{"id":2922,"date":"2009-09-18T14:38:21","date_gmt":"2009-09-18T14:38:21","guid":{"rendered":"http:\/\/251"},"modified":"2009-09-18T14:38:21","modified_gmt":"2009-09-18T14:38:21","slug":"louise-labe-debat-de-folie-et-d-amour-elegies-sonnet","status":"publish","type":"page","link":"https:\/\/siefar.org\/gb\/publications-articles\/louise-labe-debat-de-folie-et-d-amour-elegies-sonnet\/","title":{"rendered":"Louise Lab\u00e9. D\u00e9bat de Folie et d’Amour, Elegies, Sonnet"},"content":{"rendered":"
Isabelle GARNIER-MATHEZ, Daniel MARTIN<\/span><\/strong><\/span>
\n<\/span><\/strong><\/div>\n

\n<\/strong><\/div>\n
Neuilly, Atlande, 2004, 287 pages.<\/span><\/strong>
\n<\/span><\/div>\n

\nParu dans la collection «Clefs concours», cet ouvrage s’adresse tout particulièrement aux candidats à l’agrégation. Il présente une étude littéraire de l’oeuvre de Louise Labé (Daniel Martin) ainsi qu’une étude de la langue et du style (Isabelle Garnier-Mathez).<\/span><\/div>\n

\nTable des matières :<\/strong><\/p>\n

INTRODUCTION
\n<\/span><\/div>\n


\nREPERES<\/strong>
\n<\/span><\/div>\n

\n1. Biographie
\n2. Contexte culturel
\n3. Le volume des Oeuvres
\n4. Le Débat de Folie et d’Amour : un dialogue atypique
\n5. Le Canzionere
\n<\/span><\/div>\n

\n<\/span>PROBLEMATIQUES<\/span><\/strong><\/div>\n

\n1. Diversité et unité du volume des Oeuvres
\n2. Le Débat : de la querelle à la décrispation
\n3. Le Canzionere : poésie amoureuse et amour de la poésie
\n<\/span><\/div>\n

\n<\/span>PISTES POUR L’ETUDE DE LANGUE ET DE STYLE<\/span><\/strong><\/div>\n

\nLexicologie
\nGrammaire
\nRemarques nécessaires
\nElements d’analyse stylistique<\/p>\n

<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Isabelle GARNIER-MATHEZ, Daniel MARTIN Neuilly, Atlande, 2004, 287 pages. Paru dans la collection «Clefs concours», cet ouvrage s’adresse tout particulièrement aux candidats à l’agrégation. Il présente une étude littéraire de l’oeuvre de Louise Labé (Daniel Martin) ainsi qu’une étude de la langue et du style (Isabelle Garnier-Mathez). Table des matières : INTRODUCTION REPERES 1. Biographie […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":2851,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2922","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2922"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2922\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2851"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}