{"id":2855,"date":"2009-09-15T11:57:07","date_gmt":"2009-09-15T11:57:07","guid":{"rendered":"http:\/\/184"},"modified":"2009-09-15T11:57:07","modified_gmt":"2009-09-15T11:57:07","slug":"theatre-de-femmes-de-l-ancien-regime-vol-2-xviie-siecle","status":"publish","type":"page","link":"https:\/\/siefar.org\/gb\/publications-articles\/theatre-de-femmes-de-l-ancien-regime-vol-2-xviie-siecle\/","title":{"rendered":"Th\u00e9\u00e2tre de femmes de l&#8217;Ancien R\u00e9gime, vol. 2, XVIIe si\u00e8cle"},"content":{"rendered":"<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><span style=\"color: rgb(128, 0, 0);\"><strong><img loading=\"lazy\" decoding=\"async\" width=\"95\" vspace=\"4\" hspace=\"6\" height=\"154\" align=\"left\" alt=\"\" src=\"docsiefar\/image\/Couverture%20vol%202.gif\" style=\"margin-right: 10px; margin-bottom: 10px;\" \/>Dir. Aurore Evain, Perry Gethner, Henriette Goldwyn<\/strong><\/span><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Saint-&Eacute;tienne, Publications de l&#8217;Universit&eacute;, collection &laquo; la cit&eacute; des dames &raquo; n&deg; 6, 2008, 624 p., 15 euros.<\/strong><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Apr&egrave;s les premi&egrave;res exp&eacute;riences, rares mais foisonnantes, du XVIe si&egrave;cle, et apr&egrave;s une &eacute;clipse de plus de cinquante ans, le th&eacute;&acirc;tre des femmes prend son essor dans les ann&eacute;es 1650. Des animatrices de salons, des po&eacute;tesses, des romanci&egrave;res, une religieuse m&ecirc;me voient leurs pi&egrave;ces publi&eacute;es, recens&eacute;es dans les grands journaux, jou&eacute;es par des troupes professionnelles &agrave; l&rsquo;H&ocirc;tel de Bourgogne, au th&eacute;&acirc;tre du Marais, &agrave; la Cour&hellip;Les neuf pi&egrave;ces rassembl&eacute;es ici, qui s&rsquo;&eacute;chelonnent de 1655 &agrave; 1680, rel&egrave;vent de tous les genres alors pratiqu&eacute;s: la com&eacute;die en un acte, la tragi-com&eacute;die, la com&eacute;die-ballet et la trag&eacute;die. Elles sont l&rsquo;&oelig;uvre de la Lyonnaise Fran&ccedil;oise Pascal, l&rsquo;une des dramaturges les plus prolifiques, qui donne un nouveau souffle &agrave; la &laquo;petite com&eacute;die&raquo;; de Mme de Villedieu, adul&eacute;e dans les salons pour son esprit et ses vers, pensionn&eacute;e par Louis XIV, qui questionne sans rel&acirc;che l&rsquo;histoire, la politique, les r&ocirc;les de sexe, tout en adh&eacute;rant aux nouveaux codes du classicisme; de la s&oelig;ur de La Chapelle, dont L&rsquo;Illustre philosophe ou l&rsquo;histoire de sainte Catherine d&rsquo;Alexandrie montre une autre face du d&eacute;bat sur les femmes savantes; d&rsquo;Anne de La Roche-Guilhen, protestante r&eacute;fugi&eacute;e en Angleterre, qui fait jouer sa com&eacute;die-ballet devant Charles II ; et enfin de la c&eacute;l&egrave;bre po&eacute;tesse Mme Deshouli&egrave;res, qui sonne le glas de cette p&eacute;riode lumineuse et galante avec une trag&eacute;die d&rsquo;un pessimisme in&eacute;dit.<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><em><span style=\"font-size: small;\">A. Evain est com&eacute;dienne et pr&eacute;pare une th&egrave;se sur les autrices de th&eacute;&acirc;tre de l&rsquo;Ancien R&eacute;gime; P. Gethner, professeur &agrave; Oklahoma University, a publi&eacute; la premi&egrave;re anthologie d&eacute;di&eacute;e aux femmes dramaturges de cette &eacute;poque; H. Goldwyn, professeure &agrave; New York University, a consacr&eacute; plusieurs &eacute;tudes &agrave; celles du XVIIe si&egrave;cle.<\/span><\/em><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Volume broch&eacute;, format poche, textes en orthographe et ponctuations modernis&eacute;es. ISBN 978-2-86272-475-1.<\/p>\n<p><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><span style=\"font-size: small;\"><strong>Table des mati&egrave;res<\/strong><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Introduction<br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Fran&ccedil;oise Pascal<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Notice<br \/>\n*<em> L&rsquo;Amoureux extravagant<\/em>, pi&egrave;ce comique, 1657<br \/>\n* <em>L&rsquo;Amoureuse vaine et ridicule<\/em>, pi&egrave;ce comique, 1657<br \/>\n* <em>S&eacute;sostris<\/em>, tragi-com&eacute;die, 1661<br \/>\n* <em>Le Vieillard amoureux<\/em>, pi&egrave;ce comique, 1664<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>S&oelig;ur de La Chapelle<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Notice<br \/>\n* <em>L&rsquo;Illustre philosophe, ou l&rsquo;histoire de sainte Catherine d&rsquo;Alexandrie<\/em>, trag&eacute;die, 1663<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Mme de Villedieu<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Notice<br \/>\n* <em>Manlius<\/em>, tragi-com&eacute;die, 1662<br \/>\n* <em>Le Favori<\/em>, tragi-com&eacute;die, 1665<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Anne de La Roche-Guilhen<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Notice<br \/>\n* <em>Rare-en-tout<\/em>, com&eacute;die-ballet, 1677<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<ul>\n<li>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Antoinette Deshouli&egrave;res<\/strong><\/span><\/div>\n<\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Notice<br \/>\n* <em>Gens&eacute;ric<\/em>, trag&eacute;die, 1680<br \/>\nCompl&eacute;ment bibliographique<br \/>\nGlossaire<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><\/div>\n<div class=\"corpsTexte\" style=\"text-align: center;\"><span style=\"font-size: small;\"><strong>&Eacute;quipe &eacute;ditoriale<\/strong><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><\/div>\n<ul>\n<li><span style=\"font-size: small;\">Direction &eacute;ditoriale: Aurore Evain, Perry Gethner &amp; Henriette Goldwyn<br \/>\n    <\/span><\/li>\n<li><span style=\"font-size: small;\">Introduction au volume: Henriette Goldwyn &amp; Aurore Evain<br \/>\n    <\/span><\/li>\n<li><span style=\"font-size: small;\">&Eacute;dition des pi&egrave;ces de Fran&ccedil;oise Pascal: Perry Gethner &amp; Deborah Steinberger<br \/>\n    <\/span><\/li>\n<li><span style=\"font-size: small;\">&Eacute;dition de la pi&egrave;ce de la s&oelig;ur de La Chapelle: Paul A. Scott<\/span><\/li>\n<li><span style=\"font-size: small;\">&Eacute;dition des pi&egrave;ces de Mme de Villedieu: Henriette Goldwyn<br \/>\n    <\/span><\/li>\n<li><span style=\"font-size: small;\">&Eacute;dition de la pi&egrave;ce d&rsquo;Anne de La Roche-Guilhen: Juliette Cherbuliez* &Eacute;dition de la pi&egrave;ce de Mme Deshouli&egrave;res: Perry Gethner<br \/>\n    <\/span><\/li>\n<\/ul>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\nPlus d&#8217;informations sur le &quot;site compagnon&quot; de l&#8217;anthologie (extraits, actualit&eacute;s, articles&#8230;): <\/span><span style=\"font-size: small;\"><a href=\"http:\/\/www.theatredefemmes-ancienregime.org\"><span style=\"font-size: small;\">http:\/\/www.theatredefemmes-ancienregime.org<\/span><\/a><\/span><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><a href=\"https:\/\/publications.univ-st-etienne.fr\/product.php?id_produit=460\"><strong>Acheter en ligne <\/strong><\/a><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">Pour commander l&#8217;ouvrage aupr&egrave;s de votre libraire, le distributeur des PUSE est la SODIS.<br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\">  <br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n<div class=\"corpsTexte\" style=\"text-align: justify;\"><span style=\"font-size: small;\"><br \/>\n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dir. Aurore Evain, Perry Gethner, Henriette Goldwyn Saint-&Eacute;tienne, Publications de l&#8217;Universit&eacute;, collection &laquo; la cit&eacute; des dames &raquo; n&deg; 6, 2008, 624 p., 15 euros. Apr&egrave;s les premi&egrave;res exp&eacute;riences, rares mais foisonnantes, du XVIe si&egrave;cle, et apr&egrave;s une &eacute;clipse de plus de cinquante ans, le th&eacute;&acirc;tre des femmes prend son essor dans les ann&eacute;es 1650. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":2851,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2855","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/comments?post=2855"}],"version-history":[{"count":0,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2855\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/pages\/2851"}],"wp:attachment":[{"href":"https:\/\/siefar.org\/gb\/wp-json\/wp\/v2\/media?parent=2855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}