 2000, <em>La Ruelle mal assortie (attribution erron\u00e9e)<\/em>, \u00e9d J.H. Mari\u00e9jol et al., Arles, Sulliver.<br \/> &#8211; 1999, <em>M\u00e9moires et autres \u00e9crits, 1574-1614,<\/em> \u00e9d. Eliane Viennot, Paris, Champion.<br \/> &#8211; 1998, <em>Correspondance, 1569-1614<\/em>, \u00e9d. Eliane Viennot, Paris, Champion.<br \/> &#8211; 1994, <em>M\u00e9moires<\/em>, \u00e9d. Sylvie Rozenberg, Toulouse, Ombres.<br \/> &#8211; 1994,<em> M\u00e9moires et autres \u00e9crits: la reine Margot<\/em>, Paris, Mercure de France.<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Marguerite du Saint-Sacrement (1590-1660)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt;\"> &#8211; 1993, <em>Lettres spirituelles<\/em>, \u00e9d. Pierre S\u00e9rouet, Paris, les Ed. du Cerf.<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Marguerite<\/strong><strong>du Saint-Sacrement (1619-1648)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt;\"> &#8211; 2002, <em>Correspondance, Livre IV, Lettres re\u00e7ues \u00e0 son sujet, 1660-1663<\/em>, \u00e9d. Soeur Marie-Fran\u00e7oise Grivot, Saint-Apollinaire, Forelle.<br \/> &#8211; 1991, <em>Correspondance, Livre I, lettres \u00e9crites par elle, re\u00e7ues par elle et \u00e9crites \u00e0 son sujet<\/em>, \u00e9d. Soeur Marie-Fran\u00e7oise Grivot, Carmel de Beaune.<br \/><\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Marie de France (1170av-1190ap)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2011, <em>Lais bretons (XIIe-XIIIe si\u00e8cles) : Marie de France et ses contemporains<\/em>, \u00e9d. bilingue et trad. Nathalie Koble &amp; Mireille S\u00e9guy, Paris, H. Champion.<br \/> &#8211; 2008, <em>Lais<\/em>, \u00e9d. Fran\u00e7oise Morvan, Arles, Actes Sud, \u00abBabel\u00bb.<br \/> &#8211; 2001, <em>Le Lai du rossignol et autres lais courtois<\/em>, \u00e9d. Fran\u00e7ois Morvan, Paris, EJL, \u00abLibrio\u00bb.<br \/> &#8211; 2000, <em>Lais<\/em>, \u00e9d. Bilingue Philippe Halter, Paris, Gallimard, \u00abfolio classique\u00bb.<br \/> &#8211; 1999, <em>Tristan et Iseut: r\u00e9cits du XIIe si\u00e8cle,<\/em> \u00e9d. B\u00e9n\u00e9dicte Milland-Bove, trad. adapt\u00e9e de Gabriel Bianchiotto, Paris, Larousse-Bordas, \u00abPetit classique Larousse\u00bb.<br \/> &#8211; 1997, <em>Lais<\/em>, trad. A. Micha, Paris, Garnier-Flammarion.<br \/> &#8211; 1995, <em>Le Lai de Lanval,<\/em> \u00e9d. Harf-Lancner, Paris, LGF, \u00abLe Livre de poche\u00bb.<br \/> &#8211; 1995, <em>Lai de lanval,<\/em> \u00e9d. Laurence Harf-Lancner &amp; Karl Warnke, Paris, LGF \u00able livre de poche\u00bb.<br \/> &#8211; 1994 (et 1997), <em>Lais de Marie de France,<\/em> \u00e9d. Jean-Marie Bourguignon, trad. d&#8217;Alexandre Micha, Paris, Flammarion, \u00abG.F.\u00bb<br \/> &#8211; 1991 (et 1998), <em>Les Fables<\/em>, \u00e9d. Charles Brucker, Louvain, Peeters.<br \/> &#8211; 1990 (et 1992, 1998), <em>Lais<\/em>, \u00e9d. Laurence Harf-Lancner et Karl Warnke, Paris, LGF \u00able livre de poche\u00bb, \u00ablettres gothiques\u00bb.<\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Marie-Antoinette (1755-1793)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2005, <em>Correspondance, 1770-1793<\/em>, \u00e9d. \u00c9velyne Lever, Paris, Tallandier.<br \/><\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Marquets, Anne de (1533?-1588)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 1997, <em>Sonnets spirituels (1605)<\/em>, \u00e9d. Gary Ferguson, Gen\u00e8ve, Droz.<\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Mercier, Marguerite de (mil. XVIIe s.)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2005, <em>Le Livre de raison<\/em>, in Gerhard Ernst &amp; Barbara Wolf (\u00e9d.), <em>Textes fran\u00e7ais priv\u00e9s des XVIIe et XVIIIe si\u00e8cles<\/em>, \u00c9dition \u00e9lectronique sur c\u00e9d\u00e9rom. T\u00fcbingen, Niemeyer.<br \/><\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>M\u00e9rard de Saint-Just, Anne (1765-1830)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2005, <em>Le Ch\u00e2teau noir ou les souffrances de la jeune Ophelle<\/em>, voir <a href=\"1\/\">anthologie<\/a> Huguette Krief.<\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\">\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Mornay, Charlotte Duplessis-Mornay, Mme de (1550-1606)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2010, <a href=\"1\/\"><em>Les M\u00e9moires de Madame de Mornay<\/em><\/a>, \u00e9d. Nadia Kuperty-Tsur, Paris, H. Champion.<\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Mortemart, Victuriennne Delphine Nathalie de (1759-1828)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2006: <em>Un merveilleux voyage, le journal d&#8217;une enfant pendant l&#8217;\u00e9t\u00e9 1769<\/em>, \u00e9d. Laetitia Gigault, avec une pr\u00e9face d&#8217;Isabelle Laboulais-Lesage, Strasbourg, \u00c9ditions La Nu\u00e9e Bleue\/DNA.<\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Motteville, Francoise Bertaut de (1615-1689)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 12pt;\"> &#8211; 2007, <em>Chronique de la Fronde<\/em>, \u00e9d. Jean-Michel Delacompt\u00e9e, Paris, Mercure de France.<br \/><\/span><\/span><\/p>\n<hr \/>\n<\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>Murat, Henriette-Julie de Castelnau, comtesse de (1668?-1716)<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"> &#8211; 2014,\u00a0<em><a href=\"http:\/\/www.siefar.org\/actualites-du-domaine\/dernieres-parutions\/parution-de-notre-diteur-partenaire-garnier-classiques,808\/?lang=fr&amp;li=sousrub13\">Journal pour Mademoiselle de Menou<\/a><\/em>, \u00e9d. Genevi\u00e8ve Clermidy-Patard, Paris, H. Champion.<br \/> &#8211; 2006, <em>Contes<\/em>, \u00e9d. Genevi\u00e8ve Patard, Paris, H. Champion.<br \/> <\/span><\/div>\n<p><span style=\"font-size: 12pt;\">\u00a0<\/span><\/p>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><br \/> <\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00a0<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: right;\">\n<div class=\"corpsTexte\" style=\"text-align: right;\"><span style=\"font-size: 12pt;\"><a href=\"1\/\"><strong>Retour \u00e0 la liste des autrices<\/strong><\/a><\/span><\/div>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><br \/> <\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><br \/> <\/span><\/p>\n<\/div>\n<p><span style=\"font-size: 12pt;\">\u00a0<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">\u00a0<\/span><\/p>\n<p><span styl\ne=\"font-size: 12pt;\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maintenon, Fran\u00e7oise d&#8217;Aubign\u00e9, marquise de (1635-1719) &#8211; 2017,\u00a0Correspondance. Lettres \u00e0 Madame de Maintenon, Volume XI et dernier. 1715-1719,\u00a0\u00e9d. Hans Bots, Eug\u00e9nie Bots-Estourgie et Catherine H\u00e9mon-Fabre, Paris, H. Champion. &#8211; 2017,\u00a0Lettres \u00e0 Madame de Maintenon\u00a0X &#8211; 1710-1714, \u00e9d. Hans Bots, Eug\u00e9nie Bots-Estourgie et Catherine H\u00e9mon-Fabre, Paris, H. Champion. &#8211; 2016,\u00a0\u00a0Lettres \u00e0 Madame de Maintenon\u00a0IX. 1706-1709, \u00e9d. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1933,"parent":2975,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2980","page","type-page","status-publish","has-post-thumbnail","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2980"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2980\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2975"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}