{"id":2893,"date":"2009-09-18T11:41:04","date_gmt":"2009-09-18T11:41:04","guid":{"rendered":"http:\/\/222"},"modified":"2009-09-18T11:41:04","modified_gmt":"2009-09-18T11:41:04","slug":"l-apparition-des-actrices-professionnelles-en-europe","status":"publish","type":"page","link":"https:\/\/siefar.org\/gb\/publications-articles\/l-apparition-des-actrices-professionnelles-en-europe\/","title":{"rendered":"L&#8217;Apparition des actrices professionnelles en Europe"},"content":{"rendered":"<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"color: rgb(128, 0, 0);\"><strong><span style=\"font-size: small;\"><img loading=\"lazy\" decoding=\"async\" align=\"left\" width=\"100\" height=\"161\" style=\"margin-right: 10px; margin-bottom: 10px;\" src=\"docsiefar\/image\/Evain%20-%20Actrices.jpg\" alt=\"\" \/>Aurore EVAIN<\/span><\/strong><\/span><strong><br \/>\n<\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><br \/>\n<\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><strong><span style=\"font-size: small;\">Paris, L&#8217;Harmattan, &quot; Univers Th&eacute;&acirc;tral &quot;, 241 p., 2001 ISBN : 2-7475-1185-5, 18.30 euros<\/span><\/strong><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\nLes actrices ne furent pas de tout temps les bienvenues sur la sc&egrave;ne de nos th&eacute;&acirc;tres. Leur apparition, entre le XVIe et le XVIIe si&egrave;cles, suscita de vives pol&eacute;miques. Pourtant, partout o&ugrave; elle fut accueillie, l&#8217;actrice &eacute;vin&ccedil;a l&#8217;acteur travesti, et devint en quelques ann&eacute;es une figure centrale du th&eacute;&acirc;tre.<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\nPourquoi la femme, jusqu&#8217;alors bannie du jeu dramatique, fut-elle soudain f&ecirc;t&eacute;e sur la sc&egrave;ne th&eacute;&acirc;trale europ&eacute;enne? Comment cette r&eacute;volution sc&eacute;nique put-elle s&#8217;op&eacute;rer? Quelles en furent les cons&eacute;quences&#8217;<\/span><\/div>\n<div style=\"text-align: justify;\" class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>\nEn partant &agrave; la d&eacute;couverte des premi&egrave;res com&eacute;diennes, ce livre s&#8217;adresse &agrave; tous ceux qui s&#8217;int&eacute;ressent au monde du th&eacute;&acirc;tre et &agrave; l&#8217;histoire de nos soci&eacute;t&eacute;s. A travers cette nouvelle figure f&eacute;minine, se dessinent en effet les profondes mutations culturelles qui agitaient l&#8217;&eacute;poque, et dont le th&eacute;&acirc;tre se faisait l&#8217;&eacute;cho. De la prostitu&eacute;e &agrave; l&#8217;artiste accomplie, des personnalit&eacute;s vari&eacute;es et inattendues &eacute;mergent de cette Histoire originelle de l&#8217;actrice.<\/p>\n<p><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Aurore EVAIN Paris, L&#8217;Harmattan, &quot; Univers Th&eacute;&acirc;tral &quot;, 241 p., 2001 ISBN : 2-7475-1185-5, 18.30 euros Les actrices ne furent pas de tout temps les bienvenues sur la sc&egrave;ne de nos th&eacute;&acirc;tres. Leur apparition, entre le XVIe et le XVIIe si&egrave;cles, suscita de vives pol&eacute;miques. Pourtant, partout o&ugrave; elle fut accueillie, l&#8217;actrice &eacute;vin&ccedil;a l&#8217;acteur travesti, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":2851,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2893","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2893"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2893\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2851"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}